Sebastián Martínez y Pérez (1747–1800) — Goya (Francisco de Goya y Lucientes), 1792

Sebastián Martínez y Pérez (1747–1800), Goya (Francisco de Goya y Lucientes)

Seen

Not described yet.

Of

These are claims by the holder and by Wikidata, read 2026-09-04, and join nothing until an editor confirms them.

Holder's headings: Men, Portraits
Wikidata depicts: necktie, wig, letter, stocking, reading, jacket, breeches, Sebastián Martínez y Pérez

Means

No reading yet.

Rights

Credit: Rogers Fund, 1906
Licence: CC0-1.0
Evidence: metmuseum.org collection api v1: isPublicDomain=true on object 436541 (read 2026-08-27)
Record: https://www.metmuseum.org/art/collection/search/436541

Also by Goya (Francisco de Goya y Lucientes)

10

Condesa de Altamira and Her Daughter, María Agustina, Goya (Francisco de Goya y Lucientes) — Condesa de Altamira and Her Daughter, María AgustinaGoya (Francisco de Goya y Lucientes)1787–88Metropolitan Museum of Art, New York, NY

Manuel Osorio Manrique de Zuñiga (1784–1792), Goya (Francisco de Goya y Lucientes) — Manuel Osorio Manrique de Zuñiga (1784–1792)Goya (Francisco de Goya y Lucientes)1787–88Metropolitan Museum of Art, New York, NY

Self-Portrait, Goya (Francisco de Goya y Lucientes) — Self-PortraitGoya (Francisco de Goya y Lucientes)ca. 1796Metropolitan Museum of Art, New York, NY

Narcisa Barañano Gayoso de Goicoechea, Goya (Francisco de Goya y Lucientes) — Narcisa Barañano Gayoso de GoicoecheaGoya (Francisco de Goya y Lucientes)ca. 1805Metropolitan Museum of Art, New York, NY

Josefa de Castilla Portugal y van Asbrock de Garcini (1775–about 1850), Goya (Francisco de Goya y Lucientes) — Josefa de Castilla Portugal y van Asbrock de Garcini (1775–about 1850)Goya (Francisco de Goya y Lucientes)1804Metropolitan Museum of Art, New York, NY

Ignacio Garcini y Queralt (1752–1825), Brigadier of Engineers, Goya (Francisco de Goya y Lucientes) — Ignacio Garcini y Queralt (1752–1825), Brigadier of EngineersGoya (Francisco de Goya y Lucientes)1804Metropolitan Museum of Art, New York, NY

José Costa y Bonells (died l870), Called Pepito, Goya (Francisco de Goya y Lucientes) — José Costa y Bonells (died l870), Called PepitoGoya (Francisco de Goya y Lucientes)ca. 1810Metropolitan Museum of Art, New York, NY

God save us from such a bitter fate; a bandit threatening a woman and a child with a knife, page 41 from the "Black Border Album" (E), Goya (Francisco de Goya y Lucientes) — God save us from such a bitter fate; a bandit threatening a woman and a child with a knife, page 41 from the "Black Border Album" (E)Goya (Francisco de Goya y Lucientes)ca. 1816–20Metropolitan Museum of Art, New York, NY

Within fifty years of 1792

3318

Design for a Carved Mirror Frame, Gilles-Marie Oppenord, French, 1672–1742 — Design for a Carved Mirror FrameGilles-Marie Oppenord, French, 1672–1742before 1742Cooper Hewitt, Smithsonian Design Museum

Architectural Fantasy: Palace Interior, Charles Michel-Ange Challe, French, 1718 – 1778 — Architectural Fantasy: Palace InteriorCharles Michel-Ange Challe, French, 1718 – 17781742–46Cooper Hewitt, Smithsonian Design Museum

The Fear of Love, Jean-Louis Lemoyne — The Fear of LoveJean-Louis Lemoyne1742The Art Institute of Chicago

