Study of the Lamentation on the Dead Christ, Benjamin West

He went to Pilate, and asked the body of Jesus. Then Pilate commanded that the body…Matthew 27:58

  1. The Hours of Jeanne d'Evreux, Queen of France, Jean Pucelleca. 1324–28Jean Pucelle
  2. The Lamentation of Christ, Simon Marmionca. 1473Simon Marmion
  3. Altar Frontal with the Lamentation, Cosimo Tura (Italian, c. 1430–1495); Rubinetto de Francia (Italian, active 1457–1483)c. 1474Cosimo Tura (Italian, c. 1430–1495); Rubinetto de Francia (Italian, active 1457–1483)
  4. Christ Crowned with Thorns (Ecce Homo), and the Mourning Virgin (Mater Dolorosa), Adriaen Isenbrantca. 1530–40Adriaen IsenbrantNot yet checked
  5. The Entombment, Moretto da Brescia (Alessandro Bonvicino)1554Moretto da Brescia (Alessandro Bonvicino)
  6. The Lamentation, Ludovico Carraccica. 1582Ludovico Carracci
  7. Lamentation, Claude Mellan1683Claude Mellan
  8. Study of the Lamentation on the Dead Christ, Benjamin Westca. 1785Benjamin WestThis record

What it depicts

Matthew 27:58-66Opened by a notation lookup, not by an editor. Iconclass 73D7 glosses this subject as “from Christ's deposition to his entombment (Matthew 27:58-66; Mark 15:46-47; Luke 23:53-56; John 19:39-42)”, and this library reads the Douay-Rheims, where the passage stands at Matthew 27:58-66. Iconclass states 4 references for this subject; the first one this corpus holds is used.

58He went to Pilate, and asked the body of Jesus. Then Pilate commanded that the body should be delivered.

59And Joseph taking the body, wrapped it up in a clean linen cloth.

60And laid it in his own new monument, which he had hewed out in a rock. And he rolled a great stone to the door of the monument, and went his way.

61And there was there Mary Magdalen, and the other Mary sitting over against the sepulchre.

62And the next day, which followed the day of preparation, the chief priests and the Pharisees came together to Pilate,

63Saying: Sir, we have remembered, that that seducer said, while he was yet alive: After three days I will rise again.

64Command therefore the sepulchre to be guarded until the third day: lest perhaps his disciples come and steal him away, and say to the people: He is risen from the dead; and the last error shall be worse than the first.

65Pilate saith to them: You have a guard; go, guard it as you know.

66And they departing, made the sepulchre sure, sealing the stone, and setting guards.

Read it in Matthew


Seen

Not described yet.


Of

The subjects are the library’s own joins, each marked with who made it. The other rows are claims by the holder and by Wikidata, read 2026-09-17, and join nothing until an editor confirms them.

Subject
From Christ's deposition to his entombmentMatthew 27:58-66joined by editor pass delegated by Abe Garcia, 2026-09-18
Iconclass
73D7212

Means

No reading yet.


Rights

Credit
Yale Center for British Art, Paul Mellon Collection
Licence
PDM-1.0
Evidence
manifests.collections.yale.edu: Copyright Statement=Public Domain on ycba object 94cd52db-773b-48b8-a0d6-821841b4522b (https://manifests.collections.yale.edu/v2/ycba/obj/447); Image Use Rights=No Copyright: You can copy, modify, distribute and perform the work, even for commercial purposes, all without asking permission. (CC0 1.0) (read 2026-09-16)
Record
https://collections.britishart.yale.edu/catalog/tms:447
IIIF
manifest
Study of the Lamentation on the Dead Christ, Benjamin West
Study of the Lamentation on the Dead Christ — Benjamin Westca. 1785

How this join was made

Yale Center for British Art gives this object the Iconclass notation73D7212, and the library's map reads that notation as Matthew 27:58-66. An editor has checked the picture against the passage and confirmed it.

Confirmed: the object's own title names the scene and the matched notation or heading is specific to it.

