The Annunciation, Paolo Veronese (Italian, 1528–1588); Workshop

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Wikidata depicts
Annunciation

Means

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Rights

Credit
Gift of the Hanna Fund
Licence
CC0-1.0
Evidence
openaccess-api.clevelandart.org: share_license_status=CC0 on artwork 127572 (read 2026-09-16)
Record
https://clevelandart.org/art/1950.251
The Annunciation, Paolo Veronese (Italian, 1528–1588); Workshop
The Annunciation — Paolo Veronese (Italian, 1528–1588); Workshopc. 1580

Within fifty years of c. 1580

580
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Saint Jerome in a Landscape, Domenico Campagnola (Italian, 1500–1564)
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Allegory of Carnal Love, Cristofano Robetta (Italian, 1462–1534)
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The Sacrifice of Isaac, Brunswick Monogrammist
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The Sacrifice of Isaac, Antonio di Donnino di Domenico del Mazziere
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Finial, Unknown
FinialUnknownca. 1525Cooper Hewitt, Smithsonian Design Museum

Also at Cleveland Museum of Art

585
Relief of Nyankhnesut Seated, Unknown
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Stele of Shemai, Unknown
Stele of ShemaiUnknownc. 1960–1916 BCECleveland Museum of Art
Relief of Hatshepsut or Tuthmosis III, Unknown
Relief of Hatshepsut or Tuthmosis IIIUnknown1479–1425 BCECleveland Museum of Art
Talatat: Portrait of Nefertiti, Unknown
Talatat: Portrait of NefertitiUnknownc. 1353–1347 BCECleveland Museum of Art
Talatat: Portrait of Nefertiti, Unknown
Talatat: Portrait of NefertitiUnknownc. 1353–1347 BCECleveland Museum of Art
Talatat: Nefertiti Offers to the Aten, Unknown
Talatat: Nefertiti Offers to the AtenUnknown1353–1347 BCECleveland Museum of Art
Tomb Relief of the Chief Physician Amenhotep and Family, Unknown
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Stele of the High Priest of Ptah, Shedsunefertem, Unknown
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In the stacks

Not yet checked1

Passages in the library’s own holdings that name this maker. The model ranked them; nobody has checked that the name means this person.

  1. Renaissance in Italy, Volumes 6 and 7 (of 7) · John Addington Symonds

    Titian was in his prime; the stars of Tintoretto and Veronese had scarcely risen above the horizon. Sansovino was still producing masterpieces of picturesque beauty in architecture. In order to understand the transition of Italy from the Renaissance to the Counter-Reformation manner, it will be well to concentrate attention on the history of the Papacy during the eight reigns of Paul III., Julius III., Paul IV., Pius IV., Pius V., Gregory XIII., Sixtus V., and Clement VIII.[9] In the first of these reigns we hardly notice that the Renaissance has
    0.69

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Made in the sixteenth century, like The Annunciation.

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