place

Italy

128 works · 130 to 1812 · tgn:1000080

2 of 47 ids checked against the country Wikidata records named a different concept (4.3%), read 2026-09-08

Italy: The Art Institute of Chicago and Cleveland Museum of Art122
Italian: Metropolitan Museum of Art, New York, NY6
Getty: ItaliaThesaurus of Geographic Names 1000080

Portrait Head of Emperor Hadrian, Ancient Roman — Portrait Head of Emperor HadrianAncient Roman130-138The Art Institute of Chicago

Relief with the Annunciation, Unknown — Relief with the AnnunciationUnknownca. 1180–1200Metropolitan Museum of Art, New York, NY

Praying Saint (Moses?) with Christ in a Historiated Initial "L", from a Choirbook, Neri da Rimini — Praying Saint (Moses?) with Christ in a Historiated Initial "L", from a ChoirbookNeri da Riminic. 1300The Art Institute of Chicago

Madonna and Child, Italian — Madonna and ChildItalian1300–1400The Art Institute of Chicago

Saint Benedict Presenting his Rule to Benedictine and Cistercian Monks in a Historiated Initial "O" from a Choirbook, Martino di Bartolomeo di Biagio — Saint Benedict Presenting his Rule to Benedictine and Cistercian Monks in a Historiated Initial "O" from a ChoirbookMartino di Bartolomeo di Biagio1394/95The Art Institute of Chicago

The Nativity in a Historiated Initial "P" from a Choir Book, Master of the Brussels Initials — The Nativity in a Historiated Initial "P" from a Choir BookMaster of the Brussels Initialsc. 1390The Art Institute of Chicago

St. Francis of Assisi with Donors in a Historiated Initial from an Unidentified Manuscript, Italian (Florence) — St. Francis of Assisi with Donors in a Historiated Initial from an Unidentified ManuscriptItalian (Florence)c. 1400The Art Institute of Chicago

Fork, Unknown — ForkUnknown15th centuryMetropolitan Museum of Art, New York, NY

Cabinet frontal with panels from two Embriachi caskets, Baldassare degli Embriachi — Cabinet frontal with panels from two Embriachi casketsBaldassare degli Embriachica. 1400–1409Metropolitan Museum of Art, New York, NY

Fragment, Italy — FragmentItaly1401-1425The Art Institute of Chicago

Altarpiece with Christ, Saint John the Baptist, and Saint Margaret, Andrea da Giona — Altarpiece with Christ, Saint John the Baptist, and Saint MargaretAndrea da Giona1434Metropolitan Museum of Art, New York, NY

The Adventures of Ulysses, Apollonio di Giovanni — The Adventures of UlyssesApollonio di Giovanni1435–45The Art Institute of Chicago

Manuscript Leaf with the Trinity in an Initial G, from an Antiphonary, Master of the Riccardiana Lactantius — Manuscript Leaf with the Trinity in an Initial G, from an AntiphonaryMaster of the Riccardiana Lactantiussecond half 15th centuryMetropolitan Museum of Art, New York, NY

The Prophet Amos, Baccio Baldini — The Prophet AmosBaccio Baldinic. 1470The Art Institute of Chicago

Battle of the Nudes, Antonio del Pollaiuolo (Italian, 1431/32–1498) — Battle of the NudesAntonio del Pollaiuolo (Italian, 1431/32–1498)1470s–80sCleveland Museum of Art

Two Putti with Lamb, School of Leonardo da Vinci — Two Putti with LambSchool of Leonardo da Vincin.d.The Art Institute of Chicago

Phaeton Driving the Chariot of Phoebus, Northern Italian — Phaeton Driving the Chariot of PhoebusNorthern Italian1475–1500The Art Institute of Chicago

Portrait of a Youth as Saint Sebastian, Marco d'Oggiono (Italian, 1460-1524) — Portrait of a Youth as Saint SebastianMarco d'Oggiono (Italian, 1460-1524)late 1480sCleveland Museum of Art

