Seated Giant — Goya (Francisco de Goya y Lucientes), by 1818 (possibly 1814–18)

Seated Giant, Goya (Francisco de Goya y Lucientes)

Seen

Not described yet.

Of

These are claims by the holder and by Wikidata, read 2026-09-04, and join nothing until an editor confirms them.

Holder's headings: Men, Male Nudes
Wikidata depicts: man, nude, giant

Means

No reading yet.

Rights

Credit: Harris Brisbane Dick Fund, 1935
Licence: CC0-1.0
Evidence: metmuseum.org collection api v1: isPublicDomain=true on object 334002 (read 2026-08-27)
Record: https://www.metmuseum.org/art/collection/search/334002

Also by Goya (Francisco de Goya y Lucientes)

10

Condesa de Altamira and Her Daughter, María Agustina, Goya (Francisco de Goya y Lucientes) — Condesa de Altamira and Her Daughter, María AgustinaGoya (Francisco de Goya y Lucientes)1787–88Metropolitan Museum of Art, New York, NY

Manuel Osorio Manrique de Zuñiga (1784–1792), Goya (Francisco de Goya y Lucientes) — Manuel Osorio Manrique de Zuñiga (1784–1792)Goya (Francisco de Goya y Lucientes)1787–88Metropolitan Museum of Art, New York, NY

Self-Portrait, Goya (Francisco de Goya y Lucientes) — Self-PortraitGoya (Francisco de Goya y Lucientes)ca. 1796Metropolitan Museum of Art, New York, NY

Sebastián Martínez y Pérez (1747–1800), Goya (Francisco de Goya y Lucientes) — Sebastián Martínez y Pérez (1747–1800)Goya (Francisco de Goya y Lucientes)1792Metropolitan Museum of Art, New York, NY

Narcisa Barañano Gayoso de Goicoechea, Goya (Francisco de Goya y Lucientes) — Narcisa Barañano Gayoso de GoicoecheaGoya (Francisco de Goya y Lucientes)ca. 1805Metropolitan Museum of Art, New York, NY

Josefa de Castilla Portugal y van Asbrock de Garcini (1775–about 1850), Goya (Francisco de Goya y Lucientes) — Josefa de Castilla Portugal y van Asbrock de Garcini (1775–about 1850)Goya (Francisco de Goya y Lucientes)1804Metropolitan Museum of Art, New York, NY

Ignacio Garcini y Queralt (1752–1825), Brigadier of Engineers, Goya (Francisco de Goya y Lucientes) — Ignacio Garcini y Queralt (1752–1825), Brigadier of EngineersGoya (Francisco de Goya y Lucientes)1804Metropolitan Museum of Art, New York, NY

José Costa y Bonells (died l870), Called Pepito, Goya (Francisco de Goya y Lucientes) — José Costa y Bonells (died l870), Called PepitoGoya (Francisco de Goya y Lucientes)ca. 1810Metropolitan Museum of Art, New York, NY

Within fifty years of by 1818 (possibly 1814–18)

3237

Dish, Sèvres Porcelain Manufactory, French, established 1756 — DishSèvres Porcelain Manufactory, French, established 17561768Cooper Hewitt, Smithsonian Design Museum

PLUSIEURS PORTAILS ET PORTES Composés et Gravés par L.G Taraval, Louis-Gustave Taraval, French, 1738 – 1794 — PLUSIEURS PORTAILS ET PORTES Composés et Gravés par L.G TaravalLouis-Gustave Taraval, French, 1738 – 17941768–75Cooper Hewitt, Smithsonian Design Museum

Title Page and Arabesque Panel Designs, Juste-François Boucher, French, 1736 – 1782 — Title Page and Arabesque Panel DesignsJuste-François Boucher, French, 1736 – 17821768–75Cooper Hewitt, Smithsonian Design Museum

Dish (One of Four), Sèvres Porcelain Manufactory, French, established 1756 — Dish (One of Four)Sèvres Porcelain Manufactory, French, established 1756ca. 1768Cooper Hewitt, Smithsonian Design Museum

Dish (One of Four), Sèvres Porcelain Manufactory, French, established 1756 — Dish (One of Four)Sèvres Porcelain Manufactory, French, established 17561768Cooper Hewitt, Smithsonian Design Museum

Architecture Propre A Differens Usages (Architecture for Different Uses), plate from Oeuvres de François de Cuvilliés, fils, François de Cuvilliés, fils — Architecture Propre A Differens Usages (Architecture for Different Uses), plate from Oeuvres de François de Cuvilliés, filsFrançois de Cuvilliés, fils1768–73Cooper Hewitt, Smithsonian Design Museum

