Self-Portrait, William Hogarth

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William Hogarth

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Rights

Credit
Yale Center for British Art, Paul Mellon Collection
Licence
PDM-1.0
Evidence
manifests.collections.yale.edu: Copyright Statement=Public Domain on ycba object 50fe290f-900f-448a-bbb0-1952e9ce9391 (https://manifests.collections.yale.edu/v2/ycba/obj/5036); Image Use Rights=No Copyright: You can copy, modify, distribute and perform the work, even for commercial purposes, all without asking permission. (CC0 1.0) (read 2026-09-01)
Record
https://collections.britishart.yale.edu/catalog/tms:5036
IIIF
manifest
Self-Portrait, William Hogarth
Self-Portrait — William Hogarthca. 1735

Also by William Hogarth

5
The Wedding of Stephen Beckingham and Mary Cox, William Hogarth
The Wedding of Stephen Beckingham and Mary CoxWilliam Hogarth1729Metropolitan Museum of Art, New York, NY
The Beggar's Opera, William Hogarth
The Beggar's OperaWilliam Hogarth1729Yale Center for British Art
Mary Hogarth, William Hogarth
Mary HogarthWilliam Hogarthca. 1740Yale Center for British Art
Beer Street, William Hogarth
Beer StreetWilliam Hogarth1751Metropolitan Museum of Art, New York, NY
Gin Lane, William Hogarth
Gin LaneWilliam Hogarth1751Metropolitan Museum of Art, New York, NY

Within fifty years of ca. 1735

2259
Small desk with folding top (bureau brisé), Alexandre-Jean Oppenordt
Small desk with folding top (bureau brisé)Alexandre-Jean Oppenordtca. 1685Metropolitan Museum of Art, New York, NY
Trade card of Louis Roupert, master goldsmith of Metz, Louis Cossin, French, 1627 - 1704
Trade card of Louis Roupert, master goldsmith of MetzLouis Cossin, French, 1627 - 17041680Cooper Hewitt, Smithsonian Design Museum
Petit Impiger Ortus, Abraham Genoels, Flemish, 1640 - 1723
Petit Impiger OrtusAbraham Genoels, Flemish, 1640 - 1723ca. 1680Cooper Hewitt, Smithsonian Design Museum
Design for a Frame, Unknown
Design for a FrameUnknown1680–1720Cooper Hewitt, Smithsonian Design Museum
Design for Grotesque Ornament, Jean Berain, the elder, French, 1640-1711
Design for Grotesque OrnamentJean Berain, the elder, French, 1640-1711ca. 1680Cooper Hewitt, Smithsonian Design Museum
Sidewall, Unknown
SidewallUnknownca. 1680Cooper Hewitt, Smithsonian Design Museum
Sidewall, Unknown
SidewallUnknownca. 1680Cooper Hewitt, Smithsonian Design Museum
Sidewall, Unknown
SidewallUnknownca. 1680Cooper Hewitt, Smithsonian Design Museum

Also at Yale Center for British Art

21
'Behold him, when past by; what then is seen' (Page 25), William Blake
'Behold him, when past by; what then is seen' (Page 25)William Blakeca. 1797Yale Center for British Art
The Annunciation, Francesco Bartolozzi
The AnnunciationFrancesco Bartolozzi1794Yale Center for British Art
'Behold him, when past by; what then is seen' (Page 25), William Blake
'Behold him, when past by; what then is seen' (Page 25)William Blake1797Yale Center for British Art
'Behold him, when past by; what then is seen' (Page 25), William Blake
'Behold him, when past by; what then is seen' (Page 25)William Blake1797Yale Center for British Art
Chateaux de St. Michael, Bonneville, Savoy, Joseph Mallord William Turner
Chateaux de St. Michael, Bonneville, SavoyJoseph Mallord William Turnerexhibited 1803Yale Center for British Art
"To the Christians..." (Plate 77), William Blake
"To the Christians..." (Plate 77)William Blake1804 to 1820Yale Center for British Art
"The Feminine separates from the Masculine..." (Plate 90), William Blake
"The Feminine separates from the Masculine..." (Plate 90)William Blake1804 to 1820Yale Center for British Art
"They saw their Wheels rising up poisonous..." (Plate 43), William Blake
"They saw their Wheels rising up poisonous..." (Plate 43)William Blake1804 to 1820Yale Center for British Art

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