Legs and Feet of Male Nude, Michelangelo Buonarroti

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Rights

Credit
The Leonora Hall Gurley Memorial Collection. CC0.
Licence
CC0-1.0
Evidence
api.artic.edu artworks api: is_public_domain=true on artwork 81705 (read 2026-08-27)
Record
https://www.artic.edu/artworks/81705
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manifest
Legs and Feet of Male Nude, Michelangelo Buonarroti
Legs and Feet of Male Nude — Michelangelo Buonarroti1812/50

Also by Michelangelo Buonarroti

8
Archers Shooting at a Herm, Triumph of Bacchus, and Other Studies, Michelangelo Buonarroti
Archers Shooting at a Herm, Triumph of Bacchus, and Other StudiesMichelangelo Buonarrotin.d.The Art Institute of Chicago
Studies for the Libyan Sibyl (recto); Studies for the Libyan Sibyl and a small Sketch for a Seated Figure (verso), Michelangelo Buonarroti
Studies for the Libyan Sibyl (recto); Studies for the Libyan Sibyl and a small Sketch for a Seated Figure (verso)Michelangelo Buonarrotica. 1510–11Metropolitan Museum of Art, New York, NY
Drunkenness of Noah, Michelangelo Buonarroti
Drunkenness of NoahMichelangelo Buonarrotin.d.The Art Institute of Chicago
Ascending Male Nude, Michelangelo Buonarroti
Ascending Male NudeMichelangelo Buonarrotin.d.The Art Institute of Chicago
Christ and the Two Thieves Crucified, Michelangelo Buonarroti
Christ and the Two Thieves CrucifiedMichelangelo Buonarrotica. 1560–70Metropolitan Museum of Art, New York, NY
Seated Male Nude, Michelangelo Buonarroti
Seated Male NudeMichelangelo Buonarrotin.d.The Art Institute of Chicago
Left Hand of Moses, Michelangelo Buonarroti
Left Hand of MosesMichelangelo Buonarroti1725/30The Art Institute of Chicago
Moses, Michelangelo Buonarroti
MosesMichelangelo Buonarroti1700sThe Art Institute of Chicago

Within fifty years of 1812/50

3200
Young Woman Looking at a Pot of Pinks, Suzuki Harunobu (Japanese, 1724–1770)
Young Woman Looking at a Pot of PinksSuzuki Harunobu (Japanese, 1724–1770)c. 1767Cleveland Museum of Art
Plate II of "Travail et emploi du coton" from Diderot's Encyclopedia, Vol. I, Robert Bénard, French, 1734–1772
Plate II of "Travail et emploi du coton" from Diderot's Encyclopedia, Vol. IRobert Bénard, French, 1734–17721762Cooper Hewitt, Smithsonian Design Museum
Plate I of "Travail et emploi du coton" from Diderot's Encyclopedia, Vol. I, Louis-Jacques Goussier, French, 1722 - 1799
Plate I of "Travail et emploi du coton" from Diderot's Encyclopedia, Vol. ILouis-Jacques Goussier, French, 1722 - 17991762Cooper Hewitt, Smithsonian Design Museum
"Culture et Arsonnage du Coton" from Diderot's Encyclopedia, Vol. I, Robert Bénard, French, 1734–1772
"Culture et Arsonnage du Coton" from Diderot's Encyclopedia, Vol. IRobert Bénard, French, 1734–17721762Cooper Hewitt, Smithsonian Design Museum
Plate IV of "Travail et emploi du Coton" from Diderot's Encyclopia, Vol. I, Robert Bénard, French, 1734–1772
Plate IV of "Travail et emploi du Coton" from Diderot's Encyclopia, Vol. IRobert Bénard, French, 1734–17721762Cooper Hewitt, Smithsonian Design Museum
Élévation d’un Batiment de Trois Toises de Face, Geneviève-Marguerite Chéreau, French, active 1755-1768, d.1782
Élévation d’un Batiment de Trois Toises de FaceGeneviève-Marguerite Chéreau, French, active 1755-1768, d.17821762Cooper Hewitt, Smithsonian Design Museum
Orfèvre Grossier, Ouvrages, J.R. Lucotte, French, 1733 – 1784
Orfèvre Grossier, OuvragesJ.R. Lucotte, French, 1733 – 17841762Cooper Hewitt, Smithsonian Design Museum
Orfèvre Grossier, Ouvrages, J.R. Lucotte, French, 1733 – 1784
Orfèvre Grossier, OuvragesJ.R. Lucotte, French, 1733 – 17841762Cooper Hewitt, Smithsonian Design Museum

Also at The Art Institute of Chicago

650
Statuette of a Female Figure, Ancient Greek
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Altar, Ancient Greek
AltarAncient GreekGeometric Period (800–600 BCE)The Art Institute of Chicago

Similar picturesFound by visual likeness

8 pictures

Visual resemblances suggested by the model. A match does not establish a shared subject or historical connection.

Cupid, Unknown
CupidUnknown1770–1800Cooper Hewitt, Smithsonian Design Museum
0.92
Figure of a Man, after Polidoro da Caravaggio
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St. Sebastian Fettered to a Tree, Unknown
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Seated Male Nude, Baccio Bandinelli (Italian, 1493–1560)
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Ascending Male NudeMichelangelo Buonarrotin.d.The Art Institute of Chicago
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Guard Drawing His Sword, Raphael
Guard Drawing His SwordRaphaeln.d.The Art Institute of Chicago
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Studies for the Libyan Sibyl (recto); Studies for the Libyan Sibyl and a small Sketch for a Seated Figure (verso), Michelangelo Buonarroti
Studies for the Libyan Sibyl (recto); Studies for the Libyan Sibyl and a small Sketch for a Seated Figure (verso)Michelangelo Buonarrotica. 1510–11Metropolitan Museum of Art, New York, NY
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Crucified Man, Melchior Lorck (Danish, 1526/27–after 1588); Michelangelo Buonarroti (Italian, 1475–1564)
Crucified ManMelchior Lorck (Danish, 1526/27–after 1588); Michelangelo Buonarroti (Italian, 1475–1564)1550Cleveland Museum of Art
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Made in the nineteenth century, like Legs and Feet of Male Nude.

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