Also by Benjamin West

1
The Artist and His Family, Benjamin West
The Artist and His FamilyBenjamin Westca. 1772Yale Center for British Art

Within fifty years of ca. 1785

3268
Self-Portrait, William Hogarth
Self-PortraitWilliam Hogarthca. 1735Yale Center for British Art
A Vignette, Referring to the Arts, in Two States, Vincenzo Franceschini, Italian, 1680 - ca. 1750
A Vignette, Referring to the Arts, in Two StatesVincenzo Franceschini, Italian, 1680 - ca. 1750ca. 1730Cooper Hewitt, Smithsonian Design Museum
Moses, Michelangelo Buonarroti
MosesMichelangelo Buonarroti1700sThe Art Institute of Chicago
Textile, Unknown
TextileUnknown1730–35Cooper Hewitt, Smithsonian Design Museum
Textile, Unknown
TextileUnknownca. 1730Cooper Hewitt, Smithsonian Design Museum
Design for Wallpaper: Birds on Stands, Unknown
Design for Wallpaper: Birds on StandsUnknownca. 1730Cooper Hewitt, Smithsonian Design Museum
Cherub and Seraphs, Unknown
Cherub and SeraphsUnknown1730–60Cooper Hewitt, Smithsonian Design Museum
Painted Wall Decoration, Unknown
Painted Wall DecorationUnknown1730–60Cooper Hewitt, Smithsonian Design Museum

Also at Yale Center for British Art

10
The Angel appearing to the shepherds, the visitation, and the annunciation: a sheet of notes for a proposed decorative scheme with 3 sketches of paintings for overdoors, Sir James Thornhill
The Angel appearing to the shepherds, the visitation, and the annunciation: a sheet of notes for a proposed decorative scheme with 3 sketches of paintings for overdoorsSir James ThornhillundatedYale Center for British Art
Sketch for 'The Last Supper,' St. Mary's, Weymouth, Sir James Thornhill
Sketch for 'The Last Supper,' St. Mary's, WeymouthSir James Thornhillbetween 1719 and 1720Yale Center for British Art
The Beggar's Opera, William Hogarth
The Beggar's OperaWilliam Hogarth1729Yale Center for British Art
Staffa, Fingal's Cave, Joseph Mallord William Turner
Staffa, Fingal's CaveJoseph Mallord William Turnerexhibited 1832Yale Center for British Art
Chepstow Castle, John Varley
Chepstow CastleJohn Varley1832Yale Center for British Art
The Last Supper, Bradshaw & Blacklock
The Last SupperBradshaw & Blacklockca. 1854Yale Center for British Art
Ailsa Craig, William Bell Scott
Ailsa CraigWilliam Bell Scott1860Yale Center for British Art
The Infant Jesus Asleep, Francesco Bartolozzi
The Infant Jesus AsleepFrancesco BartolozziYale Center for British Art

Similar picturesFound by visual likeness

8 pictures

Visual resemblances suggested by the model. A match does not establish a shared subject or historical connection.

The Capture of Samson, Peter Paul Rubens
The Capture of SamsonPeter Paul Rubens1609–10The Art Institute of Chicago
0.87
The Angel of the Lord Preventing Abraham from Sacrificing his Son Isaac, Pieter Lastman
The Angel of the Lord Preventing Abraham from Sacrificing his Son IsaacPieter Lastman1616Department of Paintings of the Louvre
0.87
The sacrifice of Abraham, Pieter Lastman
The sacrifice of AbrahamPieter Lastman1612Rijksmuseum
0.84
Samson Overcome by the Philistines, Johan Joseph Zoffany
Samson Overcome by the PhilistinesJohan Joseph Zoffanyca. 1758Yale Center for British Art
0.84
The Sacrifice of Isaac, Andrea del Sarto
The Sacrifice of IsaacAndrea del Sarto1527Cleveland Museum of Art
0.84
The Sacrifice of Isaac, Pedro Orrente
The Sacrifice of IsaacPedro Orrente1616Bilbao Fine Arts Museum
0.84
The Sacrifice of Isaac, Jean Jacques Spoede
The Sacrifice of IsaacJean Jacques Spoede1750Unknown collection
0.84
The Risen Christ Appearing to the Virgin, Francesco Solimena (Italian, 1657–1747)
The Risen Christ Appearing to the VirginFrancesco Solimena (Italian, 1657–1747)c. 1708Cleveland Museum of Art
0.84

Connections

Depicts


Next

Made in the eighteenth century, like Study of the Lamentation on the Dead Christ.

0:00–0:00