Of These are claims by the holder and by Wikidata, read 2026-09-04, and join nothing until an editor confirms them.
Holder's headings Female Nudes Wikidata depicts nude Close Reclining Female Nude — Rembrandt (Rembrandt van Rijn) 1658
Also by Rembrandt (Rembrandt van Rijn) 8 Portrait of a Young Woman with a Fan Rembrandt (Rembrandt van Rijn)1633 Metropolitan Museum of Art, New York, NY The Last Supper, after Leonardo da Vinci Rembrandt (Rembrandt van Rijn)1634–35 Metropolitan Museum of Art, New York, NY Herman Doomer (ca. 1595–1650) Rembrandt (Rembrandt van Rijn)1640 Metropolitan Museum of Art, New York, NY The Toilet of Bathsheba Rembrandt (Rembrandt van Rijn)1643 Metropolitan Museum of Art, New York, NY Cottage near the Entrance to a Wood Rembrandt (Rembrandt van Rijn)1644 Metropolitan Museum of Art, New York, NY Cottage among Trees Rembrandt (Rembrandt van Rijn)ca. 1650 Metropolitan Museum of Art, New York, NY Flora Rembrandt (Rembrandt van Rijn)ca. 1654 Metropolitan Museum of Art, New York, NY Aristotle with a Bust of Homer Rembrandt (Rembrandt van Rijn)1653 Metropolitan Museum of Art, New York, NY
Within fifty years of 1658 1145 The Vision of Saint John El Greco (Domenikos Theotokopoulos)ca. 1608–14 Metropolitan Museum of Art, New York, NY Das Valete: uber den Tractat der Arcanorum Basilii Valentini zusammen gesetzten Hauptschluss Puncten dess Liechts der Natur Reinhart, Hans Christoph1608 Stiftung der Werke von C.G.Jung, Zürich, online Rosarium novum olympicum et benedictum ... Figulus, Benedictus1608 Stiftung der Werke von C.G.Jung, Zürich Rodolphi Goclenii uranoscopiae, chiroscopiae, metoposcopiae, et ophtalmoscopiae, contemplatio, qua probatur, divinationem ex astris, lineisque manuum, fronte, facie & oculis nec impiam esse nec superstitiosam Goclenius, Rudolph1608 Stiftung der Werke von C.G.Jung, Zürich Q. Septimii Florentis Tertulliani Carthaginiensis presbyteri, Opera quae hactenus reperiri potuerunt omnia : Iam postremum, ad exemplaria manuscripta collatione facta, quam accuratiss. recognita, aliquot etiam libris auctiora nunc primum in capita, & certo ordine, habita quantum fieri potuit temporum ratione, in quinque tomos distincta. : Cum Jacobi Pamelii ... argumentis & adnotationibus toti operi interiectis, quibus tum loci obscuriores explicantur, tum quicquid ad antiquitatem ecclesiasticam spectat, illustratur. Ab eodem Pamelio recens adiecta Tertulliani vita, scripturarum citatarum index locupletiss. aliaque prolegomena. : Accessere & loci ex coniectura Latini Latinii Viterbiensis restituti, & erudita in lib. De Pallio Joannis Mercerii antecessoris Bituricensis commentaria. Catalogum totius operis inveniet lector post epistolas dedicatorias, & in singulis tomis praefatiunculas de librorum ordine Tertullianus, Quintus Septimius Florens1608 Stiftung der Werke von C.G.Jung, Zürich Gemma gemmarum alchimistarum oder Erleuterung der parabolischen und philosophischen Schrifften Fratris Basilii, der zwölff Schlüssel von dem Stein der uhralten Weisen und desselben aussdrücklichen unnd warhafften Praeparation ... : item Ausslegung Rythmorum Basilii von der Materia des Steins der Philosophen ... / Gemma gemmarum alchimistarum oder Erleuterung der parabolischen und philosophischen Schrifften Fratris Basilii. Unknown1608 Stiftung der Werke von C.G.Jung, Zürich Gemma gemmarum alchimistarum oder Erleuterung der parabolischen und philosophischen Schrifften Fratris Basilii, der zwölff Schlüssel von dem Stein der uhralten Weisen und desselben aussdrücklichen unnd warhafften Praeparation ... : item Ausslegung Rythmorum Basilii von der Materia des Steins der Philosophen ... / Gründliche Ausslegung und warhafftige Erklerung der rythmorum Fratris Basilii Valentini Monachi. Unknown1608 Stiftung der Werke von C.G.Jung, Zürich Writing Example from Spieghel der Schrijfkonste. Tweede Deel (The Mirror of Art Writing, Second Part) Jan van de Velde I, Netherlandish, 1569–16231609 Cooper Hewitt, Smithsonian Design Museum
Also at Metropolitan Museum of Art, New York, NY 680 Marble female figure Bastis Master2600–2400 BCE Metropolitan Museum of Art, New York, NY Relief Fragment with a Ship Under Sail Unknownca. 2465–2458 BCE Metropolitan Museum of Art, New York, NY Tomb Chapel of Raemkai: South Wall Unknownca. 2446–2389 BCE Metropolitan Museum of Art, New York, NY West wall of the chapel of the mastaba Kaemsenu with niches for Iretnub, Kaemsenu and Werdjedptah Unknownca. 2420–2250 BCE Metropolitan Museum of Art, New York, NY Design amulet, Cow and Calf on the Back, Device showing Antithetical Falcons Flanking an Ankh Sign over a Crouching Lion Unknownca. 2150–2100 B.C. Metropolitan Museum of Art, New York, NY Design Amulet, Pyramidal Back with Horizontal Piercing, Device showing Two Falcons Flanking what is meant to be an Ankh Sign Unknownca. 2150–2010 B.C. Metropolitan Museum of Art, New York, NY Design Amulet, Cow Nursing Calf and also a Kneeling Suckling Man Visible on Opposite Side on the Back, Device showing Antithetical Falcons with an Ankh Sign over a Lion Unknownca. 2150–2100 B.C. Metropolitan Museum of Art, New York, NY Design Amulet, Back in the Form of a Woman Suckling a Child, Device showing Two Lizards Head-to-tail Unknownca. 2100–2080 B.C. Metropolitan Museum of Art, New York, NY In the stacks Not yet checked 2
Passages in the library’s own holdings that name this maker. The model ranked them; nobody has checked that the name means this person.
Seven Discourses on Art · Joshua, Sir Reynolds
By this mode of reasoning Rembrandt has a higher place than Raffaelle. But a very little reflection will serve to show us that these particularities cannot be nature: for how can that be the nature of man, in which no two individuals are the same? It plainly appears that as a work is conducted under the influence of general ideas or partial it is principally to be considered as the effect of a good or a bad taste. As beauty therefore does not consist in taking what lies immediately before … 0.69 principles of art history · heinrich wolfflin
PAINTING 95 Rembrandt The great Ecce Homo (etching of 1650) is an analogous case. As is known, the schema of the composition dates back to a Cinquecentist, Lucas van Leyden. A house wall and a terrace before it, seen frontally; people who have taken up their stand side by side in rows on and in front of the terrace—how are we to get a baroque picture out of all that? We learn with Rembrandt that it is not the subject but the treatment which matters. While Lucas van Leyden exhausts … 0.68 Add a connection Propose a reading
Next Made in the seventeenth century, like Reclining Female Nude.
![[Adoration of the shepherds: night piece], Rembrandt Harmenszoon van Rijn, 1606-1669, artist](https://library.wrkhrs.co/artwork/loc-2015645651.jpg)