The Holy Family with Saint John the Baptist and Saint Margaret, Filippino Lippi (Italian, c. 1457–1504) — The Holy Family with Saint John the Baptist and Saint MargaretFilippino Lippi (Italian, c. 1457–1504)c. 1488–93Cleveland Museum of Art

Saint Sebastian, Perugino (Italian, c. 1450/55–1523) — Saint SebastianPerugino (Italian, c. 1450/55–1523)c. 1493Cleveland Museum of Art

The Last Supper, Lucantonio degli Uberti (Italian); Perugino (Italian, c. 1450/55–1523) — The Last SupperLucantonio degli Uberti (Italian); Perugino (Italian, c. 1450/55–1523)c. 1500Cleveland Museum of Art

Archers Shooting at a Herm, Triumph of Bacchus, and Other Studies, Michelangelo Buonarroti — Archers Shooting at a Herm, Triumph of Bacchus, and Other StudiesMichelangelo Buonarrotin.d.The Art Institute of Chicago

Virgin and Child in the Grotto (Adoration of the Magi), Premier Engraver (Italian, active about 1500); Andrea Mantegna (Italian, about 1431–1506) — Virgin and Child in the Grotto (Adoration of the Magi)Premier Engraver (Italian, active about 1500); Andrea Mantegna (Italian, about 1431–1506)c. 1500Cleveland Museum of Art

Joanna of Aragon, Raphael — Joanna of AragonRaphaeln.d.The Art Institute of Chicago

Father Time, Italian — Father TimeItalian1500–1600The Art Institute of Chicago

Orpheus Charming the Animals, Marcantonio Raimondi (Italian, 1470/82–1527/34) — Orpheus Charming the AnimalsMarcantonio Raimondi (Italian, 1470/82–1527/34)c. 1505Cleveland Museum of Art

Virgin and Child with the Infant Saint John, Cristofano Robetta (Italian, 1462–1534) — Virgin and Child with the Infant Saint JohnCristofano Robetta (Italian, 1462–1534)1500–1520Cleveland Museum of Art

Panel, Italy — PanelItaly16th centuryThe Art Institute of Chicago

"Renaissance" Fringe, Italy — "Renaissance" FringeItaly16th centuryThe Art Institute of Chicago

Fragment, Italy — FragmentItaly16th centuryThe Art Institute of Chicago

"Renaissance" Fringe, Italy — "Renaissance" FringeItaly16th centuryThe Art Institute of Chicago

"Renaissance" Fringe, Italy — "Renaissance" FringeItaly16th centuryThe Art Institute of Chicago

"Renaissance" Fringe, Italy — "Renaissance" FringeItaly16th centuryThe Art Institute of Chicago

Fragment (From an Orphrey Band), Italy — Fragment (From an Orphrey Band)Italy15th centuryThe Art Institute of Chicago

The Massacre of the Innocents (Without the Fir Tree), Marcantonio Raimondi (Italian, 1470/82–1527/34); Raphael (Italian, 1483–1520) — The Massacre of the Innocents (Without the Fir Tree)Marcantonio Raimondi (Italian, 1470/82–1527/34); Raphael (Italian, 1483–1520)about 1511–12Cleveland Museum of Art

The Nativity and the Adoration of the Shepherds, Nicoletto da Modena — The Nativity and the Adoration of the ShepherdsNicoletto da Modenac. 1512The Art Institute of Chicago

Studies of a Seated Female, Child's Head, and Three Studies of a Baby, Raphael (Italian, 1483–1520) — Studies of a Seated Female, Child's Head, and Three Studies of a BabyRaphael (Italian, 1483–1520)c. 1507–8Cleveland Museum of Art

Virgin and Child with the Young Saint John the Baptist, Antonio da Correggio — Virgin and Child with the Young Saint John the BaptistAntonio da Correggioc. 1515The Art Institute of Chicago

