The Sampling Officials of the Amsterdam Drapers’ Guild, known as ‘The Syndics’, Rembrandt van Rijn

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Iconclass
49MM3247E24147H1441A711
Wikidata depicts
hat, glove, chimney, fur, dado, collar, tablecloth, desk, panel, pendant, brown hair, regenten, male, armchair, shoulder-length hair, book, table, moustache, castle, window, beard, ring

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Credit
Rijksmuseum
Licence
Public Domain Mark 1.0
Evidence
data.rijksmuseum.nl Linked Art record https://id.rijksmuseum.nl/200107929: subject_to classified_as https://creativecommons.org/publicdomain/mark/1.0/ on image (VisualItem) (read 2026-08-27)
Record
https://www.rijksmuseum.nl/nl/collectie/object/SK-C-6--575b43f479d021359fb5f63b32f7c234
IIIF
manifest
The Sampling Officials of the Amsterdam Drapers’ Guild, known as ‘The Syndics’, Rembrandt van Rijn
The Sampling Officials of the Amsterdam Drapers’ Guild, known as ‘The Syndics’ — Rembrandt van Rijn1662

Also by Rembrandt van Rijn

16
Old Man with a Gold Chain, Rembrandt van Rijn
Old Man with a Gold ChainRembrandt van Rijn1631The Art Institute of Chicago
Bust of a Man in Oriental Dress, Rembrandt van Rijn
Bust of a Man in Oriental DressRembrandt van Rijn1635Rijksmuseum
Adam and Eve, Rembrandt van Rijn
Adam and EveRembrandt van Rijn1638The Art Institute of Chicago
Landscape with Stone Bridge, Rembrandt van Rijn
Landscape with Stone BridgeRembrandt van Rijnc. 1638Rijksmuseum
Still Life with Dead Peacocks, Rembrandt van Rijn
Still Life with Dead PeacocksRembrandt van Rijnc. 1639Rijksmuseum
Three Oriental Figures (Jacob and Laban?), Rembrandt van Rijn
Three Oriental Figures (Jacob and Laban?)Rembrandt van Rijn1641The Art Institute of Chicago
Officers and other civic guardsmen of District II in Amsterdam, under the command of Captain Frans Banninck Cocq and Lieutenant Willem van Ruytenburch, known as ‘The Night Watch’, Rembrandt van Rijn
Officers and other civic guardsmen of District II in Amsterdam, under the command of Captain Frans Banninck Cocq and Lieutenant Willem van Ruytenburch, known as ‘The Night Watch’Rembrandt van Rijn1642Rijksmuseum
Abraham and Isaac, Rembrandt van Rijn
Abraham and IsaacRembrandt van Rijn1645The Art Institute of Chicago

