
Narcisa Barañano Gayoso de Goicoechea — Goya (Francisco de Goya y Lucientes)ca. 1805Also by Goya (Francisco de Goya y Lucientes)
10
Condesa de Altamira and Her Daughter, María AgustinaGoya (Francisco de Goya y Lucientes)1787–88Metropolitan Museum of Art, New York, NY
Manuel Osorio Manrique de Zuñiga (1784–1792)Goya (Francisco de Goya y Lucientes)1787–88Metropolitan Museum of Art, New York, NY
Self-PortraitGoya (Francisco de Goya y Lucientes)ca. 1796Metropolitan Museum of Art, New York, NY
Sebastián Martínez y Pérez (1747–1800)Goya (Francisco de Goya y Lucientes)1792Metropolitan Museum of Art, New York, NY
Josefa de Castilla Portugal y van Asbrock de Garcini (1775–about 1850)Goya (Francisco de Goya y Lucientes)1804Metropolitan Museum of Art, New York, NY
Ignacio Garcini y Queralt (1752–1825), Brigadier of EngineersGoya (Francisco de Goya y Lucientes)1804Metropolitan Museum of Art, New York, NY
José Costa y Bonells (died l870), Called PepitoGoya (Francisco de Goya y Lucientes)ca. 1810Metropolitan Museum of Art, New York, NY
God save us from such a bitter fate; a bandit threatening a woman and a child with a knife, page 41 from the "Black Border Album" (E)Goya (Francisco de Goya y Lucientes)ca. 1816–20Metropolitan Museum of Art, New York, NYWithin fifty years of ca. 1805
3274Also at Metropolitan Museum of Art, New York, NY
598
Marble female figureBastis Master2600–2400 BCEMetropolitan Museum of Art, New York, NY
Relief Fragment with a Ship Under SailUnknownca. 2465–2458 BCEMetropolitan Museum of Art, New York, NY
Tomb Chapel of Raemkai: South WallUnknownca. 2446–2389 BCEMetropolitan Museum of Art, New York, NY
West wall of the chapel of the mastaba Kaemsenu with niches for Iretnub, Kaemsenu and WerdjedptahUnknownca. 2420–2250 BCEMetropolitan Museum of Art, New York, NY
Design amulet, Cow and Calf on the Back, Device showing Antithetical Falcons Flanking an Ankh Sign over a Crouching LionUnknownca. 2150–2100 B.C.Metropolitan Museum of Art, New York, NY
Design Amulet, Pyramidal Back with Horizontal Piercing, Device showing Two Falcons Flanking what is meant to be an Ankh SignUnknownca. 2150–2010 B.C.Metropolitan Museum of Art, New York, NY
Design Amulet, Cow Nursing Calf and also a Kneeling Suckling Man Visible on Opposite Side on the Back, Device showing Antithetical Falcons with an Ankh Sign over a LionUnknownca. 2150–2100 B.C.Metropolitan Museum of Art, New York, NY
Design Amulet, Back in the Form of a Woman Suckling a Child, Device showing Two Lizards Head-to-tailUnknownca. 2100–2080 B.C.Metropolitan Museum of Art, New York, NY
Next
Goya (Francisco de Goya y Lucientes) made Narcisa Barañano Gayoso de Goicoechea, and made these too.
Made in the nineteenth century, like Narcisa Barañano Gayoso de Goicoechea.