The Annunciation, Francesco Bartolozzi

Seen

Not described yet.


Of

No subject recorded yet.


Means

No reading yet.


Rights

Credit
Yale Center for British Art, Paul Mellon Collection
Licence
PDM-1.0
Evidence
manifests.collections.yale.edu: Copyright Statement=Public Domain on ycba object a73c647d-7163-4428-95df-06ddade641f9 (https://manifests.collections.yale.edu/v2/ycba/obj/37978); Image Use Rights=No Copyright: You can copy, modify, distribute and perform the work, even for commercial purposes, all without asking permission. (CC0 1.0) (read 2026-09-16)
Record
https://collections.britishart.yale.edu/catalog/tms:37978
IIIF
manifest
The Annunciation, Francesco Bartolozzi
The Annunciation — Francesco Bartolozzi1794

Also by Francesco Bartolozzi

6
The Last Supper, Francesco Bartolozzi
The Last SupperFrancesco BartolozziundatedYale Center for British Art
The Adoration of the Shepherds, Francesco Bartolozzi
The Adoration of the ShepherdsFrancesco Bartolozzi1765Yale Center for British Art
The Adoration of the Shepherds, Francesco Bartolozzi
The Adoration of the ShepherdsFrancesco Bartolozzi1765Yale Center for British Art
The Infant Jesus Asleep, Francesco Bartolozzi
The Infant Jesus AsleepFrancesco BartolozziYale Center for British Art
The Adoration of the Shepherds, Francesco Bartolozzi
The Adoration of the ShepherdsFrancesco BartolozziYale Center for British Art
The Annunciation, Francesco Bartolozzi
The AnnunciationFrancesco BartolozziYale Center for British Art

Within fifty years of 1794

3332
Teakettle and spirit lamp with stand, Paul de Lamerie
Teakettle and spirit lamp with standPaul de Lamerie1744/45Metropolitan Museum of Art, New York, NY
Vase de marbre blanc à Marly, Marie Michelle Blondel, French, active mid 18th century
Vase de marbre blanc à MarlyMarie Michelle Blondel, French, active mid 18th century1744–56Cooper Hewitt, Smithsonian Design Museum
Vase de marbre blanc à Marly, Marie Michelle Blondel, French, active mid 18th century
Vase de marbre blanc à MarlyMarie Michelle Blondel, French, active mid 18th century1744–56Cooper Hewitt, Smithsonian Design Museum
Vase en plomb bronzé de la piece de Neptune à Versailles, Marie Michelle Blondel, French, active mid 18th century
Vase en plomb bronzé de la piece de Neptune à VersaillesMarie Michelle Blondel, French, active mid 18th century1744–56Cooper Hewitt, Smithsonian Design Museum
Vase en plomb bronzé de la piece de Neptune à Versailles, Marie Michelle Blondel, French, active mid 18th century
Vase en plomb bronzé de la piece de Neptune à VersaillesMarie Michelle Blondel, French, active mid 18th century1744–56Cooper Hewitt, Smithsonian Design Museum
The Actors Tamazawa Saijiro I as the pageboy Umezaburo and Segawa Kikunojo I as Oroku in the play "Sazareishi Suehiro Genji," performed at the Nakamura Theater in the first month, 1744, Torii Kiyomasu II
The Actors Tamazawa Saijiro I as the pageboy Umezaburo and Segawa Kikunojo I as Oroku in the play "Sazareishi Suehiro Genji," performed at the Nakamura Theater in the first month, 1744Torii Kiyomasu II1744The Art Institute of Chicago
Designs for Firearms Ornament, Gilles Demarteau, Flemish, 1722 – 1776
Designs for Firearms OrnamentGilles Demarteau, Flemish, 1722 – 17761744Cooper Hewitt, Smithsonian Design Museum
Album of Designs for Garden Vases from Versailles, Trianon and Marly, Marie Michelle Blondel, French, active mid 18th century
Album of Designs for Garden Vases from Versailles, Trianon and MarlyMarie Michelle Blondel, French, active mid 18th century1744-56Cooper Hewitt, Smithsonian Design Museum

Also at Yale Center for British Art

9
The Angel appearing to the shepherds, the visitation, and the annunciation: a sheet of notes for a proposed decorative scheme with 3 sketches of paintings for overdoors, Sir James Thornhill
The Angel appearing to the shepherds, the visitation, and the annunciation: a sheet of notes for a proposed decorative scheme with 3 sketches of paintings for overdoorsSir James ThornhillundatedYale Center for British Art
Sketch for 'The Last Supper,' St. Mary's, Weymouth, Sir James Thornhill
Sketch for 'The Last Supper,' St. Mary's, WeymouthSir James Thornhillbetween 1719 and 1720Yale Center for British Art
The Beggar's Opera, William Hogarth
The Beggar's OperaWilliam Hogarth1729Yale Center for British Art
Self-Portrait, William Hogarth
Self-PortraitWilliam Hogarthca. 1735Yale Center for British Art
Mary Hogarth, William Hogarth
Mary HogarthWilliam Hogarthca. 1740Yale Center for British Art
The Adoration of the Magi, Arthur Pond
The Adoration of the MagiArthur Pond1735Yale Center for British Art
The Adoration of the Magi, Arthur Pond
The Adoration of the MagiArthur Pond1735Yale Center for British Art
The Last Supper, Bradshaw & Blacklock
The Last SupperBradshaw & Blacklockca. 1854Yale Center for British Art

Similar picturesFound by visual likeness

8 pictures

Visual resemblances suggested by the model. A match does not establish a shared subject or historical connection.

Bathsheba Bringing Abishag to David, Richard Earlom
Bathsheba Bringing Abishag to DavidRichard Earlom1779Yale Center for British Art
0.87
Etching with aquatint: Architecture, Felice Giani, Italian, 1758–1823
Etching with aquatint: ArchitectureFelice Giani, Italian, 1758–18231797Cooper Hewitt, Smithsonian Design Museum
0.87
The Giant Wheel, plate 9 from Imaginary Prisons, Giovanni Battista Piranesi
The Giant Wheel, plate 9 from Imaginary PrisonsGiovanni Battista Piranesi1761The Art Institute of Chicago
0.87
Heavenly Ganymede, from Specimens of Polyautography, Henry Fuseli
Heavenly Ganymede, from Specimens of PolyautographyHenry Fuseli1804 (published 1806-07)The Art Institute of Chicago
0.86
Drawing, Felice Giani, Italian, 1758–1823
DrawingFelice Giani, Italian, 1758–18231805Cooper Hewitt, Smithsonian Design Museum
0.86
God save us from such a bitter fate; a bandit threatening a woman and a child with a knife, page 41 from the "Black Border Album" (E), Goya (Francisco de Goya y Lucientes)
God save us from such a bitter fate; a bandit threatening a woman and a child with a knife, page 41 from the "Black Border Album" (E)Goya (Francisco de Goya y Lucientes)ca. 1816–20Metropolitan Museum of Art, New York, NY
0.86
Faust: Part 1. Last Scene, Dante Gabriel Rossetti
Faust: Part 1. Last SceneDante Gabriel Rossetti1846–48Metropolitan Museum of Art, New York, NY
0.86
Romeo and Juliet, Unknown
Romeo and JulietUnknownCooper Hewitt, Smithsonian Design Museum
0.86

Next

Made in the eighteenth century, like The Annunciation.

0:00–0:00