Study for the Nude Youth over the Prophet Daniel (recto); Figure Studies for the Sistine Ceiling (verso), Michelangelo Buonarroti (Italian, 1475–1564) — Study for the Nude Youth over the Prophet Daniel (recto); Figure Studies for the Sistine Ceiling (verso)Michelangelo Buonarroti (Italian, 1475–1564)1510–11Cleveland Museum of Art

Study for the Nude Youth over the Prophet Daniel (recto), Michelangelo Buonarroti (Italian, 1475–1564) — Study for the Nude Youth over the Prophet Daniel (recto)Michelangelo Buonarroti (Italian, 1475–1564)1510–1511Cleveland Museum of Art

Figure Studies for the Sistine Ceiling (verso), Michelangelo Buonarroti (Italian, 1475–1564) — Figure Studies for the Sistine Ceiling (verso)Michelangelo Buonarroti (Italian, 1475–1564)1510–11Cleveland Museum of Art

The Climbers (Three Figures from Michelangelo's Battle of Cascina), Marcantonio Raimondi (Italian, 1470/82–1527/34); Michelangelo Buonarroti (Italian, 1475–1564); Lucas van Leyden (Netherlandish, 1494–about 1533) — The Climbers (Three Figures from Michelangelo's Battle of Cascina)Marcantonio Raimondi (Italian, 1470/82–1527/34); Michelangelo Buonarroti (Italian, 1475–1564); Lucas van Leyden (Netherlandish, 1494–about 1533)1510Cleveland Museum of Art

Seated Male Nude, Baccio Bandinelli (Italian, 1493–1560) — Seated Male NudeBaccio Bandinelli (Italian, 1493–1560)c. 1516–20Cleveland Museum of Art

Apollo on Parnassus, Marcantonio Raimondi (Italian, 1470/82–1527/34); Raphael (Italian, 1483–1520) — Apollo on ParnassusMarcantonio Raimondi (Italian, 1470/82–1527/34); Raphael (Italian, 1483–1520)c. 1517–20Cleveland Museum of Art

The Wine Press, Marcantonio Raimondi (Italian, 1470/82–1527/34); Raphael (Italian, 1483–1520) — The Wine PressMarcantonio Raimondi (Italian, 1470/82–1527/34); Raphael (Italian, 1483–1520)c. 1517–20Cleveland Museum of Art

Descent from the Cross, Ugo da Carpi (Italian, c. 1479–c. 1532); Raphael (Italian, 1483–1520) — Descent from the CrossUgo da Carpi (Italian, c. 1479–c. 1532); Raphael (Italian, 1483–1520)c. 1518Cleveland Museum of Art

Allegory: Combat of Animals in the Presence of Man with Shield, Master of the Beheading of St. John the Baptist — Allegory: Combat of Animals in the Presence of Man with ShieldMaster of the Beheading of St. John the Baptist1515/20The Art Institute of Chicago

Allegorical Theme: Combat of Animals, Master of the Beheading of St. John the Baptist (Italian); Leonardo da Vinci (Italian, 1452-1519) — Allegorical Theme: Combat of AnimalsMaster of the Beheading of St. John the Baptist (Italian); Leonardo da Vinci (Italian, 1452-1519)c. 1515–20Cleveland Museum of Art

Upraised Right Hand, with Palm Facing Outward: Study for Saint Peter, Raphael — Upraised Right Hand, with Palm Facing Outward: Study for Saint PeterRaphael1518/20The Art Institute of Chicago

Sibyl Reading with a Child Holding a Torch, Ugo da Carpi (Italian, c. 1479–c. 1532); Raphael (Italian, 1483–1520) — Sibyl Reading with a Child Holding a TorchUgo da Carpi (Italian, c. 1479–c. 1532); Raphael (Italian, 1483–1520)1518–27Cleveland Museum of Art

