Sketch of Anatomical Sculpture (recto), Paul Cezanne (French, 1839–1906)

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Rights

Credit
Bequest of Leonard C. Hanna Jr.
Licence
CC0-1.0
Evidence
openaccess-api.clevelandart.org: share_license_status=CC0 on artwork 135100 (read 2026-08-27)
Record
https://clevelandart.org/art/1958.14.a
Sketch of Anatomical Sculpture (recto), Paul Cezanne (French, 1839–1906)
Sketch of Anatomical Sculpture (recto) — Paul Cezanne (French, 1839–1906)1881/84

Also by Paul Cezanne (French, 1839–1906)

7
Sketch of Anatomical Sculpture (recto) Sketch of Madame Cézanne (verso) , Paul Cezanne (French, 1839–1906)
Sketch of Anatomical Sculpture (recto) Sketch of Madame Cézanne (verso) Paul Cezanne (French, 1839–1906)1881–84Cleveland Museum of Art
Sketch of Madame Cézanne (verso), Paul Cezanne (French, 1839–1906)
Sketch of Madame Cézanne (verso)Paul Cezanne (French, 1839–1906)1881/84Cleveland Museum of Art
Footpath in the Woods, Paul Cezanne (French, 1839–1906)
Footpath in the WoodsPaul Cezanne (French, 1839–1906)1882–84Cleveland Museum of Art
The Pigeon Tower at Bellevue, Paul Cezanne (French, 1839–1906)
The Pigeon Tower at BellevuePaul Cezanne (French, 1839–1906)1890Cleveland Museum of Art
The Brook, Paul Cezanne (French, 1839–1906)
The BrookPaul Cezanne (French, 1839–1906)c. 1895–1900Cleveland Museum of Art
The Bathers (Large Plate), Paul Cezanne (French, 1839–1906)
The Bathers (Large Plate)Paul Cezanne (French, 1839–1906)1896–97Cleveland Museum of Art
Mount Sainte-Victoire, Paul Cezanne (French, 1839–1906)
Mount Sainte-VictoirePaul Cezanne (French, 1839–1906)c. 1904Cleveland Museum of Art

Within fifty years of 1881/84

3934
Staffa, Fingal's Cave, Joseph Mallord William Turner
Staffa, Fingal's CaveJoseph Mallord William Turnerexhibited 1832Yale Center for British Art
Sampler, Unknown
SamplerUnknown1831Cooper Hewitt, Smithsonian Design Museum
Plate, from a Dessert Service, Sèvres Porcelain Manufactory, French, established 1756
Plate, from a Dessert ServiceSèvres Porcelain Manufactory, French, established 17561831Cooper Hewitt, Smithsonian Design Museum
Notebook cover, Unknown
Notebook coverUnknown1831Cooper Hewitt, Smithsonian Design Museum
Design for a Triumphal Arch in Honor of the Polish General Skrzynecki, Josef Georg Kornhäusel, Austrian, 1782 - 1860
Design for a Triumphal Arch in Honor of the Polish General SkrzyneckiJosef Georg Kornhäusel, Austrian, 1782 - 18601831Cooper Hewitt, Smithsonian Design Museum
Hamamatsu, from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)," also known as the Tokaido with Poem (Kyoka iri Tokaido), Utagawa Hiroshige
Hamamatsu, from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)," also known as the Tokaido with Poem (Kyoka iri Tokaido)Utagawa Hiroshigec. 1837/42The Art Institute of Chicago
Mitsuke: Ferries Crossing the Tenryu River (Mitsuke, Tenryugawa funawatashi), from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)," also known as the Tokaido with Poem (Kyoka iri Tokaido), Utagawa Hiroshige
Mitsuke: Ferries Crossing the Tenryu River (Mitsuke, Tenryugawa funawatashi), from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)," also known as the Tokaido with Poem (Kyoka iri Tokaido)Utagawa Hiroshigec. 1837/42The Art Institute of Chicago
Arai, from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)," also known as the Tokaido with Poem (Kyoka iri Tokaido), Utagawa Hiroshige
Arai, from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)," also known as the Tokaido with Poem (Kyoka iri Tokaido)Utagawa Hiroshigec. 1837/42The Art Institute of Chicago

