Story of the denial of PeterMatthew 26:58
2 hands · 1610–1624
And Peter followed him afar off, even to the court of the high priest. And going…
Matthew 26:58
What it depicts
Matthew 26:58Opened by a notation lookup, not by an editor. Iconclass 73D33 glosses this subject as “story of the denial of Peter (Matthew 26:58, 26:69-75; Mark 14:54, 14:66-72; Luke 22:55-62; John 18:15-18, 18:25-27)”, and this library reads the Douay-Rheims, where the passage stands at Matthew 26:58. Iconclass states 4 references for this subject; the first one this corpus holds is used.
58And Peter followed him afar off, even to the court of the high priest. And going in, he sat with the servants, that he might see the end.
Seen
Not yet checkedSuggested by an AI model, 2026-09-08 (hf.co/mradermacher/iconclass-vlm-GGUF:Q4_K_M), asked “Generate Iconclass labels for this image”. No one has checked these against the picture yet.
- Iconclass
- 73D41From Pilate's palace to Golgotha: the procession to Calvary
Of
The subjects are the library’s own joins, each marked with who made it. The other rows are claims by the holder and by Wikidata, read 2026-09-04, and join nothing until an editor confirms them.
- Subject
- Story of the denial of PeterMatthew 26:58joined by Abe Garcia
- Iconclass
- 73D331
- Holder's headings
- Soldiers, Men, Women, Saint Peter
- Wikidata depicts
- woman, man, Saint Peter, Denial of Peter, soldier
Means
No reading yet.
Rights
- Credit
- Gift of Herman and Lila Shickman, and Purchase, Lila Acheson Wallace Gift, 1997
- Licence
- CC0-1.0
- Evidence
- metmuseum.org collection api v1: isPublicDomain=true on object 437986 (read 2026-08-27)
- Record
- https://www.metmuseum.org/art/collection/search/437986

How this join was made
Metropolitan Museum of Art, New York, NY gives this object the Iconclass notation73D331, and the library's map reads that notation as Matthew 26:58. An editor has checked the picture against the passage and confirmed it.
Caravaggio's Denial of Saint Peter: the maid pointing, the soldier, and Peter's hands. The whole episode is three faces in the dark.
Also by Caravaggio (Michelangelo Merisi)
1
Within fifty years of 1610
877







Also at Metropolitan Museum of Art, New York, NY
673







Similar picturesFound by visual likeness
7 picturesVisual resemblances suggested by the model. A match does not establish a shared subject or historical connection.







Connections
Depicts
- Story of the denial of PeterCaravaggio's Denial of Saint Peter: the maid pointing, the soldier, and Peter's hands. The whole episode is three faces in the dark.
