A subject
Last Supper (in general)
Matthew 26:21-351320–16344 hands
Opened by a notation lookup, not by an editor. Iconclass 73D24 glosses this subject as “Last Supper (in general) (Matthew 26:21-35; Mark 14:18-31; Luke 22:3, 22:15-23; John 13:21-38)”, and this library reads the Douay-Rheims, where the passage stands at Matthew 26:21-35. Iconclass states 4 references for this subject; the first one this corpus holds is used.
And whilst they were eating, he said: Amen I say to you, that one of you…
Matthew 26:21
An editor has read 4 pictures against this passage and confirmed them.
1320Ugolino da Siena (Ugolino di Nerio)
1520Bernard van Orley
1548Fra Damiano da Bergamo (Damiano di Antoniolo de Zambelli)
1634Rembrandt (Rembrandt van Rijn)4 hands, 1320 to 1634
The hands
4Ugolino da Siena (Ugolino di Nerio)ca. 1325The Last SupperRobert Lehman Collection, 1975. CC0-1.0 Bernard van Orleyca. 1525–28The Last SupperRobert Lehman Collection, 1975. CC0-1.0 Fra Damiano da Bergamo (Damiano di Antoniolo de Zambelli)1548The Last SupperGift of the children of Mrs. Harry Payne Whitney, 1942. CC0-1.0Metropolitan Museum of Art catalogues this picture under its own subject heading “Last Supper”. Wikidata states that concept’s Iconclass notation as 73D24 (Q51633), and the library’s map reads that notation as this passage. Rembrandt (Rembrandt van Rijn)1634–35The Last Supper, after Leonardo da VinciRobert Lehman Collection, 1975. CC0-1.0Rembrandt drawing after Leonardo's wall painting. A copy is still a depiction of the supper, and the record says whose composition it is.
The passage
15 verses21And whilst they were eating, he said: Amen I say to you, that one of you is about to betray me.
22And they being very much troubled, began every one to say: Is it I, Lord?
23But he answering, said: He that dippeth his hand with me in the dish, he shall betray me.
24The Son of man indeed goeth, as it is written of him: but woe to that man by whom the Son of man shall be betrayed: it were better for him, if that man had not been born.
25And Judas that betrayed him, answering, said: Is it I, Rabbi? He saith to him: Thou hast said it.
26And whilst they were at supper, Jesus took bread, and blessed, and broke: and gave to his disciples, and said: Take ye, and eat. This is my body.
27And taking the chalice, he gave thanks, and gave to them, saying: Drink ye all of this.
28For this is my blood of the new testament, which shall be shed for many unto remission of sins.
29And I say to you, I will not drink from henceforth of this fruit of the vine, until that day when I shall drink it with you new in the kingdom of my Father.
30And a hymn being said, they went out unto mount Olivet.
31Then Jesus said to them: All you shall be scandalized in me this night. For it is written: I will strike the shepherd, and the sheep of the flock shall be dispersed.
32But after I shall be risen again, I will go before you into Galilee.
33And Peter answering, said to him: Although all shall be scandalized in thee, I will never be scandalized.
34Jesus said to him: Amen I say to thee, that in this night before the cock crow, thou wilt deny me thrice.
35Peter saith to him: Yea, though I should die with thee, I will not deny thee. And in like manner said all the disciples.
In the stacks
Not yet checked6Suggested by an AI model from books the library holds but has not yet set as editions. A passage here is a place to read, not a citation.
Sacred and legendary art, volume 1 (of 2)
To the right of Christ are Peter, Andrew, Bartholomew; to the left, James Minor. Four turn their backs, and two young apostles stand on each side,—I presume Thomas and Philip; they seem to be waiting on the rest: Judas dips his hand in the dish. I suppose the moment to be the same as in the composition of Duccio. But in the next compartment the _motif_ is different. All have risen. from table; it is no longer a repast, it is a sacred mystery; Christ is in the act of
0.78The grammar of painting and engraving
PAINTING. 83 this one begins to exculpate himself, that seeks the culprit Indignant honesty takes the form of con- tempt or vents itself in anger. The irritable Peter would avenge his master; John thinks only of dying with his God. The gestures of the " Last Supper " have been an- alyzed with much feeling and sagacity by Stend- hal : " St. James the Less passing his arm over the shoulder of St. Andrew, indicates to St. Peter that the traitor is beside him. St. Andrew looks at Judas
0.76The Notebooks of Leonardo Da Vinci
[13] Another who has turned, holding a knife in his hand, upsets with his hand a glass on the table [14]. [Footnote 665, 666: In the original MS. there is no sketch to accompany these passages, and if we compare them with those drawings made by Leonardo in preparation for the composition of the picture--Pl. XLV, XLVI--, (compare also Pl. LII, 1 and the drawings on p. 297) it is impossible to recognise in them a faithful interpretation of the whole of this text; but, if we compare these passages
0.75(Liddell and Scott.) GIF image: 154. +Zechariah 8:23. "Thus saith the Lord of hosts; In those days it shall come to pass, that ten men shall take hold out of all languages of the nations, even shall take hold of the skirt of him that is a Jew, saying, We will go with you: for we have heard that God is with you." King James Bible. 155. +Ephesians 5:6. "Let no man deceive you with vain words: for because of these things cometh the wrath of God upon the children
0.74Sacred and legendary art, volume 1 (of 2)
Sometimes he is omitted altogether; sometimes he is stealing out at the door. In the composition of Luca Signorelli, which I saw at Cortona, all the twelve apostles are kneeling; Christ is distributing the wafer; and Judas, turning away with a malignant look, puts _his_ wafer into his satchel. In the composition of Palmezzano, in the Duomo at Forlì, our Saviour stands, holding a plate, and is in the act of presenting the wafer to Peter, who kneels: St. John stands by the side of Christ, holding the cup: Judas
0.74Sacred and legendary art, volume 1 (of 2)
His original name was Levi. It is recorded in few words, that as he sat at the receipt of custom by the lake of Gennesareth, Jesus in passing by saw him, and said unto him, ‘Follow me,’ and he left all and followed him; and farther, that he made a feast in his house, at which many publicans and sinners sat down with the Lord and his disciples, to the great astonishment and scandal of the Jews. So far the sacred record: the traditional and legendary history of St. Matthew
0.72
How this subject was made
The subject was opened by an Iconclass notation. The library's map reads 73D24, whose own gloss is Last Supper (in general) (Matthew 26:21-35; Mark 14:18-31; Luke 22:3, 22:15-23; John 13:21-38)
, as Matthew 26:21-35; a picture reaches this page when the notation a cataloguer put on it resolves here, whether the cataloguer wrote the notation down or wrote a subject heading that carries one. The authority is iconclass.org/73D24.
2 pictures Confirmed: the object's own title names the scene and the matched notation or heading is specific to it.
Connections
Painted
- The Last Supper1320Confirmed: the object's own title names the scene and the matched notation or heading is specific to it.
- The Last Supper1520Confirmed: the object's own title names the scene and the matched notation or heading is specific to it.
- The Last Supper1548Metropolitan Museum of Art catalogues this picture under its own subject heading “Last Supper”. Wikidata states that concept’s Iconclass notation as 73D24 (Q51633), and the library’s map reads that notation as this passage.
- The Last Supper, after Leonardo da Vinci1634Rembrandt drawing after Leonardo's wall painting. A copy is still a depiction of the supper, and the record says whose composition it is.