Officers and other civic guardsmen of District II in Amsterdam, under the command of Captain Frans Banninck Cocq and Lieutenant Willem van Ruytenburch, known as ‘The Night Watch’

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These are claims by the holder and by Wikidata, read 2026-09-04, and join nothing until an editor confirms them.

Iconclass: 34B11dog61B(+55)31D11222girl (child between toddler and youth)45B45(+26)23R14night45D31245C148C734145B(+26):61B2(...)1345D12
Wikidata depicts: Frans Banning Cocq, Schutterij, Willem van Ruytenburch

Means

No reading yet.

Rights

Credit: Rijksmuseum
Licence: Public Domain Mark 1.0
Evidence: data.rijksmuseum.nl Linked Art record https://id.rijksmuseum.nl/200107928: subject_to classified_as https://creativecommons.org/publicdomain/mark/1.0/ on image (VisualItem) (read 2026-08-27)
Record: https://www.rijksmuseum.nl/nl/collectie/object/SK-C-5--3137deb45cd7765f9a76084a16c99544
IIIF: manifest

Also by Rembrandt van Rijn

Old Man with a Gold Chain, Rembrandt van Rijn — Old Man with a Gold ChainRembrandt van Rijn1631The Art Institute of Chicago

Bust of a Man in Oriental Dress, Rembrandt van Rijn — Bust of a Man in Oriental DressRembrandt van Rijn1635Rijksmuseum

Adam and Eve, Rembrandt van Rijn — Adam and EveRembrandt van Rijn1638The Art Institute of Chicago

Landscape with Stone Bridge, Rembrandt van Rijn — Landscape with Stone BridgeRembrandt van Rijnc. 1638Rijksmuseum

Still Life with Dead Peacocks, Rembrandt van Rijn — Still Life with Dead PeacocksRembrandt van Rijnc. 1639Rijksmuseum

Three Oriental Figures (Jacob and Laban?), Rembrandt van Rijn — Three Oriental Figures (Jacob and Laban?)Rembrandt van Rijn1641The Art Institute of Chicago

Abraham and Isaac, Rembrandt van Rijn — Abraham and IsaacRembrandt van Rijn1645The Art Institute of Chicago

Kostverloren Castle in Decay, Rembrandt van Rijn — Kostverloren Castle in DecayRembrandt van Rijnc. 1652The Art Institute of Chicago

Within fifty years of 1642

1047

Saturn, Hendrik Goltzius after Polidoro da Caravaggio — SaturnHendrik Goltzius after Polidoro da Caravaggio1592National Gallery of Art

Neptune, Hendrik Goltzius after Polidoro da Caravaggio — NeptuneHendrik Goltzius after Polidoro da Caravaggioprobably 1592National Gallery of Art

Pluto, Hendrik Goltzius after Polidoro da Caravaggio — PlutoHendrik Goltzius after Polidoro da Caravaggioprobably 1592National Gallery of Art

Vulcan, Hendrik Goltzius after Polidoro da Caravaggio — VulcanHendrik Goltzius after Polidoro da Caravaggioprobably 1592National Gallery of Art

Sol or Apollo, Hendrik Goltzius after Polidoro da Caravaggio — Sol or ApolloHendrik Goltzius after Polidoro da Caravaggioprobably 1592National Gallery of Art

Aphorismi hieroglyphici : quibus veterum philosophorum mysteria quaedam declarantur: ex commentariis hieroglyphicis Ioannis Pierii Valeriani & Caelii Augustini Curionis collecti, inq. usum eorum, qui de recondita veterum doctrina aliquid cognoscere desiderant, Valeriano, Pierio — Aphorismi hieroglyphici : quibus veterum philosophorum mysteria quaedam declarantur: ex commentariis hieroglyphicis Ioannis Pierii Valeriani & Caelii Augustini Curionis collecti, inq. usum eorum, qui de recondita veterum doctrina aliquid cognoscere desiderantValeriano, Pierio1592Stiftung der Werke von C.G.Jung, Zürich

Page from Emblemata nobilitate et vulgo scitu digna (Noble Ornament), Johann Theodor de Bry, German, 1561 - 1623 — Page from Emblemata nobilitate et vulgo scitu digna (Noble Ornament)Johann Theodor de Bry, German, 1561 - 16231593Cooper Hewitt, Smithsonian Design Museum

Plate 12, Femina Veneta (Venetian Woman), Diversarum Nationum Ornatus Cum Suis Iconibus, Alessandro Fabri, Italian, active late 16th century — Plate 12, Femina Veneta (Venetian Woman), Diversarum Nationum Ornatus Cum Suis IconibusAlessandro Fabri, Italian, active late 16th century1593Cooper Hewitt, Smithsonian Design Museum

In the stacks

Not yet checked2

Passages in the library’s own holdings that name this maker. The model ranked them; nobody has checked that the name means this person.

Seven Discourses on Art · Joshua, Sir Reynolds
By this mode of reasoning Rembrandt has a higher place than Raffaelle. But a very little reflection will serve to show us that these particularities cannot be nature: for how can that be the nature of man, in which no two individuals are the same? It plainly appears that as a work is conducted under the influence of general ideas or partial it is principally to be considered as the effect of a good or a bad taste. As beauty therefore does not consist in taking what lies immediately before
0.69
principles of art history · heinrich wolfflin
PAINTING 95 Rembrandt The great Ecce Homo (etching of 1650) is an analogous case. As is known, the schema of the composition dates back to a Cinquecentist, Lucas van Leyden. A house wall and a terrace before it, seen frontally; people who have taken up their stand side by side in rows on and in front of the terrace—how are we to get a baroque picture out of all that? We learn with Rembrandt that it is not the subject but the treatment which matters. While Lucas van Leyden exhausts
0.68

Rembrandt van Rijn made Officers and other civic guardsmen of District II in Amsterdam, under the command of Captain Frans Banninck Cocq and Lieutenant Willem van Ruytenburch, known as ‘The Night Watch’, and made these too.

Made in the seventeenth century, like Officers and other civic guardsmen of District II in Amsterdam, under the command of Captain Frans Banninck Cocq and Lieutenant Willem van Ruytenburch, known as ‘The Night Watch’.

The Toilet of Bathsheba1643
The Baptism of Christ1641
Abraham's Sacrifice1635
The Last Supper, after Leonardo da Vinci1634

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