Man Clutching a Horse in Water, after Poussin's "Deluge" (recto); Compositional Study? (possibly for "Poussin's Deluge") (verso) — Théodore Géricault (French, 1791–1824); Nicolas Poussin (French, 1594–1665), c. 1816

Man Clutching a Horse in Water, after Poussin's "Deluge" (recto); Compositional Study? (possibly for "Poussin's Deluge") (verso), Théodore Géricault (French, 1791–1824); Nicolas Poussin (French, 1594–1665)

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Credit: Bequest of Muriel Butkin
Licence: CC0-1.0
Evidence: openaccess-api.clevelandart.org: share_license_status=CC0 on artwork 166661 (read 2026-09-01)
Record: https://clevelandart.org/art/2008.378

Also by Théodore Géricault (French, 1791–1824); Nicolas Poussin (French, 1594–1665)

2

Man Clutching a Horse in Water, after Poussin's "Deluge" (recto), Théodore Géricault (French, 1791–1824); Nicolas Poussin (French, 1594–1665) — Man Clutching a Horse in Water, after Poussin's "Deluge" (recto)Théodore Géricault (French, 1791–1824); Nicolas Poussin (French, 1594–1665)c. 1816Cleveland Museum of Art

Compositional Study? (possibly for "Poussin’s Deluge") (verso), Théodore Géricault (French, 1791–1824); Nicolas Poussin (French, 1594–1665) — Compositional Study? (possibly for "Poussin’s Deluge") (verso)Théodore Géricault (French, 1791–1824); Nicolas Poussin (French, 1594–1665)c. 1816Cleveland Museum of Art

Within fifty years of c. 1816

3173

The Heron Maiden, Suzuki Harunobu — The Heron MaidenSuzuki Harunobuc. 1766/67The Art Institute of Chicago

Album of Prints: First and Second Series of Prints Designed and Engraved by Percenet, L.N. Percenet, French, born 1736 — Album of Prints: First and Second Series of Prints Designed and Engraved by PercenetL.N. Percenet, French, born 17361761-1762Cooper Hewitt, Smithsonian Design Museum

Album of Prints: New Collection of Ironwork in the Newest Taste, by Moreau, Moreau, French, active 18th century — Album of Prints: New Collection of Ironwork in the Newest Taste, by MoreauMoreau, French, active 18th century1761-1762Cooper Hewitt, Smithsonian Design Museum

Trial Proof for Cotton Printing: "Pastoral Scene with Peacocks and Poultry", Unknown — Trial Proof for Cotton Printing: "Pastoral Scene with Peacocks and Poultry"Unknownafter 1761Cooper Hewitt, Smithsonian Design Museum

Trial Proof for Cotton Printing: "Pastoral Scene with Peacocks and Poultry", Unknown — Trial Proof for Cotton Printing: "Pastoral Scene with Peacocks and Poultry"Unknownafter 1761Cooper Hewitt, Smithsonian Design Museum

The Giant Wheel, plate 9 from Imaginary Prisons, Giovanni Battista Piranesi — The Giant Wheel, plate 9 from Imaginary PrisonsGiovanni Battista Piranesi1761The Art Institute of Chicago

The Pier with a Lamp, plate 15 from Imaginary Prisons, Giovanni Battista Piranesi — The Pier with a Lamp, plate 15 from Imaginary PrisonsGiovanni Battista Piranesi1761The Art Institute of Chicago

The Lion Bas-Reliefs, plate 5 from Imaginary Prisons, Giovanni Battista Piranesi — The Lion Bas-Reliefs, plate 5 from Imaginary PrisonsGiovanni Battista Piranesi1761The Art Institute of Chicago

Also at Cleveland Museum of Art

515

Relief of Nyankhnesut Seated, Unknown — Relief of Nyankhnesut SeatedUnknownc. 2311–2281 BCECleveland Museum of Art

Stele of Shemai, Unknown — Stele of ShemaiUnknownc. 1960–1916 BCECleveland Museum of Art

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Talatat: Nefertiti Offers to the Aten, Unknown — Talatat: Nefertiti Offers to the AtenUnknown1353–1347 BCECleveland Museum of Art

Tomb Relief of the Chief Physician Amenhotep and Family, Unknown — Tomb Relief of the Chief Physician Amenhotep and FamilyUnknownc. 1279–1257 BCECleveland Museum of Art

Stele of the High Priest of Ptah, Shedsunefertem, Unknown — Stele of the High Priest of Ptah, ShedsunefertemUnknown945–924 BCECleveland Museum of Art

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8 pictures

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0.89

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0.87

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0.87

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0.87

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Next

Made in the nineteenth century, like Man Clutching a Horse in Water, after Poussin's "Deluge" (recto); Compositional Study? (possibly for "Poussin's Deluge") (verso).

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