A Young Man Seated at a Table (possibly Govaert Flinck), Rembrandt van Rijn

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These are claims by the holder and by Wikidata, read 2026-09-04, and join nothing until an editor confirms them.

Iconclass
31A2422head turned to the right61B:31A2212(+1)61B:31D1461B(+53)31A235sitting figure31D12youth, young man, adolescent31A2518hand on the hip
Wikidata depicts
man

Means

No reading yet.

Rights

Credit
Andrew W. Mellon Collection
Licence
CC0-1.0
Evidence
NationalGalleryOfArt/opendata: object 84 has an open-access image (published_images.csv, openaccess=1, uuid 3ca33a0d-98aa-48ea-ba5a-d56c27ed1ac5); NGA's open data is CC0 (read 2026-08-27)
Record
https://www.nga.gov/collection/art-object-page.84.html
A Young Man Seated at a Table (possibly Govaert Flinck), Rembrandt van Rijn
A Young Man Seated at a Table (possibly Govaert Flinck) — Rembrandt van Rijnc. 1660

Also by Rembrandt van Rijn

16
Old Man with a Gold Chain, Rembrandt van Rijn
Old Man with a Gold ChainRembrandt van Rijn1631The Art Institute of Chicago
Bust of a Man in Oriental Dress, Rembrandt van Rijn
Bust of a Man in Oriental DressRembrandt van Rijn1635Rijksmuseum
Adam and Eve, Rembrandt van Rijn
Adam and EveRembrandt van Rijn1638The Art Institute of Chicago
Landscape with Stone Bridge, Rembrandt van Rijn
Landscape with Stone BridgeRembrandt van Rijnc. 1638Rijksmuseum
Still Life with Dead Peacocks, Rembrandt van Rijn
Still Life with Dead PeacocksRembrandt van Rijnc. 1639Rijksmuseum
Three Oriental Figures (Jacob and Laban?), Rembrandt van Rijn
Three Oriental Figures (Jacob and Laban?)Rembrandt van Rijn1641The Art Institute of Chicago
Officers and other civic guardsmen of District II in Amsterdam, under the command of Captain Frans Banninck Cocq and Lieutenant Willem van Ruytenburch, known as ‘The Night Watch’, Rembrandt van Rijn
Officers and other civic guardsmen of District II in Amsterdam, under the command of Captain Frans Banninck Cocq and Lieutenant Willem van Ruytenburch, known as ‘The Night Watch’Rembrandt van Rijn1642Rijksmuseum
Abraham and Isaac, Rembrandt van Rijn
Abraham and IsaacRembrandt van Rijn1645The Art Institute of Chicago

Within fifty years of c. 1660

1128
The Denial of Saint Peter, Caravaggio (Michelangelo Merisi)
The Denial of Saint PeterCaravaggio (Michelangelo Merisi)1610Metropolitan Museum of Art, New York, NY
Isometric View of Torra de Ottaggio, Jacques Callot, French, 1592–1635
Isometric View of Torra de OttaggioJacques Callot, French, 1592–16351610–35Cooper Hewitt, Smithsonian Design Museum
Planometric View of Gani, Jacques Callot, French, 1592–1635
Planometric View of GaniJacques Callot, French, 1592–16351610–35Cooper Hewitt, Smithsonian Design Museum
Planometric View of Oran, Algeria, Jacques Callot, French, 1592–1635
Planometric View of Oran, AlgeriaJacques Callot, French, 1592–16351610–35Cooper Hewitt, Smithsonian Design Museum
Planometric View of Mazachebir, Jacques Callot, French, 1592–1635
Planometric View of MazachebirJacques Callot, French, 1592–16351610–35Cooper Hewitt, Smithsonian Design Museum
Project for a Wall Painting, Unknown
Project for a Wall PaintingUnknownca. 1610Cooper Hewitt, Smithsonian Design Museum
Dedication page, from Neüw Grotteßken Buch (New Grotesque Book), Christoph Jamnitzer, German, 1563 - 1618
Dedication page, from Neüw Grotteßken Buch (New Grotesque Book)Christoph Jamnitzer, German, 1563 - 16181610Cooper Hewitt, Smithsonian Design Museum
Project for a Frieze, Unknown
Project for a FriezeUnknown1610–1630Cooper Hewitt, Smithsonian Design Museum

Also at National Gallery of Art

83
Figure of a Man, after Polidoro da Caravaggio
Figure of a Manafter Polidoro da CaravaggioNational Gallery of Art
Scene from Ancient History, Netherlandish 16th Century after Polidoro da Caravaggio
Scene from Ancient HistoryNetherlandish 16th Century after Polidoro da Caravaggio16th centuryNational Gallery of Art
Tribute Money, after Sir Peter Paul Rubens
Tribute Moneyafter Sir Peter Paul RubensNational Gallery of Art
Saturn, Hendrik Goltzius after Polidoro da Caravaggio
SaturnHendrik Goltzius after Polidoro da Caravaggio1592National Gallery of Art
Neptune, Hendrik Goltzius after Polidoro da Caravaggio
NeptuneHendrik Goltzius after Polidoro da Caravaggioprobably 1592National Gallery of Art
Pluto, Hendrik Goltzius after Polidoro da Caravaggio
PlutoHendrik Goltzius after Polidoro da Caravaggioprobably 1592National Gallery of Art
Vulcan, Hendrik Goltzius after Polidoro da Caravaggio
VulcanHendrik Goltzius after Polidoro da Caravaggioprobably 1592National Gallery of Art
Sol or Apollo, Hendrik Goltzius after Polidoro da Caravaggio
Sol or ApolloHendrik Goltzius after Polidoro da Caravaggioprobably 1592National Gallery of Art

Similar picturesFound by visual likeness

2 pictures

Visual resemblances suggested by the model. A match does not establish a shared subject or historical connection.

Portrait of a Gentleman, Caspar Netscher
Portrait of a GentlemanCaspar Netscher1680The Art Institute of Chicago
0.86
Martin Vanden Bogaert Desjardins, Gérard Edelinck
Martin Vanden Bogaert DesjardinsGérard Edelinckn.d.The Art Institute of Chicago
0.84

In the stacks

Not yet checked2

Passages in the library’s own holdings that name this maker. The model ranked them; nobody has checked that the name means this person.

  1. Seven Discourses on Art · Joshua, Sir Reynolds

    By this mode of reasoning Rembrandt has a higher place than Raffaelle. But a very little reflection will serve to show us that these particularities cannot be nature: for how can that be the nature of man, in which no two individuals are the same? It plainly appears that as a work is conducted under the influence of general ideas or partial it is principally to be considered as the effect of a good or a bad taste. As beauty therefore does not consist in taking what lies immediately before
    0.69

  2. principles of art history · heinrich wolfflin

    PAINTING 95 Rembrandt The great Ecce Homo (etching of 1650) is an analogous case. As is known, the schema of the composition dates back to a Cinquecentist, Lucas van Leyden. A house wall and a terrace before it, seen frontally; people who have taken up their stand side by side in rows on and in front of the terrace—how are we to get a baroque picture out of all that? We learn with Rembrandt that it is not the subject but the treatment which matters. While Lucas van Leyden exhausts
    0.68

Next

Rembrandt van Rijn made A Young Man Seated at a Table (possibly Govaert Flinck), and made these too.

Made in the seventeenth century, like A Young Man Seated at a Table (possibly Govaert Flinck).

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