The Climbers (Three Figures from Michelangelo's Battle of Cascina), Marcantonio Raimondi (Italian, 1470/82–1527/34); Michelangelo Buonarroti (Italian, 1475–1564); Lucas van Leyden (Netherlandish, 1494–about 1533)

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Rights

Credit
Gift of The Print Club of Cleveland
Licence
CC0-1.0
Evidence
openaccess-api.clevelandart.org: share_license_status=CC0 on artwork 103949 (read 2026-08-27)
Record
https://clevelandart.org/art/1922.142
The Climbers (Three Figures from Michelangelo's Battle of Cascina), Marcantonio Raimondi (Italian, 1470/82–1527/34); Michelangelo Buonarroti (Italian, 1475–1564); Lucas van Leyden (Netherlandish, 1494–about 1533)
The Climbers (Three Figures from Michelangelo's Battle of Cascina) — Marcantonio Raimondi (Italian, 1470/82–1527/34); Michelangelo Buonarroti (Italian, 1475–1564); Lucas van Leyden (Netherlandish, 1494–about 1533)1510

Within fifty years of 1510

387
Bifolio from a Book of Hours: Initial V with Floral Border (recto), Unknown
Bifolio from a Book of Hours: Initial V with Floral Border (recto)Unknownc. 1460–1500Cleveland Museum of Art
The Prophet Amos, Baccio Baldini
The Prophet AmosBaccio Baldinic. 1470The Art Institute of Chicago
Book of Hours (Use of Rouen), Master of the Geneva Latini (French, active Rouen, 1460–80)
Book of Hours (Use of Rouen)Master of the Geneva Latini (French, active Rouen, 1460–80)c. 1470Cleveland Museum of Art
Tommaso di Folco Portinari (1428–1501); Maria Portinari (Maria Maddalena Baroncelli, born 1456), Hans Memling
Tommaso di Folco Portinari (1428–1501); Maria Portinari (Maria Maddalena Baroncelli, born 1456)Hans Memlingca. 1470Metropolitan Museum of Art, New York, NY
A Bridal Couple, Unknown
A Bridal CoupleUnknownc. 1470Cleveland Museum of Art
The Flight into Egypt, Martin Schongauer (German, c. 1450–1491)
The Flight into EgyptMartin Schongauer (German, c. 1450–1491)1470–74Cleveland Museum of Art
The Birth of the Virgin, Fra Carnevale (Bartolomeo di Giovanni Corradini)
The Birth of the VirginFra Carnevale (Bartolomeo di Giovanni Corradini)1467Metropolitan Museum of Art, New York, NY
The Lamentation of Christ, Simon Marmion
The Lamentation of ChristSimon Marmionca. 1473Metropolitan Museum of Art, New York, NY

Also at Cleveland Museum of Art

547
Relief of Nyankhnesut Seated, Unknown
Relief of Nyankhnesut SeatedUnknownc. 2311–2281 BCECleveland Museum of Art
Stele of Shemai, Unknown
Stele of ShemaiUnknownc. 1960–1916 BCECleveland Museum of Art
Relief of Hatshepsut or Tuthmosis III, Unknown
Relief of Hatshepsut or Tuthmosis IIIUnknown1479–1425 BCECleveland Museum of Art
Talatat: Portrait of Nefertiti, Unknown
Talatat: Portrait of NefertitiUnknownc. 1353–1347 BCECleveland Museum of Art
Talatat: Portrait of Nefertiti, Unknown
Talatat: Portrait of NefertitiUnknownc. 1353–1347 BCECleveland Museum of Art
Talatat: Nefertiti Offers to the Aten, Unknown
Talatat: Nefertiti Offers to the AtenUnknown1353–1347 BCECleveland Museum of Art
Tomb Relief of the Chief Physician Amenhotep and Family, Unknown
Tomb Relief of the Chief Physician Amenhotep and FamilyUnknownc. 1279–1257 BCECleveland Museum of Art
Stele of the High Priest of Ptah, Shedsunefertem, Unknown
Stele of the High Priest of Ptah, ShedsunefertemUnknown945–924 BCECleveland Museum of Art

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8 pictures

Visual resemblances suggested by the model. A match does not establish a shared subject or historical connection.

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0.86
The Wine Press, Marcantonio Raimondi (Italian, 1470/82–1527/34); Raphael (Italian, 1483–1520)
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0.86

In the stacks

Not yet checked1

Passages in the library’s own holdings that name this maker. The model ranked them; nobody has checked that the name means this person.

  1. principles of art history · heinrich wolfflin

    PAINTING 95 Rembrandt The great Ecce Homo (etching of 1650) is an analogous case. As is known, the schema of the composition dates back to a Cinquecentist, Lucas van Leyden. A house wall and a terrace before it, seen frontally; people who have taken up their stand side by side in rows on and in front of the terrace—how are we to get a baroque picture out of all that? We learn with Rembrandt that it is not the subject but the treatment which matters. While Lucas van Leyden exhausts
    0.71

Next

Made in the sixteenth century, like The Climbers (Three Figures from Michelangelo's Battle of Cascina).

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