A Nymph with a Small Satyr and Two Goats, from Capricci — Giovanni Battista Tiepolo, 1740/50, published 1785

A Nymph with a Small Satyr and Two Goats, from Capricci, Giovanni Battista Tiepolo

Seen

Not described yet.

Of

No subject recorded yet.

Means

No reading yet.

Rights

Credit: Gift of the Print and Drawing Club. CC0.
Licence: CC0-1.0
Evidence: api.artic.edu artworks api: is_public_domain=true on artwork 14250 (read 2026-09-01)
Record: https://www.artic.edu/artworks/14250
IIIF: manifest

Also by Giovanni Battista Tiepolo

22

Youth, Sage, and Attendant with Horse, Giovanni Battista Tiepolo — Youth, Sage, and Attendant with HorseGiovanni Battista TiepoloNational Gallery of Art

The Battle of Vercellae, Giovanni Battista Tiepolo — The Battle of VercellaeGiovanni Battista Tiepolo1725–29Metropolitan Museum of Art, New York, NY

The Triumph of Marius, Giovanni Battista Tiepolo — The Triumph of MariusGiovanni Battista Tiepolo1729Metropolitan Museum of Art, New York, NY

Virgin and Child with Saints Dominic and Hyacinth, Giovanni Battista Tiepolo — Virgin and Child with Saints Dominic and HyacinthGiovanni Battista Tiepolo1730–35The Art Institute of Chicago

Adoration of the Magi, Giovanni Battista Tiepolo — Adoration of the MagiGiovanni Battista Tiepoloc. 1740The Art Institute of Chicago

Death Giving Audience, from Capricci, Giovanni Battista Tiepolo — Death Giving Audience, from CapricciGiovanni Battista Tiepolo1740/50, published 1785The Art Institute of Chicago

Armida Encounters the Sleeping Rinaldo, Giovanni Battista Tiepolo — Armida Encounters the Sleeping RinaldoGiovanni Battista Tiepoloc. 1742–45The Art Institute of Chicago

Rinaldo and the Magus of Ascalon, Giovanni Battista Tiepolo — Rinaldo and the Magus of AscalonGiovanni Battista Tiepoloc. 1742–45The Art Institute of Chicago

Within fifty years of 1740/50, published 1785

2356

Stage Design: Proscenium and Palace Staircase, Girolamo Fontana, Italian, 1668 - 1701 — Stage Design: Proscenium and Palace StaircaseGirolamo Fontana, Italian, 1668 - 17011690–1710Cooper Hewitt, Smithsonian Design Museum

Sidewall, Unknown — SidewallUnknown1690–1700Cooper Hewitt, Smithsonian Design Museum

Furniture Design: Elevation of a Pedestal or Case, Gilles-Marie Oppenord, French, 1672–1742 — Furniture Design: Elevation of a Pedestal or CaseGilles-Marie Oppenord, French, 1672–1742ca. 1690Cooper Hewitt, Smithsonian Design Museum

Side Chair, Unknown — Side ChairUnknownca. 1690Cooper Hewitt, Smithsonian Design Museum

Habit de Fontainier from "Habits de Métier et Professions", Nicolas Larmessin III, French, 1656–1725 — Habit de Fontainier from "Habits de Métier et Professions"Nicolas Larmessin III, French, 1656–1725ca. 1690Cooper Hewitt, Smithsonian Design Museum

The Angel appearing to the shepherds, the visitation, and the annunciation: a sheet of notes for a proposed decorative scheme with 3 sketches of paintings for overdoors, Sir James Thornhill — The Angel appearing to the shepherds, the visitation, and the annunciation: a sheet of notes for a proposed decorative scheme with 3 sketches of paintings for overdoorsSir James ThornhillundatedYale Center for British Art

Collectanea medico-physica, oder Holländisch Jahr-Register, sonderbarer Anmerckungen, die so wol in der Artzney-Kunst, als Wissenschaft der Natur in gantz Europa vorgefallen, auf das Jahr 1680 [- 1682] ..., Blankaart, Steven — Collectanea medico-physica, oder Holländisch Jahr-Register, sonderbarer Anmerckungen, die so wol in der Artzney-Kunst, als Wissenschaft der Natur in gantz Europa vorgefallen, auf das Jahr 1680 [- 1682] ...Blankaart, Steven1690Stiftung der Werke von C.G.Jung, Zürich

