Ignacio Garcini y Queralt (1752–1825), Brigadier of Engineers — Goya (Francisco de Goya y Lucientes), 1804

Ignacio Garcini y Queralt (1752–1825), Brigadier of Engineers, Goya (Francisco de Goya y Lucientes)

Seen

Not described yet.

Of

These are claims by the holder and by Wikidata, read 2026-09-04, and join nothing until an editor confirms them.

Holder's headings: Men, Portraits
Wikidata depicts: Ignacio de Garcini y Queralt

Means

No reading yet.

Rights

Credit: Bequest of Harry Payne Bingham, 1955
Licence: CC0-1.0
Evidence: metmuseum.org collection api v1: isPublicDomain=true on object 436542 (read 2026-08-27)
Record: https://www.metmuseum.org/art/collection/search/436542

Also by Goya (Francisco de Goya y Lucientes)

10

Condesa de Altamira and Her Daughter, María Agustina, Goya (Francisco de Goya y Lucientes) — Condesa de Altamira and Her Daughter, María AgustinaGoya (Francisco de Goya y Lucientes)1787–88Metropolitan Museum of Art, New York, NY

Manuel Osorio Manrique de Zuñiga (1784–1792), Goya (Francisco de Goya y Lucientes) — Manuel Osorio Manrique de Zuñiga (1784–1792)Goya (Francisco de Goya y Lucientes)1787–88Metropolitan Museum of Art, New York, NY

Self-Portrait, Goya (Francisco de Goya y Lucientes) — Self-PortraitGoya (Francisco de Goya y Lucientes)ca. 1796Metropolitan Museum of Art, New York, NY

Sebastián Martínez y Pérez (1747–1800), Goya (Francisco de Goya y Lucientes) — Sebastián Martínez y Pérez (1747–1800)Goya (Francisco de Goya y Lucientes)1792Metropolitan Museum of Art, New York, NY

Narcisa Barañano Gayoso de Goicoechea, Goya (Francisco de Goya y Lucientes) — Narcisa Barañano Gayoso de GoicoecheaGoya (Francisco de Goya y Lucientes)ca. 1805Metropolitan Museum of Art, New York, NY

Josefa de Castilla Portugal y van Asbrock de Garcini (1775–about 1850), Goya (Francisco de Goya y Lucientes) — Josefa de Castilla Portugal y van Asbrock de Garcini (1775–about 1850)Goya (Francisco de Goya y Lucientes)1804Metropolitan Museum of Art, New York, NY

José Costa y Bonells (died l870), Called Pepito, Goya (Francisco de Goya y Lucientes) — José Costa y Bonells (died l870), Called PepitoGoya (Francisco de Goya y Lucientes)ca. 1810Metropolitan Museum of Art, New York, NY

God save us from such a bitter fate; a bandit threatening a woman and a child with a knife, page 41 from the "Black Border Album" (E), Goya (Francisco de Goya y Lucientes) — God save us from such a bitter fate; a bandit threatening a woman and a child with a knife, page 41 from the "Black Border Album" (E)Goya (Francisco de Goya y Lucientes)ca. 1816–20Metropolitan Museum of Art, New York, NY

Within fifty years of 1804

3218

Abigail Chesebrough (Mrs. Alexander Grant), Joseph Blackburn — Abigail Chesebrough (Mrs. Alexander Grant)Joseph Blackburn1754The Art Institute of Chicago

The Sacrifice of Isaac, Francesco Guardi — The Sacrifice of IsaacFrancesco Guardi1754Cleveland Museum of Art

Les quatre saisons, François Boucher, French, 1703–1770 — Les quatre saisonsFrançois Boucher, French, 1703–1770ca. 1754–86Cooper Hewitt, Smithsonian Design Museum

L'Hyver, François Boucher, French, 1703–1770 — L'HyverFrançois Boucher, French, 1703–1770ca. 1754–86Cooper Hewitt, Smithsonian Design Museum

L’ESTÉ, François Boucher, French, 1703–1770 — L’ESTÉFrançois Boucher, French, 1703–1770ca. 1754–86Cooper Hewitt, Smithsonian Design Museum

