Sketch for 'The Last Supper,' St. Mary's, Weymouth, Sir James Thornhill

And whilst they were at supper, Jesus took bread, and blessed, and broke: and gave to…Matthew 26:26

  1. Sketch for 'The Last Supper,' St. Mary's, Weymouth, Sir James Thornhillbetween 1719 and 1720Sir James ThornhillThis record

What it depicts

Matthew 26:26-27Opened by a notation lookup, not by an editor. Iconclass 73D244 glosses this subject as “institution of the Eucharist, i.e. Christ showing or blessing bread (host) and/or wine (Matthew 26:26-27; Mark 14:22-23; Luke 22:19-20; John 13:26; 1 Corinthians 11:23-25)”, and this library reads the Douay-Rheims, where the passage stands at Matthew 26:26-27. Iconclass states 5 references for this subject; the first one this corpus holds is used.

26And whilst they were at supper, Jesus took bread, and blessed, and broke: and gave to his disciples, and said: Take ye, and eat. This is my body.

27And taking the chalice, he gave thanks, and gave to them, saying: Drink ye all of this.

Read it in Matthew


Seen

Not described yet.


Of

The subjects are the library’s own joins, each marked with who made it. The other rows are claims by the holder and by Wikidata, read 2026-09-17, and join nothing until an editor confirms them.

Subject
Institution of the Eucharist, i.e. Christ showing or blessing bread (host) and/or wineMatthew 26:26-27joined by editor pass delegated by Abe Garcia, 2026-09-18
Iconclass
73D244Institution of the Eucharist, i.e. Christ showing or blessing bread (host) and/or wine

Means

No reading yet.


Rights

Credit
Yale Center for British Art, Paul Mellon Collection
Licence
PDM-1.0
Evidence
manifests.collections.yale.edu: Copyright Statement=Public Domain on ycba object f0353602-122b-48bd-8cd3-4996bf318679 (https://manifests.collections.yale.edu/v2/ycba/obj/312); Image Use Rights=No Copyright: You can copy, modify, distribute and perform the work, even for commercial purposes, all without asking permission. (CC0 1.0) (read 2026-09-16)
Record
https://collections.britishart.yale.edu/catalog/tms:312
IIIF
manifest
Sketch for 'The Last Supper,' St. Mary's, Weymouth, Sir James Thornhill
Sketch for 'The Last Supper,' St. Mary's, Weymouth — Sir James Thornhillbetween 1719 and 1720

How this join was made

Yale Center for British Art gives this object the Iconclass notation73D244, and the library's map reads that notation as Matthew 26:26-27. An editor has checked the picture against the passage and confirmed it.

Confirmed: the object's own title names the scene and the matched notation or heading is specific to it.

Also by Sir James Thornhill

1

Within fifty years of between 1719 and 1720

1784
De' ragguagli di Parnaso: Centuria prima-seconda, Johannes Blaeu
De' ragguagli di Parnaso: Centuria prima-secondaJohannes Blaeu1669Metropolitan Museum of Art, New York, NY
Ornament Design with Hercules, Paul Androuet Du Cerceau, French, 1623/30 – 1710
Ornament Design with HerculesPaul Androuet Du Cerceau, French, 1623/30 – 17101669–93Cooper Hewitt, Smithsonian Design Museum
Isaaci Hollandi tractatus de lapide philosophico oder vom Stein der Weisen, Holland, Johann Isaak
Isaaci Hollandi tractatus de lapide philosophico oder vom Stein der WeisenHolland, Johann Isaak1669Stiftung der Werke von C.G.Jung, Zürich, online
Man Handing a Letter to a Woman in the Entrance Hall of a House, Pieter de Hooch
Man Handing a Letter to a Woman in the Entrance Hall of a HousePieter de Hooch1670Rijksmuseum
Title plate of "Divers Desseins de grands Eventails, Ecrans, et autres Ornemens", Alexis Loir, French, 1640 - 1713
Title plate of "Divers Desseins de grands Eventails, Ecrans, et autres Ornemens"Alexis Loir, French, 1640 - 1713ca. 1670Cooper Hewitt, Smithsonian Design Museum
Ornament and Panel Designs, Jean Bérain, the elder, French, 1640 – 1711
Ornament and Panel DesignsJean Bérain, the elder, French, 1640 – 1711ca.1670–ca.1700Cooper Hewitt, Smithsonian Design Museum
Title Page, Philippe, I Caffieri, French, 1634 – 1716
Title PagePhilippe, I Caffieri, French, 1634 – 17161670–1700Cooper Hewitt, Smithsonian Design Museum
Ornament Designs, Jean Berain, the elder, French, 1640-1711
Ornament DesignsJean Berain, the elder, French, 1640-1711ca.1670–ca.1700Cooper Hewitt, Smithsonian Design Museum

