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Man Clutching a Horse in Water, after Poussin's "Deluge" (recto) — Théodore Géricault (French, 1791–1824); Nicolas Poussin (French, 1594–1665)c. 1816Also by Théodore Géricault (French, 1791–1824); Nicolas Poussin (French, 1594–1665)
2Within fifty years of c. 1816
3173
The Heron MaidenSuzuki Harunobuc. 1766/67The Art Institute of Chicago
Album of Prints: First and Second Series of Prints Designed and Engraved by PercenetL.N. Percenet, French, born 17361761-1762Cooper Hewitt, Smithsonian Design Museum
Album of Prints: New Collection of Ironwork in the Newest Taste, by MoreauMoreau, French, active 18th century1761-1762Cooper Hewitt, Smithsonian Design Museum
Trial Proof for Cotton Printing: "Pastoral Scene with Peacocks and Poultry"Unknownafter 1761Cooper Hewitt, Smithsonian Design Museum
Trial Proof for Cotton Printing: "Pastoral Scene with Peacocks and Poultry"Unknownafter 1761Cooper Hewitt, Smithsonian Design Museum
The Giant Wheel, plate 9 from Imaginary PrisonsGiovanni Battista Piranesi1761The Art Institute of Chicago
The Pier with a Lamp, plate 15 from Imaginary PrisonsGiovanni Battista Piranesi1761The Art Institute of Chicago
The Lion Bas-Reliefs, plate 5 from Imaginary PrisonsGiovanni Battista Piranesi1761The Art Institute of ChicagoAlso at Cleveland Museum of Art
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Made in the nineteenth century, like Man Clutching a Horse in Water, after Poussin's "Deluge" (recto).