Also at Cleveland Museum of Art

375
Relief of Nyankhnesut Seated, Unknown
Relief of Nyankhnesut SeatedUnknownc. 2311–2281 BCECleveland Museum of Art
Stele of Shemai, Unknown
Stele of ShemaiUnknownc. 1960–1916 BCECleveland Museum of Art
Relief of Hatshepsut or Tuthmosis III, Unknown
Relief of Hatshepsut or Tuthmosis IIIUnknown1479–1425 BCECleveland Museum of Art
Talatat: Portrait of Nefertiti, Unknown
Talatat: Portrait of NefertitiUnknownc. 1353–1347 BCECleveland Museum of Art
Talatat: Portrait of Nefertiti, Unknown
Talatat: Portrait of NefertitiUnknownc. 1353–1347 BCECleveland Museum of Art
Talatat: Nefertiti Offers to the Aten, Unknown
Talatat: Nefertiti Offers to the AtenUnknown1353–1347 BCECleveland Museum of Art
Tomb Relief of the Chief Physician Amenhotep and Family, Unknown
Tomb Relief of the Chief Physician Amenhotep and FamilyUnknownc. 1279–1257 BCECleveland Museum of Art
Stele of the High Priest of Ptah, Shedsunefertem, Unknown
Stele of the High Priest of Ptah, ShedsunefertemUnknown945–924 BCECleveland Museum of Art

Similar picturesFound by visual likeness

8 pictures

Visual resemblances suggested by the model. A match does not establish a shared subject or historical connection.

Fortitude (?), Giovanni Battista Beinaschi
Fortitude (?)Giovanni Battista Beinaschica. 1640–88Cooper Hewitt, Smithsonian Design Museum
0.90
Male nude, Unknown
Male nudeUnknownlate 17th centuryCooper Hewitt, Smithsonian Design Museum
0.90
Study of Hands, Jean-Auguste-Dominique Ingres (French, 1780–1867)
Study of HandsJean-Auguste-Dominique Ingres (French, 1780–1867)1842Cleveland Museum of Art
0.89
Seated figure with tablet, Jean-Robert Ango, French, active in Rome 1759 –1770, d. 1773
Seated figure with tabletJean-Robert Ango, French, active in Rome 1759 –1770, d. 1773ca. 1759–70Cooper Hewitt, Smithsonian Design Museum
0.88
Sketch, the Virgin with the Child, Fortunato Duranti, Italian, 1787 - 1863
Sketch, the Virgin with the ChildFortunato Duranti, Italian, 1787 - 18631820–1850Cooper Hewitt, Smithsonian Design Museum
0.87
Study of a female figure, Kenyon Cox, American, 1856–1919
Study of a female figureKenyon Cox, American, 1856–1919ca. 1900Cooper Hewitt, Smithsonian Design Museum
0.87
Figure, Robert Frederick Blum, American, 1857–1903
FigureRobert Frederick Blum, American, 1857–19031876Cooper Hewitt, Smithsonian Design Museum
0.87
Closed Eyes, Odilon Redon (French, 1840–1916); Becquet (French)
Closed EyesOdilon Redon (French, 1840–1916); Becquet (French)1890Cleveland Museum of Art
0.87

In the stacks

Not yet checked
2

Passages in the library’s own holdings that name this maker. The model ranked them; nobody has checked that the name means this person.

  1. The international studio · John Lane

    In 1902, during the young American’s first visit to Paris, the Impressionists were still at the height of their influence, and it was natural that he should have entered heartily into their methods. Men like Monet and Pissarro, who were absorbed in the inter-relation of light and color, appealed to his imagination and for a time he painted in their manner. And when he, like others among the moderns, saw and accepted the revolutionizing ideas which Cezanne was proclaiming on every canvas, he took with him into the new field
    0.71
  2. Art · Clive Bell

    For a few fortunate years or decades the output of considerable art is great. Suddenly it ceases; or slowly it dwindles: a movement has exhausted itself. How far a movement is made by the fortuitous synchronisation of a number of good artists, and how far the artists are helped to the creation of significant form by the pervasion of some underlying spirit of the age, is a question that can never be decided beyond cavil. But however the credit is to be apportioned--and I suspect it should be divided about
    0.68

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Made in the nineteenth century, like Sketch of Anatomical Sculpture (recto).

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