Also at Yale Center for British Art

25
Figure Composition; possibly Samson and Delilah, George Romney
Figure Composition; possibly Samson and DelilahGeorge Romney1770sYale Center for British Art
The Adoration of the Magi, a Design for Bas Relief, John Flaxman
The Adoration of the Magi, a Design for Bas ReliefJohn FlaxmanundatedYale Center for British Art
Bathsheba Bringing Abishag to David, Richard Earlom
Bathsheba Bringing Abishag to DavidRichard Earlom1779Yale Center for British Art
Study of the Lamentation on the Dead Christ, Benjamin West
Study of the Lamentation on the Dead ChristBenjamin Westca. 1785Yale Center for British Art
'Behold him, when past by; what then is seen' (Page 25), William Blake
'Behold him, when past by; what then is seen' (Page 25)William Blakeca. 1797Yale Center for British Art
The Annunciation, Francesco Bartolozzi
The AnnunciationFrancesco Bartolozzi1794Yale Center for British Art
'Behold him, when past by; what then is seen' (Page 25), William Blake
'Behold him, when past by; what then is seen' (Page 25)William Blake1797Yale Center for British Art
'Behold him, when past by; what then is seen' (Page 25), William Blake
'Behold him, when past by; what then is seen' (Page 25)William Blake1797Yale Center for British Art

Similar picturesFound by visual likeness

5 pictures

Visual resemblances suggested by the model. A match does not establish a shared subject or historical connection.

Last Supper, Raphael
Last SupperRaphaeln.d.The Art Institute of Chicago
0.85
The Jabach Family, Charles Le Brun
The Jabach FamilyCharles Le Brunca. 1660Metropolitan Museum of Art, New York, NY
0.83
Nymphs Feeding the Child Jupiter, Follower of Nicolas Poussin
Nymphs Feeding the Child JupiterFollower of Nicolas Poussinc. 1650National Gallery of Art
0.83
The Death of Socrates, Jacques Louis David
The Death of SocratesJacques Louis David1787Metropolitan Museum of Art, New York, NY
0.83
The Sacrifice of Isaac, Paolo Veronese
The Sacrifice of IsaacPaolo Veronese1588Kunsthistorisches Museum
0.83

In the stacks

Not yet checked
1

Passages in the library’s own holdings that name this maker. The model ranked them; nobody has checked that the name means this person.

  1. The Crown of Wild Olive · John Ruskin

    "The Cherry Woman," exhibited in 1850, may be named as an example of the first kind; the "Burchell and Sophia" of the second (the character of Sir William Thornhill being utterly missed); the "Seven Ages" of the third; for this subject cannot be painted. In the written passage, the thoughts are progressive and connected; in the picture they must be co-existent, and yet separate; nor can all the characters of the ages be rendered in painting at all. One may represent the soldier at the cannon's mouth, but one cannot
    0.68

Connections

Depicts


Next

Made in the eighteenth century, like Sketch for 'The Last Supper,' St. Mary's, Weymouth.

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