Frieze with Eight Putti, Polidoro da Caravaggio — Frieze with Eight PuttiPolidoro da Caravaggion.d.The Art Institute of Chicago

Battle of the Amazons, Polidoro da Caravaggio — Battle of the AmazonsPolidoro da Caravaggion.d.The Art Institute of Chicago

Woman Turning Left; Male Nude Blowing Trumpet, Polidoro da Caravaggio — Woman Turning Left; Male Nude Blowing TrumpetPolidoro da Caravaggion.d.The Art Institute of Chicago

The Battle around the Shield and Lance, Giovanni Jacopo Caraglio — The Battle around the Shield and LanceGiovanni Jacopo Caraglioc. 1527The Art Institute of Chicago

Saint Jerome in a Landscape, Domenico Campagnola (Italian, 1500–1564) — Saint Jerome in a LandscapeDomenico Campagnola (Italian, 1500–1564)c. 1530Cleveland Museum of Art

Apollo Slaying Python, plate one from The History of Apollo and Daphne, Master of the Die — Apollo Slaying Python, plate one from The History of Apollo and DaphneMaster of the Diec. 1532The Art Institute of Chicago

Sketches of Horses' (or Dromedaries') Legs (recto); Columns (verso), Follower of Leonardo da Vinci — Sketches of Horses' (or Dromedaries') Legs (recto); Columns (verso)Follower of Leonardo da Vincic. 1530The Art Institute of Chicago

Heads of Horses and Unicorns, Follower of Leonardo da Vinci — Heads of Horses and UnicornsFollower of Leonardo da Vinci1530/40The Art Institute of Chicago

Landscape with Saint Jerome and Two Lions, Domenico Campagnola (Italian, 1500–1564) — Landscape with Saint Jerome and Two LionsDomenico Campagnola (Italian, 1500–1564)c. 1530–35Cleveland Museum of Art

Cupid and Psyche Together in the Nuptial Bed, Master of the Die — Cupid and Psyche Together in the Nuptial BedMaster of the Die1530/40The Art Institute of Chicago

Joseph Sold by his Brothers, Master of the Die — Joseph Sold by his BrothersMaster of the Die1533The Art Institute of Chicago

Laocoön, Nicolò Boldrini — LaocoönNicolò Boldrini1540/45The Art Institute of Chicago

The Death of Count Ugolino della Gherardesca and His Sons (Inferno Canto XXXIII), Pierino da Vinci (Italian, 1530–1553) — The Death of Count Ugolino della Gherardesca and His Sons (Inferno Canto XXXIII)Pierino da Vinci (Italian, 1530–1553)c. 1550Cleveland Museum of Art

Lucretia (?), Pierino da Vinci — Lucretia (?)Pierino da Vinci1547–48The Art Institute of Chicago

Kneeling Mother Embracing Child, Michelangelo Anselmi — Kneeling Mother Embracing ChildMichelangelo Anselmic. 1550The Art Institute of Chicago

Drunkenness of Noah, Michelangelo Buonarroti — Drunkenness of NoahMichelangelo Buonarrotin.d.The Art Institute of Chicago

Ascending Male Nude, Michelangelo Buonarroti — Ascending Male NudeMichelangelo Buonarrotin.d.The Art Institute of Chicago

Lamentation over the Body of Christ, Giuseppe Scolari (Italian) — Lamentation over the Body of ChristGiuseppe Scolari (Italian)late 1500s–early 1600sCleveland Museum of Art

The Nativity, Giorgio Ghisi (Italian, 1520–1582); Hieronymus Cock; Agnolo Bronzino (Italian, 1503–1572) — The NativityGiorgio Ghisi (Italian, 1520–1582); Hieronymus Cock; Agnolo Bronzino (Italian, 1503–1572)1553Cleveland Museum of Art

Allegory of Life, Giorgio Ghisi (Italian, 1520–1582) — Allegory of LifeGiorgio Ghisi (Italian, 1520–1582)1561Cleveland Museum of Art

