Ailsa Craig, William Bell Scott

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Rights

Credit
Yale Center for British Art, Paul Mellon Collection
Licence
PDM-1.0
Evidence
manifests.collections.yale.edu: Copyright Statement=Public Domain on ycba object 80b2b14c-4a9b-448d-9f90-ce98ea197576 (https://manifests.collections.yale.edu/v2/ycba/obj/4995); Image Use Rights=No Copyright: You can copy, modify, distribute and perform the work, even for commercial purposes, all without asking permission. (CC0 1.0) (read 2026-09-16)
Record
https://collections.britishart.yale.edu/catalog/tms:4995
IIIF
manifest
Ailsa Craig, William Bell Scott
Ailsa Craig — William Bell Scott1860

Within fifty years of 1860

4425
Achille reconnu par Ullysse (Achilles Recognized by Ulysses) (Furnishing Fabric), Favre-Petitpierre et Cie.
Achille reconnu par Ullysse (Achilles Recognized by Ulysses) (Furnishing Fabric)Favre-Petitpierre et Cie.c.1798The Art Institute of Chicago
Design for Textile or Wallpaper, Unknown
Design for Textile or WallpaperUnknown1810–20Cooper Hewitt, Smithsonian Design Museum
Rendering of Various Decorative details of Bologna; Verso: Architectural Details, Felice Giani, Italian, 1758–1823
Rendering of Various Decorative details of Bologna; Verso: Architectural DetailsFelice Giani, Italian, 1758–18231810–14Cooper Hewitt, Smithsonian Design Museum
To My Valentine, Unknown
To My ValentineUnknownca. 1810Cooper Hewitt, Smithsonian Design Museum
Sewing sampler, Unknown
Sewing samplerUnknown1810Cooper Hewitt, Smithsonian Design Museum
Study of Two Spaniels Chasing a Bird, Henry Bernard Chalon, English, 1770 - 1849
Study of Two Spaniels Chasing a BirdHenry Bernard Chalon, English, 1770 - 18491810–1830Cooper Hewitt, Smithsonian Design Museum
Sampler, Mary Mankin
SamplerMary Mankin1810–19Cooper Hewitt, Smithsonian Design Museum
Mourning sampler, Unknown
Mourning samplerUnknownca. 1810Cooper Hewitt, Smithsonian Design Museum

Also at Yale Center for British Art

28
The Angel appearing to the shepherds, the visitation, and the annunciation: a sheet of notes for a proposed decorative scheme with 3 sketches of paintings for overdoors, Sir James Thornhill
The Angel appearing to the shepherds, the visitation, and the annunciation: a sheet of notes for a proposed decorative scheme with 3 sketches of paintings for overdoorsSir James ThornhillundatedYale Center for British Art
Sketch for 'The Last Supper,' St. Mary's, Weymouth, Sir James Thornhill
Sketch for 'The Last Supper,' St. Mary's, WeymouthSir James Thornhillbetween 1719 and 1720Yale Center for British Art
The Beggar's Opera, William Hogarth
The Beggar's OperaWilliam Hogarth1729Yale Center for British Art
Self-Portrait, William Hogarth
Self-PortraitWilliam Hogarthca. 1735Yale Center for British Art
Mary Hogarth, William Hogarth
Mary HogarthWilliam Hogarthca. 1740Yale Center for British Art
The Adoration of the Magi, Arthur Pond
The Adoration of the MagiArthur Pond1735Yale Center for British Art
The Adoration of the Magi, Arthur Pond
The Adoration of the MagiArthur Pond1735Yale Center for British Art
The Last Supper, Francesco Bartolozzi
The Last SupperFrancesco BartolozziundatedYale Center for British Art

Similar picturesFound by visual likeness

2 pictures

Visual resemblances suggested by the model. A match does not establish a shared subject or historical connection.

Villerville Seen from Le Ratier, Charles François Daubigny (French, 1817–1878)
Villerville Seen from Le RatierCharles François Daubigny (French, 1817–1878)1855Cleveland Museum of Art
0.87
The Palisades, John William Hill
The PalisadesJohn William Hillca. 1870Metropolitan Museum of Art, New York, NY
0.83

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Made in the nineteenth century, like Ailsa Craig.

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