L'Automne, François Boucher, French, 1703–1770 — L'AutomneFrançois Boucher, French, 1703–1770ca. 1754–86Cooper Hewitt, Smithsonian Design Museum

Hermann Fictulds Abhandlung von der Alchymie und derselben Gewissheit, Fictuld, Hermann — Hermann Fictulds Abhandlung von der Alchymie und derselben GewissheitFictuld, Hermann1754Stiftung der Werke von C.G.Jung, Zürich

Curieuse und ganz neue Art zu Punctiren, Unknown — Curieuse und ganz neue Art zu PunctirenUnknown1754Stiftung der Werke von C.G.Jung, Zürich

Also at Metropolitan Museum of Art, New York, NY

591

Marble female figure, Bastis Master — Marble female figureBastis Master2600–2400 BCEMetropolitan Museum of Art, New York, NY

Relief Fragment with a Ship Under Sail, Unknown — Relief Fragment with a Ship Under SailUnknownca. 2465–2458 BCEMetropolitan Museum of Art, New York, NY

Tomb Chapel of Raemkai: South Wall, Unknown — Tomb Chapel of Raemkai: South WallUnknownca. 2446–2389 BCEMetropolitan Museum of Art, New York, NY

West wall of the chapel of the mastaba Kaemsenu with niches for Iretnub, Kaemsenu and Werdjedptah, Unknown — West wall of the chapel of the mastaba Kaemsenu with niches for Iretnub, Kaemsenu and WerdjedptahUnknownca. 2420–2250 BCEMetropolitan Museum of Art, New York, NY

Design amulet, Cow and Calf on the Back, Device showing Antithetical Falcons Flanking an Ankh Sign over a Crouching Lion, Unknown — Design amulet, Cow and Calf on the Back, Device showing Antithetical Falcons Flanking an Ankh Sign over a Crouching LionUnknownca. 2150–2100 B.C.Metropolitan Museum of Art, New York, NY

Design Amulet, Pyramidal Back with Horizontal Piercing, Device showing Two Falcons Flanking what is meant to be an Ankh Sign, Unknown — Design Amulet, Pyramidal Back with Horizontal Piercing, Device showing Two Falcons Flanking what is meant to be an Ankh SignUnknownca. 2150–2010 B.C.Metropolitan Museum of Art, New York, NY

Design Amulet, Cow Nursing Calf and also a Kneeling Suckling Man Visible on Opposite Side on the Back, Device showing Antithetical Falcons with an Ankh Sign over a Lion, Unknown — Design Amulet, Cow Nursing Calf and also a Kneeling Suckling Man Visible on Opposite Side on the Back, Device showing Antithetical Falcons with an Ankh Sign over a LionUnknownca. 2150–2100 B.C.Metropolitan Museum of Art, New York, NY

Design Amulet, Back in the Form of a Woman Suckling a Child, Device showing Two Lizards Head-to-tail, Unknown — Design Amulet, Back in the Form of a Woman Suckling a Child, Device showing Two Lizards Head-to-tailUnknownca. 2100–2080 B.C.Metropolitan Museum of Art, New York, NY

Similar picturesFound by visual likeness

2 pictures

Other makers only

Visual resemblances suggested by the model. A match does not establish a shared subject or historical connection.

Ferdinand VII (1784–1833), When Prince of Asturias, Goya — Ferdinand VII (1784–1833), When Prince of AsturiasGoyaca. 1800Metropolitan Museum of Art, New York, NY

0.87

Portrait of General José Manuel Romero, Francisco José de Goya y Lucientes — Portrait of General José Manuel RomeroFrancisco José de Goya y Lucientesc. 1810The Art Institute of Chicago

0.84

Next

Goya (Francisco de Goya y Lucientes) made Ignacio Garcini y Queralt (1752–1825), Brigadier of Engineers, and made these too.

Made in the nineteenth century, like Ignacio Garcini y Queralt (1752–1825), Brigadier of Engineers.

0:00–0:00