Perseus with the Head of Medusa, Turning Phineus and his Followers to Stone, Polidoro da Caravaggio — Perseus with the Head of Medusa, Turning Phineus and his Followers to StonePolidoro da Caravaggio1567The Art Institute of Chicago

The Prophet Joel, Giorgio Ghisi (Italian, 1520–1582); Michelangelo Buonarroti (Italian, 1475–1564) — The Prophet JoelGiorgio Ghisi (Italian, 1520–1582); Michelangelo Buonarroti (Italian, 1475–1564)early 1570sCleveland Museum of Art

One of the Set of the Four Evangelists: Mark, Alessandro Vittoria — One of the Set of the Four Evangelists: MarkAlessandro VittoriaModeled c. 1580The Art Institute of Chicago

Collar (Made from Border), Italy — Collar (Made from Border)Italy1575/1625The Art Institute of Chicago

Fragment, Italy — FragmentItaly1575/1625The Art Institute of Chicago

Fragment, Italy — FragmentItaly1575/1600The Art Institute of Chicago

The Annunciation, Paolo Veronese (Italian, 1528–1588); Workshop — The AnnunciationPaolo Veronese (Italian, 1528–1588); Workshopc. 1580Cleveland Museum of Art

Boy Drinking, Annibale Carracci (Italian, c. 1560–1609) — Boy DrinkingAnnibale Carracci (Italian, c. 1560–1609)1582–83Cleveland Museum of Art

Seated Male Nude, Michelangelo Buonarroti — Seated Male NudeMichelangelo Buonarrotin.d.The Art Institute of Chicago

Last Supper, Raphael — Last SupperRaphaeln.d.The Art Institute of Chicago

Flight of Celia, Polidoro da Caravaggio — Flight of CeliaPolidoro da Caravaggion.d.The Art Institute of Chicago

Adoration of the Shepherds, Polidoro da Caravaggio — Adoration of the ShepherdsPolidoro da Caravaggion.d.The Art Institute of Chicago

Studies of Hands (recto); Sketch of a Child's Head (verso), Carletto Caliari (Italian, 1570–1596) — Studies of Hands (recto); Sketch of a Child's Head (verso)Carletto Caliari (Italian, 1570–1596)c. 1586Cleveland Museum of Art

Mercury, Italian — MercuryItalianc. 1600The Art Institute of Chicago

Fragment, Italy — FragmentItalyc. 1600The Art Institute of Chicago

Portrait of a Noblewoman Dressed in Mourning, Jacopo da Empoli — Portrait of a Noblewoman Dressed in MourningJacopo da Empolic. 1600The Art Institute of Chicago

Guard Drawing His Sword, Raphael — Guard Drawing His SwordRaphaeln.d.The Art Institute of Chicago

Design for Escutcheon, with Skulls, Unknown Genoese — Design for Escutcheon, with SkullsUnknown Genoesen.d.The Art Institute of Chicago

Fragment, Italy — FragmentItaly17th centuryThe Art Institute of Chicago

Birth of Alexander, Nicolas Poussin — Birth of AlexanderNicolas Poussin1640sThe Art Institute of Chicago

Portrait of a Man, Tanzio da Varallo (Italian, c. 1575/80–1635) — Portrait of a ManTanzio da Varallo (Italian, c. 1575/80–1635)c. 1620Cleveland Museum of Art

The Resurrection, Cecco del Caravaggio — The ResurrectionCecco del Caravaggioc. 1619-20The Art Institute of Chicago

Five Borders, Italy, Genoa — Five BordersItaly, Genoa1620/40The Art Institute of Chicago

Study for the Head of St. Michael, Pietro da Cortona (Italian, 1596–1669) — Study for the Head of St. MichaelPietro da Cortona (Italian, 1596–1669)1633Cleveland Museum of Art

Two warriors, one seated asleep on a foreground rock, from Figurine series, Salvator Rosa — Two warriors, one seated asleep on a foreground rock, from Figurine seriesSalvator Rosan.d.The Art Institute of Chicago

