Date ca. 1816–20 Medium Brush, carbon black gray ink and was, scraper Dimensions Sheet: 10 1/2 × 7 3/8 in. (26.6 × 18.7 cm) Collection Metropolitan Museum of Art, New York, NY 35.103.50 Getty ids beside the museum's words, by exact match, 2026-09-09
Of These are claims by the holder and by Wikidata, read 2026-09-04, and join nothing until an editor confirms them.
Holder's headings Children , Men , Women Close God save us from such a bitter fate; a bandit threatening a woman and a child with a knife, page 41 from the "Black Border Album" (E) — Goya (Francisco de Goya y Lucientes) ca. 1816–20
Also by Goya (Francisco de Goya y Lucientes) 10 Condesa de Altamira and Her Daughter, María Agustina Goya (Francisco de Goya y Lucientes)1787–88 Metropolitan Museum of Art, New York, NY Manuel Osorio Manrique de Zuñiga (1784–1792) Goya (Francisco de Goya y Lucientes)1787–88 Metropolitan Museum of Art, New York, NY Self-Portrait Goya (Francisco de Goya y Lucientes)ca. 1796 Metropolitan Museum of Art, New York, NY Sebastián Martínez y Pérez (1747–1800) Goya (Francisco de Goya y Lucientes)1792 Metropolitan Museum of Art, New York, NY Narcisa Barañano Gayoso de Goicoechea Goya (Francisco de Goya y Lucientes)ca. 1805 Metropolitan Museum of Art, New York, NY Josefa de Castilla Portugal y van Asbrock de Garcini (1775–about 1850) Goya (Francisco de Goya y Lucientes)1804 Metropolitan Museum of Art, New York, NY Ignacio Garcini y Queralt (1752–1825), Brigadier of Engineers Goya (Francisco de Goya y Lucientes)1804 Metropolitan Museum of Art, New York, NY José Costa y Bonells (died l870), Called Pepito Goya (Francisco de Goya y Lucientes)ca. 1810 Metropolitan Museum of Art, New York, NY
Within fifty years of ca. 1816–20 3165 The Heron Maiden Suzuki Harunobuc. 1766/67 The Art Institute of Chicago Album of Prints: First and Second Series of Prints Designed and Engraved by Percenet L.N. Percenet, French, born 17361761-1762 Cooper Hewitt, Smithsonian Design Museum Album of Prints: New Collection of Ironwork in the Newest Taste, by Moreau Moreau, French, active 18th century1761-1762 Cooper Hewitt, Smithsonian Design Museum Trial Proof for Cotton Printing: "Pastoral Scene with Peacocks and Poultry" Unknownafter 1761 Cooper Hewitt, Smithsonian Design Museum Trial Proof for Cotton Printing: "Pastoral Scene with Peacocks and Poultry" Unknownafter 1761 Cooper Hewitt, Smithsonian Design Museum The Giant Wheel, plate 9 from Imaginary Prisons Giovanni Battista Piranesi1761 The Art Institute of Chicago The Pier with a Lamp, plate 15 from Imaginary Prisons Giovanni Battista Piranesi1761 The Art Institute of Chicago The Lion Bas-Reliefs, plate 5 from Imaginary Prisons Giovanni Battista Piranesi1761 The Art Institute of Chicago
Also at Metropolitan Museum of Art, New York, NY 577 Marble female figure Bastis Master2600–2400 BCE Metropolitan Museum of Art, New York, NY Relief Fragment with a Ship Under Sail Unknownca. 2465–2458 BCE Metropolitan Museum of Art, New York, NY Tomb Chapel of Raemkai: South Wall Unknownca. 2446–2389 BCE Metropolitan Museum of Art, New York, NY West wall of the chapel of the mastaba Kaemsenu with niches for Iretnub, Kaemsenu and Werdjedptah Unknownca. 2420–2250 BCE Metropolitan Museum of Art, New York, NY Design amulet, Cow and Calf on the Back, Device showing Antithetical Falcons Flanking an Ankh Sign over a Crouching Lion Unknownca. 2150–2100 B.C. Metropolitan Museum of Art, New York, NY Design Amulet, Pyramidal Back with Horizontal Piercing, Device showing Two Falcons Flanking what is meant to be an Ankh Sign Unknownca. 2150–2010 B.C. Metropolitan Museum of Art, New York, NY Design Amulet, Cow Nursing Calf and also a Kneeling Suckling Man Visible on Opposite Side on the Back, Device showing Antithetical Falcons with an Ankh Sign over a Lion Unknownca. 2150–2100 B.C. Metropolitan Museum of Art, New York, NY Design Amulet, Back in the Form of a Woman Suckling a Child, Device showing Two Lizards Head-to-tail Unknownca. 2100–2080 B.C. Metropolitan Museum of Art, New York, NY
Similar picturesFound by visual likeness 8 pictures Visual resemblances suggested by the model. A match does not establish a shared subject or historical connection.
Drawing Felice Giani, Italian, 1758–1823About 1801 Cooper Hewitt, Smithsonian Design Museum 0.89 Lot and His Daughters Jan Georg van Vliet (Dutch, c. 1610–1635); Rembrandt van Rijn (Dutch, 1606–1669)1631 Cleveland Museum of Art 0.88 Drawing François Verdier, French, 1651 - 1730ca. 1700 Cooper Hewitt, Smithsonian Design Museum 0.87 Drawing Felice Giani, Italian, 1758–1823C. 1801 Cooper Hewitt, Smithsonian Design Museum 0.87 Add a connection Propose a reading
Next Goya (Francisco de Goya y Lucientes) made God save us from such a bitter fate; a bandit threatening a woman and a child with a knife, page 41 from the "Black Border Album" (E), and made these too.
Made in the nineteenth century, like God save us from such a bitter fate; a bandit threatening a woman and a child with a knife, page 41 from the "Black Border Album" (E).
