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Francisco José de Goya y Lucientes

37 works · 1778 to 1820 · ulan:500118936

10 of 997 ids checked against the Met and Wikidata named a different concept (1.0%), read 2026-09-08

Francisco José de Goya y Lucientes
The Art Institute of Chicago14
Goya
Metropolitan Museum of Art, New York, NY12 as in Goya (Francisco de Goya y Lucientes)
Francisco de Goya
Cleveland Museum of Art11 as in Francisco de Goya (Spanish, 1746–1828), Francisco de Goya (Spanish, 1746–1828); Diego Velázquez (Spanish, 1599–1660)
Getty
Goya, Francisco deUnion List of Artist Names 500118936
A Dwarf, Francisco José de Goya y Lucientes
A DwarfFrancisco José de Goya y Lucientes1778The Art Institute of Chicago
The Drunkards, Francisco José de Goya y Lucientes
The DrunkardsFrancisco José de Goya y Lucientes1778The Art Institute of Chicago
Aesop, Francisco de Goya (Spanish, 1746–1828); Diego Velázquez (Spanish, 1599–1660)
AesopFrancisco de Goya (Spanish, 1746–1828); Diego Velázquez (Spanish, 1599–1660)1778Cleveland Museum of Art
Winter Scene, Francisco José de Goya y Lucientes
Winter SceneFrancisco José de Goya y Lucientesc. 1786The Art Institute of Chicago
Boy on a Ram, Francisco José de Goya y Lucientes
Boy on a RamFrancisco José de Goya y Lucientes1786–87The Art Institute of Chicago
Condesa de Altamira and Her Daughter, María Agustina, Goya (Francisco de Goya y Lucientes)
Condesa de Altamira and Her Daughter, María AgustinaGoya (Francisco de Goya y Lucientes)1787–88Metropolitan Museum of Art, New York, NY
Manuel Osorio Manrique de Zuñiga (1784–1792), Goya (Francisco de Goya y Lucientes)
Manuel Osorio Manrique de Zuñiga (1784–1792)Goya (Francisco de Goya y Lucientes)1787–88Metropolitan Museum of Art, New York, NY
Self-Portrait, Goya (Francisco de Goya y Lucientes)
Self-PortraitGoya (Francisco de Goya y Lucientes)ca. 1796Metropolitan Museum of Art, New York, NY
Sebastián Martínez y Pérez (1747–1800), Goya (Francisco de Goya y Lucientes)
Sebastián Martínez y Pérez (1747–1800)Goya (Francisco de Goya y Lucientes)1792Metropolitan Museum of Art, New York, NY
Ferdinand VII (1784–1833), When Prince of Asturias, Goya
Ferdinand VII (1784–1833), When Prince of AsturiasGoyaca. 1800Metropolitan Museum of Art, New York, NY
Young Woman (possibly a Sex Worker) with a Man (recto); Young Woman Wringing Her Hands over a Man's Naked Body (verso), Francisco de Goya (Spanish, 1746–1828)
Young Woman (possibly a Sex Worker) with a Man (recto); Young Woman Wringing Her Hands over a Man's Naked Body (verso)Francisco de Goya (Spanish, 1746–1828)1796–97Cleveland Museum of Art
Prostitute Soliciting a Fat, Ugly Man, Folio 49 (recto), Francisco de Goya (Spanish, 1746–1828)
Prostitute Soliciting a Fat, Ugly Man, Folio 49 (recto)Francisco de Goya (Spanish, 1746–1828)1796–97Cleveland Museum of Art
Young Woman Wringing Her Hands over a Man's Naked Body, Folio 50 (verso), Francisco de Goya (Spanish, 1746–1828)
Young Woman Wringing Her Hands over a Man's Naked Body, Folio 50 (verso)Francisco de Goya (Spanish, 1746–1828)1796–97Cleveland Museum of Art
Saint Ambrose, Francisco de Goya (Spanish, 1746–1828)
Saint AmbroseFrancisco de Goya (Spanish, 1746–1828)c. 1796–99Cleveland Museum of Art
Francisco de Goya y Lucientes, Painter, plate one from Los Caprichos, Francisco José de Goya y Lucientes
Francisco de Goya y Lucientes, Painter, plate one from Los CaprichosFrancisco José de Goya y Lucientes1797/99The Art Institute of Chicago
The Sleep of Reason Produces Monsters, plate 43 from Los Caprichos, Francisco José de Goya y Lucientes
The Sleep of Reason Produces Monsters, plate 43 from Los CaprichosFrancisco José de Goya y Lucientes1797/99The Art Institute of Chicago
Francisco Goya y Lucientes, Painter, plate one from Los Caprichos, Francisco José de Goya y Lucientes
Francisco Goya y Lucientes, Painter, plate one from Los CaprichosFrancisco José de Goya y Lucientes1797/99The Art Institute of Chicago
When Day Breaks We Will Be Off, Plate 71, Francisco de Goya (Spanish, 1746–1828)
When Day Breaks We Will Be Off, Plate 71Francisco de Goya (Spanish, 1746–1828)1799Cleveland Museum of Art
