Prostitute Soliciting a Fat, Ugly Man, Folio 49 (recto) — Francisco de Goya (Spanish, 1746–1828), 1796–97

Prostitute Soliciting a Fat, Ugly Man, Folio 49 (recto), Francisco de Goya (Spanish, 1746–1828)

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Credit: John L. Severance Fund
Licence: CC0-1.0
Evidence: openaccess-api.clevelandart.org: share_license_status=CC0 on artwork 157644 (read 2026-08-27)
Record: https://clevelandart.org/art/1995.15.a

Also by Francisco de Goya (Spanish, 1746–1828)

9

Young Woman (possibly a Sex Worker) with a Man (recto); Young Woman Wringing Her Hands over a Man's Naked Body (verso), Francisco de Goya (Spanish, 1746–1828) — Young Woman (possibly a Sex Worker) with a Man (recto); Young Woman Wringing Her Hands over a Man's Naked Body (verso)Francisco de Goya (Spanish, 1746–1828)1796–97Cleveland Museum of Art

Young Woman Wringing Her Hands over a Man's Naked Body, Folio 50 (verso), Francisco de Goya (Spanish, 1746–1828) — Young Woman Wringing Her Hands over a Man's Naked Body, Folio 50 (verso)Francisco de Goya (Spanish, 1746–1828)1796–97Cleveland Museum of Art

Saint Ambrose, Francisco de Goya (Spanish, 1746–1828) — Saint AmbroseFrancisco de Goya (Spanish, 1746–1828)c. 1796–99Cleveland Museum of Art

When Day Breaks We Will Be Off, Plate 71, Francisco de Goya (Spanish, 1746–1828) — When Day Breaks We Will Be Off, Plate 71Francisco de Goya (Spanish, 1746–1828)1799Cleveland Museum of Art

They Spin Finely, Plate 44, Francisco de Goya (Spanish, 1746–1828) — They Spin Finely, Plate 44Francisco de Goya (Spanish, 1746–1828)1799Cleveland Museum of Art

They Have Flown, Plate 61, Francisco de Goya (Spanish, 1746–1828) — They Have Flown, Plate 61Francisco de Goya (Spanish, 1746–1828)1799Cleveland Museum of Art

A Bad Night, Plate 36, Francisco de Goya (Spanish, 1746–1828) — A Bad Night, Plate 36Francisco de Goya (Spanish, 1746–1828)1799Cleveland Museum of Art

The Proverbs: Two Heads are Better than One or Poor Folly, Francisco de Goya (Spanish, 1746–1828) — The Proverbs: Two Heads are Better than One or Poor FollyFrancisco de Goya (Spanish, 1746–1828)1816–1823 (printed c. 1863)Cleveland Museum of Art

Within fifty years of 1796–97

3307

The Temptation, Pietro Longhi (Pietro Falca) — The TemptationPietro Longhi (Pietro Falca)1746Metropolitan Museum of Art, New York, NY

Three sepulchral monuments, Giuseppe Barberi, Italian, 1746–1809 — Three sepulchral monumentsGiuseppe Barberi, Italian, 1746–18091746-1809Cooper Hewitt, Smithsonian Design Museum

The Last Supper, Francesco Saverio Mergolo, Italian, 1746–1786 — The Last SupperFrancesco Saverio Mergolo, Italian, 1746–17861746–86Cooper Hewitt, Smithsonian Design Museum

Frame, Giuseppe Barberi, Italian, 1746–1809 — FrameGiuseppe Barberi, Italian, 1746–18091746–1809Cooper Hewitt, Smithsonian Design Museum

Frames, Giuseppe Barberi, Italian, 1746–1809 — FramesGiuseppe Barberi, Italian, 1746–18091746–1809Cooper Hewitt, Smithsonian Design Museum

Elevation of a chapel, Giuseppe Barberi, Italian, 1746–1809 — Elevation of a chapelGiuseppe Barberi, Italian, 1746–18091746-1809Cooper Hewitt, Smithsonian Design Museum

Timepiece, Giuseppe Barberi, Italian, 1746–1809 — TimepieceGiuseppe Barberi, Italian, 1746–18091746–1809Cooper Hewitt, Smithsonian Design Museum

Interior elevation of a building, Giuseppe Barberi, Italian, 1746–1809 — Interior elevation of a buildingGiuseppe Barberi, Italian, 1746–18091746–1809Cooper Hewitt, Smithsonian Design Museum

Also at Cleveland Museum of Art

542

Relief of Nyankhnesut Seated, Unknown — Relief of Nyankhnesut SeatedUnknownc. 2311–2281 BCECleveland Museum of Art

Stele of Shemai, Unknown — Stele of ShemaiUnknownc. 1960–1916 BCECleveland Museum of Art

Relief of Hatshepsut or Tuthmosis III, Unknown — Relief of Hatshepsut or Tuthmosis IIIUnknown1479–1425 BCECleveland Museum of Art

Talatat: Portrait of Nefertiti, Unknown — Talatat: Portrait of NefertitiUnknownc. 1353–1347 BCECleveland Museum of Art

Talatat: Portrait of Nefertiti, Unknown — Talatat: Portrait of NefertitiUnknownc. 1353–1347 BCECleveland Museum of Art

Talatat: Nefertiti Offers to the Aten, Unknown — Talatat: Nefertiti Offers to the AtenUnknown1353–1347 BCECleveland Museum of Art

Tomb Relief of the Chief Physician Amenhotep and Family, Unknown — Tomb Relief of the Chief Physician Amenhotep and FamilyUnknownc. 1279–1257 BCECleveland Museum of Art

Stele of the High Priest of Ptah, Shedsunefertem, Unknown — Stele of the High Priest of Ptah, ShedsunefertemUnknown945–924 BCECleveland Museum of Art

Similar picturesFound by visual likeness

5 pictures

Other makers only

Visual resemblances suggested by the model. A match does not establish a shared subject or historical connection.

Drawing, Felice Giani, Italian, 1758–1823 — DrawingFelice Giani, Italian, 1758–18231801Cooper Hewitt, Smithsonian Design Museum

0.86

Drawing, Felice Giani, Italian, 1758–1823 — DrawingFelice Giani, Italian, 1758–1823About 1801 (?)Cooper Hewitt, Smithsonian Design Museum

0.84

Young Woman (possibly a Sex Worker) with a Man (recto); Young Woman Wringing Her Hands over a Man's Naked Body (verso), Francisco de Goya (Spanish, 1746–1828) — Young Woman (possibly a Sex Worker) with a Man (recto); Young Woman Wringing Her Hands over a Man's Naked Body (verso)Francisco de Goya (Spanish, 1746–1828)1796–97Cleveland Museum of Art

0.84

Drawing, Felice Giani, Italian, 1758–1823 — DrawingFelice Giani, Italian, 1758–1823About 1790Cooper Hewitt, Smithsonian Design Museum

0.83

Family Scene, Honoré-Victorin Daumier — Family SceneHonoré-Victorin Daumierc. 1865The Art Institute of Chicago

0.83

Next

Francisco de Goya (Spanish, 1746–1828) made Prostitute Soliciting a Fat, Ugly Man, Folio 49 (recto), and made these too.

Portrait of Don Juan Antonio Cuervo1819

Made in the eighteenth century, like Prostitute Soliciting a Fat, Ugly Man, Folio 49 (recto).

Study of the Lamentation on the Dead Christ1780
The Sacrifice of Isaac1754
Sacrifice of Isaac1750
The Sacrifice of Isaac1750

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