José Costa y Bonells (died l870), Called Pepito, Goya (Francisco de Goya y Lucientes)

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These are claims by the holder and by Wikidata, read 2026-09-04, and join nothing until an editor confirms them.

Holder's headings
Boys, Portraits, Drums, Horses, Toys
Wikidata depicts
horse, boy, drum, toy, portrait

Means

No reading yet.


Rights

Credit
Gift of Countess Bismarck, 1961
Licence
CC0-1.0
Evidence
metmuseum.org collection api v1: isPublicDomain=true on object 436546 (read 2026-08-27)
Record
https://www.metmuseum.org/art/collection/search/436546
José Costa y Bonells (died l870), Called Pepito, Goya (Francisco de Goya y Lucientes)
José Costa y Bonells (died l870), Called Pepito — Goya (Francisco de Goya y Lucientes)ca. 1810

Also by Goya (Francisco de Goya y Lucientes)

10
Condesa de Altamira and Her Daughter, María Agustina, Goya (Francisco de Goya y Lucientes)
Condesa de Altamira and Her Daughter, María AgustinaGoya (Francisco de Goya y Lucientes)1787–88Metropolitan Museum of Art, New York, NY
Manuel Osorio Manrique de Zuñiga (1784–1792), Goya (Francisco de Goya y Lucientes)
Manuel Osorio Manrique de Zuñiga (1784–1792)Goya (Francisco de Goya y Lucientes)1787–88Metropolitan Museum of Art, New York, NY
Self-Portrait, Goya (Francisco de Goya y Lucientes)
Self-PortraitGoya (Francisco de Goya y Lucientes)ca. 1796Metropolitan Museum of Art, New York, NY
Sebastián Martínez y Pérez (1747–1800), Goya (Francisco de Goya y Lucientes)
Sebastián Martínez y Pérez (1747–1800)Goya (Francisco de Goya y Lucientes)1792Metropolitan Museum of Art, New York, NY
Narcisa Barañano Gayoso de Goicoechea, Goya (Francisco de Goya y Lucientes)
Narcisa Barañano Gayoso de GoicoecheaGoya (Francisco de Goya y Lucientes)ca. 1805Metropolitan Museum of Art, New York, NY
Josefa de Castilla Portugal y van Asbrock de Garcini (1775–about 1850), Goya (Francisco de Goya y Lucientes)
Josefa de Castilla Portugal y van Asbrock de Garcini (1775–about 1850)Goya (Francisco de Goya y Lucientes)1804Metropolitan Museum of Art, New York, NY
Ignacio Garcini y Queralt (1752–1825), Brigadier of Engineers, Goya (Francisco de Goya y Lucientes)
Ignacio Garcini y Queralt (1752–1825), Brigadier of EngineersGoya (Francisco de Goya y Lucientes)1804Metropolitan Museum of Art, New York, NY
God save us from such a bitter fate; a bandit threatening a woman and a child with a knife, page 41 from the "Black Border Album" (E), Goya (Francisco de Goya y Lucientes)
God save us from such a bitter fate; a bandit threatening a woman and a child with a knife, page 41 from the "Black Border Album" (E)Goya (Francisco de Goya y Lucientes)ca. 1816–20Metropolitan Museum of Art, New York, NY

Within fifty years of ca. 1810

3287
Illustration to Roderick Random, by Tobias Smollett, Francis Hayman
Illustration to Roderick Random, by Tobias SmollettFrancis Haymanc. 1760The Art Institute of Chicago
Black Stork in a Landscape, Unknown
Black Stork in a LandscapeUnknownca. 1780Metropolitan Museum of Art, New York, NY
Design for a Trophy, Mathurin Cherpitel, French, 1736 – 1809
Design for a TrophyMathurin Cherpitel, French, 1736 – 18091755–68Cooper Hewitt, Smithsonian Design Museum
Design for a Trophy, Mathurin Cherpitel, French, 1736 – 1809
Design for a TrophyMathurin Cherpitel, French, 1736 – 18091755–68Cooper Hewitt, Smithsonian Design Museum
Design for a Trophy, Mathurin Cherpitel, French, 1736 – 1809
Design for a TrophyMathurin Cherpitel, French, 1736 – 18091755–68Cooper Hewitt, Smithsonian Design Museum
Design for a Trophy, Mathurin Cherpitel, French, 1736 – 1809
Design for a TrophyMathurin Cherpitel, French, 1736 – 18091755–68Cooper Hewitt, Smithsonian Design Museum
Title Page, Pietro Metastasio, Italian, 1698 – 1782
Title PagePietro Metastasio, Italian, 1698 – 17821755Cooper Hewitt, Smithsonian Design Museum
Title Page, Pietro Metastasio, Italian, 1698 – 1782
Title PagePietro Metastasio, Italian, 1698 – 17821755Cooper Hewitt, Smithsonian Design Museum

Also at Metropolitan Museum of Art, New York, NY

583
Marble female figure, Bastis Master
Marble female figureBastis Master2600–2400 BCEMetropolitan Museum of Art, New York, NY
Relief Fragment with a Ship Under Sail, Unknown
Relief Fragment with a Ship Under SailUnknownca. 2465–2458 BCEMetropolitan Museum of Art, New York, NY
Tomb Chapel of Raemkai: South Wall, Unknown
Tomb Chapel of Raemkai: South WallUnknownca. 2446–2389 BCEMetropolitan Museum of Art, New York, NY
West wall of the chapel of the mastaba Kaemsenu with niches for Iretnub, Kaemsenu and Werdjedptah, Unknown
West wall of the chapel of the mastaba Kaemsenu with niches for Iretnub, Kaemsenu and WerdjedptahUnknownca. 2420–2250 BCEMetropolitan Museum of Art, New York, NY
Design amulet, Cow and Calf on the Back, Device showing Antithetical Falcons Flanking an Ankh Sign over a Crouching Lion, Unknown
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Design Amulet, Pyramidal Back with Horizontal Piercing, Device showing Two Falcons Flanking what is meant to be an Ankh Sign, Unknown
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Design Amulet, Cow Nursing Calf and also a Kneeling Suckling Man Visible on Opposite Side on the Back, Device showing Antithetical Falcons with an Ankh Sign over a Lion, Unknown
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Design Amulet, Back in the Form of a Woman Suckling a Child, Device showing Two Lizards Head-to-tail, Unknown
Design Amulet, Back in the Form of a Woman Suckling a Child, Device showing Two Lizards Head-to-tailUnknownca. 2100–2080 B.C.Metropolitan Museum of Art, New York, NY

Similar picturesFound by visual likeness

1 pictures

Visual resemblances suggested by the model. A match does not establish a shared subject or historical connection.

Manuel Osorio Manrique de Zuñiga (1784–1792), Goya (Francisco de Goya y Lucientes)
Manuel Osorio Manrique de Zuñiga (1784–1792)Goya (Francisco de Goya y Lucientes)1787–88Metropolitan Museum of Art, New York, NY
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Goya (Francisco de Goya y Lucientes) made José Costa y Bonells (died l870), Called Pepito, and made these too.

Made in the nineteenth century, like José Costa y Bonells (died l870), Called Pepito.

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