QUATUOR BAVARIAE REGIMINA IN FONTE REPRAESENTATA, François de Cuvilliés the younger, German, 1731 - 1777 — QUATUOR BAVARIAE REGIMINA IN FONTE REPRAESENTATAFrançois de Cuvilliés the younger, German, 1731 - 17771769Cooper Hewitt, Smithsonian Design Museum

Album of Headpieces from Charles-François Saint-Lambert’s Les Saisons, Poëme, Pierre-Philippe Choffard, French, 1730–1809 — Album of Headpieces from Charles-François Saint-Lambert’s Les Saisons, PoëmePierre-Philippe Choffard, French, 1730–18091769–75Cooper Hewitt, Smithsonian Design Museum

Also at Metropolitan Museum of Art, New York, NY

546

Marble female figure, Bastis Master — Marble female figureBastis Master2600–2400 BCEMetropolitan Museum of Art, New York, NY

Relief Fragment with a Ship Under Sail, Unknown — Relief Fragment with a Ship Under SailUnknownca. 2465–2458 BCEMetropolitan Museum of Art, New York, NY

Tomb Chapel of Raemkai: South Wall, Unknown — Tomb Chapel of Raemkai: South WallUnknownca. 2446–2389 BCEMetropolitan Museum of Art, New York, NY

West wall of the chapel of the mastaba Kaemsenu with niches for Iretnub, Kaemsenu and Werdjedptah, Unknown — West wall of the chapel of the mastaba Kaemsenu with niches for Iretnub, Kaemsenu and WerdjedptahUnknownca. 2420–2250 BCEMetropolitan Museum of Art, New York, NY

Design amulet, Cow and Calf on the Back, Device showing Antithetical Falcons Flanking an Ankh Sign over a Crouching Lion, Unknown — Design amulet, Cow and Calf on the Back, Device showing Antithetical Falcons Flanking an Ankh Sign over a Crouching LionUnknownca. 2150–2100 B.C.Metropolitan Museum of Art, New York, NY

Design Amulet, Pyramidal Back with Horizontal Piercing, Device showing Two Falcons Flanking what is meant to be an Ankh Sign, Unknown — Design Amulet, Pyramidal Back with Horizontal Piercing, Device showing Two Falcons Flanking what is meant to be an Ankh SignUnknownca. 2150–2010 B.C.Metropolitan Museum of Art, New York, NY

Design Amulet, Cow Nursing Calf and also a Kneeling Suckling Man Visible on Opposite Side on the Back, Device showing Antithetical Falcons with an Ankh Sign over a Lion, Unknown — Design Amulet, Cow Nursing Calf and also a Kneeling Suckling Man Visible on Opposite Side on the Back, Device showing Antithetical Falcons with an Ankh Sign over a LionUnknownca. 2150–2100 B.C.Metropolitan Museum of Art, New York, NY

Design Amulet, Back in the Form of a Woman Suckling a Child, Device showing Two Lizards Head-to-tail, Unknown — Design Amulet, Back in the Form of a Woman Suckling a Child, Device showing Two Lizards Head-to-tailUnknownca. 2100–2080 B.C.Metropolitan Museum of Art, New York, NY

Similar picturesFound by visual likeness

7 pictures

Other makers only

Visual resemblances suggested by the model. A match does not establish a shared subject or historical connection.

Et le diable qui les seduisait, fut jete dans l'etang de feu et de soufre, ou es la b ete et le faux prophete (And the devil thatdeceived them was cast into the lake of fire and brimstone, where the beast and the false prophet are), Odilon Redon — Et le diable qui les seduisait, fut jete dans l'etang de feu et de soufre, ou es la b ete et le faux prophete (And the devil thatdeceived them was cast into the lake of fire and brimstone, where the beast and the false prophet are)Odilon Redon1899National Gallery of Art

0.88

Quasimodo, Odilon Redon (French, 1840–1916) — QuasimodoOdilon Redon (French, 1840–1916)c. 1875–80Cleveland Museum of Art

0.87

Guardian Spirit of the Waters, Odilon Redon — Guardian Spirit of the WatersOdilon Redon1878The Art Institute of Chicago

0.85

Woman Bathing Her Feet in a Brook, Rembrandt van Rijn (Dutch, 1606–1669) — Woman Bathing Her Feet in a BrookRembrandt van Rijn (Dutch, 1606–1669)1658Cleveland Museum of Art

0.84

Kneeling in an Armchair, Mary Cassatt — Kneeling in an ArmchairMary Cassattc. 1903National Gallery of Art

0.84

Evening Wind, Edward Hopper — Evening WindEdward Hopper1921National Gallery of Art

0.83

Crouching Woman, Eugène Delacroix — Crouching WomanEugène Delacroix1827The Art Institute of Chicago

0.83

Next

Goya (Francisco de Goya y Lucientes) made Seated Giant, and made these too.

Made in the nineteenth century, like Seated Giant.

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