They Spin Finely, Plate 44, Francisco de Goya (Spanish, 1746–1828)
They Spin Finely, Plate 44Francisco de Goya (Spanish, 1746–1828)1799Cleveland Museum of Art
They Have Flown, Plate 61, Francisco de Goya (Spanish, 1746–1828)
They Have Flown, Plate 61Francisco de Goya (Spanish, 1746–1828)1799Cleveland Museum of Art
A Bad Night, Plate 36, Francisco de Goya (Spanish, 1746–1828)
A Bad Night, Plate 36Francisco de Goya (Spanish, 1746–1828)1799Cleveland Museum of Art
Narcisa Barañano Gayoso de Goicoechea, Goya (Francisco de Goya y Lucientes)
Narcisa Barañano Gayoso de GoicoecheaGoya (Francisco de Goya y Lucientes)ca. 1805Metropolitan Museum of Art, New York, NY
Friar Pedro Shoots El Maragato as His Horse Runs Off, Francisco José de Goya y Lucientes
Friar Pedro Shoots El Maragato as His Horse Runs OffFrancisco José de Goya y Lucientesc. 1806The Art Institute of Chicago
El Maragato Threatens Friar Pedro de Zaldivia with His Gun, Francisco José de Goya y Lucientes
El Maragato Threatens Friar Pedro de Zaldivia with His GunFrancisco José de Goya y Lucientesc. 1806The Art Institute of Chicago
Friar Pedro Binds El Maragato with a Rope, Francisco José de Goya y Lucientes
Friar Pedro Binds El Maragato with a RopeFrancisco José de Goya y Lucientesc. 1806The Art Institute of Chicago
Friar Pedro Offers Shoes to El Maragato and Prepares to Push Aside His Gun, Francisco José de Goya y Lucientes
Friar Pedro Offers Shoes to El Maragato and Prepares to Push Aside His GunFrancisco José de Goya y Lucientesc. 1806The Art Institute of Chicago
Josefa de Castilla Portugal y van Asbrock de Garcini (1775–about 1850), Goya (Francisco de Goya y Lucientes)
Josefa de Castilla Portugal y van Asbrock de Garcini (1775–about 1850)Goya (Francisco de Goya y Lucientes)1804Metropolitan Museum of Art, New York, NY
Ignacio Garcini y Queralt (1752–1825), Brigadier of Engineers, Goya (Francisco de Goya y Lucientes)
Ignacio Garcini y Queralt (1752–1825), Brigadier of EngineersGoya (Francisco de Goya y Lucientes)1804Metropolitan Museum of Art, New York, NY
José Costa y Bonells (died l870), Called Pepito, Goya (Francisco de Goya y Lucientes)
José Costa y Bonells (died l870), Called PepitoGoya (Francisco de Goya y Lucientes)ca. 1810Metropolitan Museum of Art, New York, NY
Portrait of General José Manuel Romero, Francisco José de Goya y Lucientes
Portrait of General José Manuel RomeroFrancisco José de Goya y Lucientesc. 1810The Art Institute of Chicago
God save us from such a bitter fate; a bandit threatening a woman and a child with a knife, page 41 from the "Black Border Album" (E), Goya (Francisco de Goya y Lucientes)
God save us from such a bitter fate; a bandit threatening a woman and a child with a knife, page 41 from the "Black Border Album" (E)Goya (Francisco de Goya y Lucientes)ca. 1816–20Metropolitan Museum of Art, New York, NY
Three Men Carrying a Wounded Soldier, from the Images of Spain, Album F, Francisco José de Goya y Lucientes
Three Men Carrying a Wounded Soldier, from the Images of Spain, Album FFrancisco José de Goya y Lucientes1812/20The Art Institute of Chicago
Be Careful with that Step!, Francisco José de Goya y Lucientes
Be Careful with that Step!Francisco José de Goya y Lucientes1816/1820The Art Institute of Chicago
The Proverbs: Two Heads are Better than One or Poor Folly, Francisco de Goya (Spanish, 1746–1828)
The Proverbs: Two Heads are Better than One or Poor FollyFrancisco de Goya (Spanish, 1746–1828)1816–1823 (printed c. 1863)Cleveland Museum of Art
Seated Giant, Goya (Francisco de Goya y Lucientes)
Seated GiantGoya (Francisco de Goya y Lucientes)by 1818 (possibly 1814–18)Metropolitan Museum of Art, New York, NY
Portrait of Don Juan Antonio Cuervo, Francisco de Goya (Spanish, 1746–1828)
Portrait of Don Juan Antonio CuervoFrancisco de Goya (Spanish, 1746–1828)1819Cleveland Museum of Art
Tiburcio Pérez y Cuervo (1785/86–1841), the Architect, Goya (Francisco de Goya y Lucientes)
Tiburcio Pérez y Cuervo (1785/86–1841), the ArchitectGoya (Francisco de Goya y Lucientes)1820Metropolitan Museum of Art, New York, NY
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