Within fifty years of 1662

1175
Lame Beggar Asking for Alms, from T is al verwart-gaern (It's already confusing), Pieter Jansz. Quast
Lame Beggar Asking for Alms, from T is al verwart-gaern (It's already confusing)Pieter Jansz. Quastn.d.The Art Institute of Chicago
The sacrifice of Abraham, Pieter Lastman
The sacrifice of AbrahamPieter Lastman1612Rijksmuseum
The Sacrifice of Isaac, Peter Paul Rubens
The Sacrifice of IsaacPeter Paul Rubens1612The Nelson-Atkins Museum of Art
The Adoration of the Shepherds, El Greco (Domenikos Theotokopoulos) and Workshop
The Adoration of the ShepherdsEl Greco (Domenikos Theotokopoulos) and Workshopca. 1612–14Metropolitan Museum of Art, New York, NY
Lexicon alchemiae sive dictionarium alchemisticum, cum obscuriorum verborum, & rerum hermeticarum, tum Theophrast-Paracelsicarum phrasium, planam explicationem continens, Ruland, Martin
Lexicon alchemiae sive dictionarium alchemisticum, cum obscuriorum verborum, & rerum hermeticarum, tum Theophrast-Paracelsicarum phrasium, planam explicationem continensRuland, Martin1612Stiftung der Werke von C.G.Jung, Zürich, online
Veterum sophorum sigilla et imagines magicae, sive sculpturae lapidum et gemmarum secundum nomen dei tetragrammaton, cum signatura planetarum et iuxta certos coeli tractus et constellationes, ad stupendos et mirandos effectus producendos. Additur vera eas conficiendi ratio & pro acuenda memoria ac ingenio erectio signaturae Mercurii stupenda ..., Trithemius, Johannes
Veterum sophorum sigilla et imagines magicae, sive sculpturae lapidum et gemmarum secundum nomen dei tetragrammaton, cum signatura planetarum et iuxta certos coeli tractus et constellationes, ad stupendos et mirandos effectus producendos. Additur vera eas conficiendi ratio & pro acuenda memoria ac ingenio erectio signaturae Mercurii stupenda ...Trithemius, Johannes1612Stiftung der Werke von C.G.Jung, Zürich
Trois traitez de la philosophie naturelle non encore imprimez ... : scavoir le secret livre du ... philosophe Artephius traitant de l'art occulte et transmutation metallique ... ; plus les figures hierogliphiques, Artephius
Trois traitez de la philosophie naturelle non encore imprimez ... : scavoir le secret livre du ... philosophe Artephius traitant de l'art occulte et transmutation metallique ... ; plus les figures hierogliphiquesArtephius1612Stiftung der Werke von C.G.Jung, Zürich
Theatrum chemicum, praecipuos selectorum auctorum tractatus de chemiae et lapidis philosophici antiquitate, veritate, iure, praestantia, & operationibus, continens: in gratiam verae chemiae, et medicinae chemicae studiosorum ... congestum, et in quatuor partes seu volumina digestum; singulis voluminibus, suo auctorum et librorum catalogo primis pagellis: rerum vero & verborum indice postremis annexo. Volumen primum [- quartum] / Volumen quartum., Unknown
Theatrum chemicum, praecipuos selectorum auctorum tractatus de chemiae et lapidis philosophici antiquitate, veritate, iure, praestantia, & operationibus, continens: in gratiam verae chemiae, et medicinae chemicae studiosorum ... congestum, et in quatuor partes seu volumina digestum; singulis voluminibus, suo auctorum et librorum catalogo primis pagellis: rerum vero & verborum indice postremis annexo. Volumen primum [- quartum] / Volumen quartum.Unknown1613Stiftung der Werke von C.G.Jung, Zürich

In the stacks

Not yet checked2

Passages in the library’s own holdings that name this maker. The model ranked them; nobody has checked that the name means this person.

  1. Seven Discourses on Art · Joshua, Sir Reynolds

    By this mode of reasoning Rembrandt has a higher place than Raffaelle. But a very little reflection will serve to show us that these particularities cannot be nature: for how can that be the nature of man, in which no two individuals are the same? It plainly appears that as a work is conducted under the influence of general ideas or partial it is principally to be considered as the effect of a good or a bad taste. As beauty therefore does not consist in taking what lies immediately before
    0.69

  2. principles of art history · heinrich wolfflin

    PAINTING 95 Rembrandt The great Ecce Homo (etching of 1650) is an analogous case. As is known, the schema of the composition dates back to a Cinquecentist, Lucas van Leyden. A house wall and a terrace before it, seen frontally; people who have taken up their stand side by side in rows on and in front of the terrace—how are we to get a baroque picture out of all that? We learn with Rembrandt that it is not the subject but the treatment which matters. While Lucas van Leyden exhausts
    0.68

Next

Rembrandt van Rijn made The Sampling Officials of the Amsterdam Drapers’ Guild, known as ‘The Syndics’, and made these too.

Made in the seventeenth century, like The Sampling Officials of the Amsterdam Drapers’ Guild, known as ‘The Syndics’.

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