Portrait of Don Juan Antonio Cuervo — Francisco de Goya (Spanish, 1746–1828), 1819

Portrait of Don Juan Antonio Cuervo, Francisco de Goya (Spanish, 1746–1828)

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These are claims by the holder and by Wikidata, read 2026-09-04, and join nothing until an editor confirms them.

Wikidata depicts: Juan Antonio Cuervo

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Rights

Credit: Mr. and Mrs. William H. Marlatt Fund
Licence: CC0-1.0
Evidence: openaccess-api.clevelandart.org: share_license_status=CC0 on artwork 123490 (read 2026-08-27)
Record: https://clevelandart.org/art/1943.90

Also by Francisco de Goya (Spanish, 1746–1828)

9

Young Woman (possibly a Sex Worker) with a Man (recto); Young Woman Wringing Her Hands over a Man's Naked Body (verso), Francisco de Goya (Spanish, 1746–1828) — Young Woman (possibly a Sex Worker) with a Man (recto); Young Woman Wringing Her Hands over a Man's Naked Body (verso)Francisco de Goya (Spanish, 1746–1828)1796–97Cleveland Museum of Art

Prostitute Soliciting a Fat, Ugly Man, Folio 49 (recto), Francisco de Goya (Spanish, 1746–1828) — Prostitute Soliciting a Fat, Ugly Man, Folio 49 (recto)Francisco de Goya (Spanish, 1746–1828)1796–97Cleveland Museum of Art

Young Woman Wringing Her Hands over a Man's Naked Body, Folio 50 (verso), Francisco de Goya (Spanish, 1746–1828) — Young Woman Wringing Her Hands over a Man's Naked Body, Folio 50 (verso)Francisco de Goya (Spanish, 1746–1828)1796–97Cleveland Museum of Art

Saint Ambrose, Francisco de Goya (Spanish, 1746–1828) — Saint AmbroseFrancisco de Goya (Spanish, 1746–1828)c. 1796–99Cleveland Museum of Art

When Day Breaks We Will Be Off, Plate 71, Francisco de Goya (Spanish, 1746–1828) — When Day Breaks We Will Be Off, Plate 71Francisco de Goya (Spanish, 1746–1828)1799Cleveland Museum of Art

They Spin Finely, Plate 44, Francisco de Goya (Spanish, 1746–1828) — They Spin Finely, Plate 44Francisco de Goya (Spanish, 1746–1828)1799Cleveland Museum of Art

They Have Flown, Plate 61, Francisco de Goya (Spanish, 1746–1828) — They Have Flown, Plate 61Francisco de Goya (Spanish, 1746–1828)1799Cleveland Museum of Art

A Bad Night, Plate 36, Francisco de Goya (Spanish, 1746–1828) — A Bad Night, Plate 36Francisco de Goya (Spanish, 1746–1828)1799Cleveland Museum of Art

Within fifty years of 1819

3239

QUATUOR BAVARIAE REGIMINA IN FONTE REPRAESENTATA, François de Cuvilliés the younger, German, 1731 - 1777 — QUATUOR BAVARIAE REGIMINA IN FONTE REPRAESENTATAFrançois de Cuvilliés the younger, German, 1731 - 17771769Cooper Hewitt, Smithsonian Design Museum

Album of Headpieces from Charles-François Saint-Lambert’s Les Saisons, Poëme, Pierre-Philippe Choffard, French, 1730–1809 — Album of Headpieces from Charles-François Saint-Lambert’s Les Saisons, PoëmePierre-Philippe Choffard, French, 1730–18091769–75Cooper Hewitt, Smithsonian Design Museum

Title Page, Pietro Metastasio, Italian, 1698 – 1782 — Title PagePietro Metastasio, Italian, 1698 – 17821769Cooper Hewitt, Smithsonian Design Museum

Ornamental Vignette with Gourd and Pedestal, D. P. Pariset, French, 1740 - ca. 1783 — Ornamental Vignette with Gourd and PedestalD. P. Pariset, French, 1740 - ca. 17831769–1783Cooper Hewitt, Smithsonian Design Museum

Centerpiece for the Ambassador of the Maltese Order, Giuseppe Barberi, Italian, 1746–1809 — Centerpiece for the Ambassador of the Maltese OrderGiuseppe Barberi, Italian, 1746–18091769Cooper Hewitt, Smithsonian Design Museum

The Two Sisters, Jean Honoré Fragonard — The Two SistersJean Honoré Fragonardca. 1769–70Metropolitan Museum of Art, New York, NY

A human skeleton, seen from the front, resting the bones of his left forearm on a spade handle, after Vesalius. Engraving 1769, after Prevost, 1762, after a woodcut, 1543., Jean Le Rond d'Alembert; Denis Diderot; Andreas Vesalius; Benoît-Louis Prévost; Hinde, M., active 18th century — A human skeleton, seen from the front, resting the bones of his left forearm on a spade handle, after Vesalius. Engraving 1769, after Prevost, 1762, after a woodcut, 1543.Jean Le Rond d'Alembert; Denis Diderot; Andreas Vesalius; Benoît-Louis Prévost; Hinde, M., active 18th century[1769]Wellcome Collection

The Island of San Michele, Venice, Francesco Guardi — The Island of San Michele, VeniceFrancesco Guardi1770sMetropolitan Museum of Art, New York, NY

Also at Cleveland Museum of Art

503

Relief of Nyankhnesut Seated, Unknown — Relief of Nyankhnesut SeatedUnknownc. 2311–2281 BCECleveland Museum of Art

Stele of Shemai, Unknown — Stele of ShemaiUnknownc. 1960–1916 BCECleveland Museum of Art

Relief of Hatshepsut or Tuthmosis III, Unknown — Relief of Hatshepsut or Tuthmosis IIIUnknown1479–1425 BCECleveland Museum of Art

Talatat: Portrait of Nefertiti, Unknown — Talatat: Portrait of NefertitiUnknownc. 1353–1347 BCECleveland Museum of Art

Talatat: Portrait of Nefertiti, Unknown — Talatat: Portrait of NefertitiUnknownc. 1353–1347 BCECleveland Museum of Art

Talatat: Nefertiti Offers to the Aten, Unknown — Talatat: Nefertiti Offers to the AtenUnknown1353–1347 BCECleveland Museum of Art

Tomb Relief of the Chief Physician Amenhotep and Family, Unknown — Tomb Relief of the Chief Physician Amenhotep and FamilyUnknownc. 1279–1257 BCECleveland Museum of Art

Stele of the High Priest of Ptah, Shedsunefertem, Unknown — Stele of the High Priest of Ptah, ShedsunefertemUnknown945–924 BCECleveland Museum of Art

Similar picturesFound by visual likeness

1 pictures

Other makers only

Visual resemblances suggested by the model. A match does not establish a shared subject or historical connection.

Philip IV (1605–1665), King of Spain, Velázquez (Diego Rodríguez de Silva y Velázquez) — Philip IV (1605–1665), King of SpainVelázquez (Diego Rodríguez de Silva y Velázquez)probably 1624Metropolitan Museum of Art, New York, NY

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Francisco de Goya (Spanish, 1746–1828) made Portrait of Don Juan Antonio Cuervo, and made these too.

The Proverbs: Two Heads are Better than One or Poor Folly1816

Made in the nineteenth century, like Portrait of Don Juan Antonio Cuervo.

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