Two Monks in a Landscape, Italian — Two Monks in a LandscapeItalianc. 1645The Art Institute of Chicago

And the rest

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Adoration of the ShepherdsBernardo Cavallino (Italian, 1616–1656)c. 1650Cleveland Museum of Art
Half-Length Praying FigureStyle of Carlo Cignanin.d.The Art Institute of Chicago
Saint Paul the HermitMattia Preti (Italian, 1613–1699)c. 1662–1664Cleveland Museum of Art
The Fall of the GiantsSalvator Rosa1663The Art Institute of Chicago
Psyche Presenting the Phial of Water to VenusRaphael18th centuryThe Art Institute of Chicago
Conversion of Saint PaulRaphael18th centuryThe Art Institute of Chicago
Allegory of Sea TradeRaphael18th centuryThe Art Institute of Chicago
Left Hand of MosesMichelangelo Buonarroti1725/30The Art Institute of Chicago
MosesMichelangelo Buonarroti1700sThe Art Institute of Chicago
Virgin and Child with Saints Dominic and HyacinthGiovanni Battista Tiepolo1730–35The Art Institute of Chicago
Sketch for a Ceiling FrescoGiovanni Domenico Ferrettic. 1740The Art Institute of Chicago
Adoration of the MagiGiovanni Battista Tiepoloc. 1740The Art Institute of Chicago
A Nymph with a Small Satyr and Two Goats, from CapricciGiovanni Battista Tiepolo1740/50, published 1785The Art Institute of Chicago
Death Giving Audience, from CapricciGiovanni Battista Tiepolo1740/50, published 1785The Art Institute of Chicago
Armida Encounters the Sleeping RinaldoGiovanni Battista Tiepoloc. 1742–45The Art Institute of Chicago
Rinaldo and the Magus of AscalonGiovanni Battista Tiepoloc. 1742–45The Art Institute of Chicago
Armida Abandoned by RinaldoGiovanni Battista Tiepoloc. 1742–45The Art Institute of Chicago
Rinaldo and Armida in Her GardenGiovanni Battista Tiepoloc. 1742–45The Art Institute of Chicago
Head of ComityRaphaelc. 1750The Art Institute of Chicago
Young Woman with HunterItalianc. 1750The Art Institute of Chicago
The Pyramid of Gaius Cestius, from Views of RomeGiovanni Battista Piranesi1750/59, published 1800–07The Art Institute of Chicago
The SkeletonsGiovanni Battista Piranesi1750The Art Institute of Chicago
View of Pirna with the Fortress of SonnensteinBernardo Bellottoc. 1760The Art Institute of Chicago
The Giant Wheel, plate 9 from Imaginary PrisonsGiovanni Battista Piranesi1761The Art Institute of Chicago
The Pier with a Lamp, plate 15 from Imaginary PrisonsGiovanni Battista Piranesi1761The Art Institute of Chicago
The Lion Bas-Reliefs, plate 5 from Imaginary PrisonsGiovanni Battista Piranesi1761The Art Institute of Chicago
Prisoners on a Projecting Platform, plate 10 from Imaginary PrisonsGiovanni Battista Piranesi1761The Art Institute of Chicago
View of Ponte Lugano on the Anio, from Views of RomeGiovanni Battista Piranesi1763, published 1800–07The Art Institute of Chicago
Villa Pamphili outside Porta S. Pancrazio, from Views of RomeGiovanni Battista Piranesi1776, published 1800–07The Art Institute of Chicago
Two Roman Warriors with She-Wolf, Romulus, and RemusPolidoro da Caravaggion.d.The Art Institute of Chicago
Bass Clarinet in CNicola Papalinica. 1810Metropolitan Museum of Art, New York, NY
Legs and Feet of Male NudeMichelangelo Buonarroti1812/50The Art Institute of Chicago

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