View of Toledo, El Greco (Domenikos Theotokopoulos)

Seen

Not described yet.

Of

These are claims by the holder and by Wikidata, read 2026-09-04, and join nothing until an editor confirms them.

Holder's headings
Buildings, Cities
Wikidata depicts
city, cathedral, Toledo, cloud, tree, bridge, Tagus River, building, alcázar, Castle of San Servando, Toledo

Means

No reading yet.

Rights

Credit
H. O. Havemeyer Collection, Bequest of Mrs. H. O. Havemeyer, 1929
Licence
CC0-1.0
Evidence
metmuseum.org collection api v1: isPublicDomain=true on object 436575 (read 2026-09-01)
Record
https://www.metmuseum.org/art/collection/search/436575
View of Toledo, El Greco (Domenikos Theotokopoulos)
View of Toledo — El Greco (Domenikos Theotokopoulos)ca. 1599–1600

Also by El Greco (Domenikos Theotokopoulos)

3
Christ Healing the Blind, El Greco (Domenikos Theotokopoulos)
Christ Healing the BlindEl Greco (Domenikos Theotokopoulos)ca. 1570Metropolitan Museum of Art, New York, NY
The Adoration of the Shepherds, El Greco (Domenikos Theotokopoulos)
The Adoration of the ShepherdsEl Greco (Domenikos Theotokopoulos)ca. 1605–10Metropolitan Museum of Art, New York, NY
The Vision of Saint John, El Greco (Domenikos Theotokopoulos)
The Vision of Saint JohnEl Greco (Domenikos Theotokopoulos)ca. 1608–14Metropolitan Museum of Art, New York, NY

Within fifty years of ca. 1599–1600

666
River Landscape with Five Bare Spruce Trees in the Foreground, Augustin Hirschvogel (German, 1503–1553)
River Landscape with Five Bare Spruce Trees in the ForegroundAugustin Hirschvogel (German, 1503–1553)1549Cleveland Museum of Art
Abrahams offering, Unknown
Abrahams offeringUnknown1549Amsterdam Museum
Panel of Ornament with Two Nude Boys Standing on the Legs of a Satyr, Heinrich Aldegrever
Panel of Ornament with Two Nude Boys Standing on the Legs of a SatyrHeinrich Aldegrever1549The Art Institute of Chicago
Drunkenness of Noah, Michelangelo Buonarroti
Drunkenness of NoahMichelangelo Buonarrotin.d.The Art Institute of Chicago
The Wayfarer Crowned by Happiness from The Table of Cebes, David Kandel
The Wayfarer Crowned by Happiness from The Table of CebesDavid Kandel1550–80Metropolitan Museum of Art, New York, NY
Crucified Man, Melchior Lorck (Danish, 1526/27–after 1588); Michelangelo Buonarroti (Italian, 1475–1564)
Crucified ManMelchior Lorck (Danish, 1526/27–after 1588); Michelangelo Buonarroti (Italian, 1475–1564)1550Cleveland Museum of Art
Picnic in the Mountains; Single Page Illustration, Muhammadi (Iranian)
Picnic in the Mountains; Single Page IllustrationMuhammadi (Iranian)c. 1550–1600Cleveland Museum of Art
Nushirwan Listens to the Owls (recto): Illustration and Text, Persian Verses, from a Manuscript of the Khamsa of Nizami, Makhzan al-Asrar [Treasure of Secrets], Unknown
Nushirwan Listens to the Owls (recto): Illustration and Text, Persian Verses, from a Manuscript of the Khamsa of Nizami, Makhzan al-Asrar [Treasure of Secrets]Unknown1555–65Cleveland Museum of Art

Also at Metropolitan Museum of Art, New York, NY

675
Marble female figure, Bastis Master
Marble female figureBastis Master2600–2400 BCEMetropolitan Museum of Art, New York, NY
Relief Fragment with a Ship Under Sail, Unknown
Relief Fragment with a Ship Under SailUnknownca. 2465–2458 BCEMetropolitan Museum of Art, New York, NY
Tomb Chapel of Raemkai: South Wall, Unknown
Tomb Chapel of Raemkai: South WallUnknownca. 2446–2389 BCEMetropolitan Museum of Art, New York, NY
West wall of the chapel of the mastaba Kaemsenu with niches for Iretnub, Kaemsenu and Werdjedptah, Unknown
West wall of the chapel of the mastaba Kaemsenu with niches for Iretnub, Kaemsenu and WerdjedptahUnknownca. 2420–2250 BCEMetropolitan Museum of Art, New York, NY
Design amulet, Cow and Calf on the Back, Device showing Antithetical Falcons Flanking an Ankh Sign over a Crouching Lion, Unknown
Design amulet, Cow and Calf on the Back, Device showing Antithetical Falcons Flanking an Ankh Sign over a Crouching LionUnknownca. 2150–2100 B.C.Metropolitan Museum of Art, New York, NY
Design Amulet, Pyramidal Back with Horizontal Piercing, Device showing Two Falcons Flanking what is meant to be an Ankh Sign, Unknown
Design Amulet, Pyramidal Back with Horizontal Piercing, Device showing Two Falcons Flanking what is meant to be an Ankh SignUnknownca. 2150–2010 B.C.Metropolitan Museum of Art, New York, NY
Design Amulet, Cow Nursing Calf and also a Kneeling Suckling Man Visible on Opposite Side on the Back, Device showing Antithetical Falcons with an Ankh Sign over a Lion, Unknown
Design Amulet, Cow Nursing Calf and also a Kneeling Suckling Man Visible on Opposite Side on the Back, Device showing Antithetical Falcons with an Ankh Sign over a LionUnknownca. 2150–2100 B.C.Metropolitan Museum of Art, New York, NY
Design Amulet, Back in the Form of a Woman Suckling a Child, Device showing Two Lizards Head-to-tail, Unknown
Design Amulet, Back in the Form of a Woman Suckling a Child, Device showing Two Lizards Head-to-tailUnknownca. 2100–2080 B.C.Metropolitan Museum of Art, New York, NY

In the stacks

Not yet checked1

Passages in the library’s own holdings that name this maker. The model ranked them; nobody has checked that the name means this person.

  1. Vision and Design · Roger Fry

    For one thing, the idea goes back behind Michelangelo to Signorelli, and in his case, at least, one can see no trace of any preoccupation with those psychological states, but rather a pure passion for a particular kind of rhythmic design. Moreover, the general principle of the continued enlargement of the unit of design was bound to occur the moment artists recovered from the debauch of naturalism of the fifteenth century and became conscious again of the demands of abstract design. In trying thus to place El Greco’s art in
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Made in the sixteenth century, like View of Toledo.

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