Drawing for the Rear of the Third Carriage of the Prince of Liechtenstein, Antonio Creccolini, Italian, 1671 – ca. 1725 — Drawing for the Rear of the Third Carriage of the Prince of LiechtensteinAntonio Creccolini, Italian, 1671 – ca. 17251691–1694Cooper Hewitt, Smithsonian Design Museum

Also at The Art Institute of Chicago

757

Statuette of a Female Figure, Ancient Greek — Statuette of a Female FigureAncient GreekEarly Bronze Age, 2600–2400 BCEThe Art Institute of Chicago

Ring with a Scarab Bezel, Ancient Egyptian — Ring with a Scarab BezelAncient EgyptianSecond Intermediate Period, Dynasty 15 (about 1650–1550 BCE)The Art Institute of Chicago

Fragment of a Stela of Neferhotep, Ancient Egyptian — Fragment of a Stela of NeferhotepAncient EgyptianNew Kingdom, mid-Dynasty 19, about 1240-1195 BCEThe Art Institute of Chicago

Funerary Papyrus of Tayuhenutmut, Ancient Egyptian — Funerary Papyrus of TayuhenutmutAncient EgyptianThird Intermediate Period, probably Dynasty 21 (about 1069-945 BCE)The Art Institute of Chicago

Cauldron, China — CauldronChinaWestern Zhou dynasty (1046–771 BC ), early 9th century BCThe Art Institute of Chicago

Coffin and Mummy of Paankhaenamun, Ancient Egyptian — Coffin and Mummy of PaankhaenamunAncient EgyptianThird Intermediate Period, Dynasty 22, reign of Osorkon I (about 924–889 BCE)The Art Institute of Chicago

Relief Showing the Head of a Winged Genius, Neo-Assyrian — Relief Showing the Head of a Winged GeniusNeo-AssyrianNeo–Assyrian Period, reign of King Ashurnasirpal II (883–859 BCE)The Art Institute of Chicago

Altar, Ancient Greek — AltarAncient GreekGeometric Period (800–600 BCE)The Art Institute of Chicago

Similar picturesFound by visual likeness

8 pictures

Other makers only

Visual resemblances suggested by the model. A match does not establish a shared subject or historical connection.

Death Giving Audience, from Capricci, Giovanni Battista Tiepolo — Death Giving Audience, from CapricciGiovanni Battista Tiepolo1740/50, published 1785The Art Institute of Chicago

0.90

Study for the Painting Pastoral Journey, Figures and Cattle in a Landscape, Giovanni Benedetto Castiglione, Italian, 1609–1664 — Study for the Painting Pastoral Journey, Figures and Cattle in a LandscapeGiovanni Benedetto Castiglione, Italian, 1609–1664ca. 1633Cooper Hewitt, Smithsonian Design Museum

0.88

Print, Jean-Baptiste Pillement, French, 1728–1808 — PrintJean-Baptiste Pillement, French, 1728–1808Cooper Hewitt, Smithsonian Design Museum

0.87

LE MAITRE DE CORS DE CHASSE, Christophe Huet, French, 1695 – 1759 — LE MAITRE DE CORS DE CHASSEChristophe Huet, French, 1695 – 17591743Cooper Hewitt, Smithsonian Design Museum

0.87

Terrace garden, Robert Frederick Blum, American, 1857–1903 — Terrace gardenRobert Frederick Blum, American, 1857–19031882Cooper Hewitt, Smithsonian Design Museum

0.87

Study of foliage, Trachselwald, Bern, Switzerland, William Trost Richards, American, 1833–1905 — Study of foliage, Trachselwald, Bern, SwitzerlandWilliam Trost Richards, American, 1833–1905August 2, 1867Cooper Hewitt, Smithsonian Design Museum

0.87

Habillements des habitants de la Province de HOU KOUAN à la Chine, Antoine Watteau, French, 1684–1721 — Habillements des habitants de la Province de HOU KOUAN à la ChineAntoine Watteau, French, 1684–17211731Cooper Hewitt, Smithsonian Design Museum

0.87

LE LAVEMENT DONNÉ, Christophe Huet, French, 1695 – 1759 — LE LAVEMENT DONNÉChristophe Huet, French, 1695 – 17591743Cooper Hewitt, Smithsonian Design Museum

0.87

Next

Giovanni Battista Tiepolo made A Nymph with a Small Satyr and Two Goats, from Capricci, and made these too.

Made in the eighteenth century, like A Nymph with a Small Satyr and Two Goats, from Capricci.

0:00–0:00