Armida Encounters the Sleeping Rinaldo, Giovanni Battista Tiepolo — Armida Encounters the Sleeping RinaldoGiovanni Battista Tiepoloc. 1742–45The Art Institute of Chicago

Rinaldo and the Magus of Ascalon, Giovanni Battista Tiepolo — Rinaldo and the Magus of AscalonGiovanni Battista Tiepoloc. 1742–45The Art Institute of Chicago

Armida Abandoned by Rinaldo, Giovanni Battista Tiepolo — Armida Abandoned by RinaldoGiovanni Battista Tiepoloc. 1742–45The Art Institute of Chicago

Rinaldo and Armida in Her Garden, Giovanni Battista Tiepolo — Rinaldo and Armida in Her GardenGiovanni Battista Tiepoloc. 1742–45The Art Institute of Chicago

Designs for Firearms Ornament, Gilles Demarteau, Flemish, 1722 – 1776 — Designs for Firearms OrnamentGilles Demarteau, Flemish, 1722 – 1776ca. 1743Cooper Hewitt, Smithsonian Design Museum

Also at Metropolitan Museum of Art, New York, NY

602

Marble female figure, Bastis Master — Marble female figureBastis Master2600–2400 BCEMetropolitan Museum of Art, New York, NY

Relief Fragment with a Ship Under Sail, Unknown — Relief Fragment with a Ship Under SailUnknownca. 2465–2458 BCEMetropolitan Museum of Art, New York, NY

Tomb Chapel of Raemkai: South Wall, Unknown — Tomb Chapel of Raemkai: South WallUnknownca. 2446–2389 BCEMetropolitan Museum of Art, New York, NY

West wall of the chapel of the mastaba Kaemsenu with niches for Iretnub, Kaemsenu and Werdjedptah, Unknown — West wall of the chapel of the mastaba Kaemsenu with niches for Iretnub, Kaemsenu and WerdjedptahUnknownca. 2420–2250 BCEMetropolitan Museum of Art, New York, NY

Design amulet, Cow and Calf on the Back, Device showing Antithetical Falcons Flanking an Ankh Sign over a Crouching Lion, Unknown — Design amulet, Cow and Calf on the Back, Device showing Antithetical Falcons Flanking an Ankh Sign over a Crouching LionUnknownca. 2150–2100 B.C.Metropolitan Museum of Art, New York, NY

Design Amulet, Pyramidal Back with Horizontal Piercing, Device showing Two Falcons Flanking what is meant to be an Ankh Sign, Unknown — Design Amulet, Pyramidal Back with Horizontal Piercing, Device showing Two Falcons Flanking what is meant to be an Ankh SignUnknownca. 2150–2010 B.C.Metropolitan Museum of Art, New York, NY

Design Amulet, Cow Nursing Calf and also a Kneeling Suckling Man Visible on Opposite Side on the Back, Device showing Antithetical Falcons with an Ankh Sign over a Lion, Unknown — Design Amulet, Cow Nursing Calf and also a Kneeling Suckling Man Visible on Opposite Side on the Back, Device showing Antithetical Falcons with an Ankh Sign over a LionUnknownca. 2150–2100 B.C.Metropolitan Museum of Art, New York, NY

Design Amulet, Back in the Form of a Woman Suckling a Child, Device showing Two Lizards Head-to-tail, Unknown — Design Amulet, Back in the Form of a Woman Suckling a Child, Device showing Two Lizards Head-to-tailUnknownca. 2100–2080 B.C.Metropolitan Museum of Art, New York, NY

Next

Goya (Francisco de Goya y Lucientes) made Sebastián Martínez y Pérez (1747–1800), and made these too.

Made in the eighteenth century, like Sebastián Martínez y Pérez (1747–1800).

Study of the Lamentation on the Dead Christ1780
The Sacrifice of Isaac1754
Sacrifice of Isaac1750
The Sacrifice of Isaac1750

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