Altarpiece with Christ, Saint John the Baptist, and Saint Margaret — Andrea da Giona, 1434

Altarpiece with Christ, Saint John the Baptist, and Saint Margaret, Andrea da Giona

Seen

Not described yet.

Of

These are claims by the holder and by Wikidata, read 2026-09-17, and join nothing until an editor confirms them.

Holder's headings: Angels, Christ, Saint John the Baptist
Wikidata depicts: John the Baptist, angel, Christ

Means

No reading yet.

Rights

Credit: The Cloisters Collection, 1962
Licence: CC0-1.0
Evidence: metmuseum.org collection api v1: isPublicDomain=true on object 471909 (read 2026-09-16)
Record: https://www.metmuseum.org/art/collection/search/471909

Within fifty years of 1434

92

The Adoration of the Magi, Bartolo di Fredi — The Adoration of the MagiBartolo di Fredica. 1390Metropolitan Museum of Art, New York, NY

The Agony in the Garden, Unknown — The Agony in the GardenUnknownca. 1390Metropolitan Museum of Art, New York, NY

Adoration of the Magi from Seven Scenes from the Life of Christ, Unknown — Adoration of the Magi from Seven Scenes from the Life of ChristUnknownca. 1390Metropolitan Museum of Art, New York, NY

Corpus of Christ, from the Altarpiece of the Crucifixion, Jacques de Baerze — Corpus of Christ, from the Altarpiece of the CrucifixionJacques de Baerze1391–99The Art Institute of Chicago

A Medieval Bakery, from the Book of Problems of Pseudo-Aristotle, translated into the French by Évrart de Conty, Master of the Second Roman de la Rose of the Duke of Berry, — A Medieval Bakery, from the Book of Problems of Pseudo-Aristotle, translated into the French by Évrart de ContyMaster of the Second Roman de la Rose of the Duke of Berry,ca. 1400Metropolitan Museum of Art, New York, NY

St. Francis of Assisi with Donors in a Historiated Initial from an Unidentified Manuscript, Italian (Florence) — St. Francis of Assisi with Donors in a Historiated Initial from an Unidentified ManuscriptItalian (Florence)c. 1400The Art Institute of Chicago

Diptych with the Passion of Christ (right wing): Crowning with Thorns and Agony on the Garden , Unknown — Diptych with the Passion of Christ (right wing): Crowning with Thorns and Agony on the Garden Unknownc. 1400Cleveland Museum of Art

Five Panels of a Vajrasattva Crown with Transcendental Buddhas, Tibet — Five Panels of a Vajrasattva Crown with Transcendental BuddhasTibet15th centuryThe Art Institute of Chicago

Also at Metropolitan Museum of Art, New York, NY

737

Marble female figure, Bastis Master — Marble female figureBastis Master2600–2400 BCEMetropolitan Museum of Art, New York, NY

Relief Fragment with a Ship Under Sail, Unknown — Relief Fragment with a Ship Under SailUnknownca. 2465–2458 BCEMetropolitan Museum of Art, New York, NY

Tomb Chapel of Raemkai: South Wall, Unknown — Tomb Chapel of Raemkai: South WallUnknownca. 2446–2389 BCEMetropolitan Museum of Art, New York, NY

West wall of the chapel of the mastaba Kaemsenu with niches for Iretnub, Kaemsenu and Werdjedptah, Unknown — West wall of the chapel of the mastaba Kaemsenu with niches for Iretnub, Kaemsenu and WerdjedptahUnknownca. 2420–2250 BCEMetropolitan Museum of Art, New York, NY

Design amulet, Cow and Calf on the Back, Device showing Antithetical Falcons Flanking an Ankh Sign over a Crouching Lion, Unknown — Design amulet, Cow and Calf on the Back, Device showing Antithetical Falcons Flanking an Ankh Sign over a Crouching LionUnknownca. 2150–2100 B.C.Metropolitan Museum of Art, New York, NY

Design Amulet, Pyramidal Back with Horizontal Piercing, Device showing Two Falcons Flanking what is meant to be an Ankh Sign, Unknown — Design Amulet, Pyramidal Back with Horizontal Piercing, Device showing Two Falcons Flanking what is meant to be an Ankh SignUnknownca. 2150–2010 B.C.Metropolitan Museum of Art, New York, NY

Design Amulet, Cow Nursing Calf and also a Kneeling Suckling Man Visible on Opposite Side on the Back, Device showing Antithetical Falcons with an Ankh Sign over a Lion, Unknown — Design Amulet, Cow Nursing Calf and also a Kneeling Suckling Man Visible on Opposite Side on the Back, Device showing Antithetical Falcons with an Ankh Sign over a LionUnknownca. 2150–2100 B.C.Metropolitan Museum of Art, New York, NY

Design Amulet, Back in the Form of a Woman Suckling a Child, Device showing Two Lizards Head-to-tail, Unknown — Design Amulet, Back in the Form of a Woman Suckling a Child, Device showing Two Lizards Head-to-tailUnknownca. 2100–2080 B.C.Metropolitan Museum of Art, New York, NY

Similar picturesFound by visual likeness

3 pictures

Other makers only

Visual resemblances suggested by the model. A match does not establish a shared subject or historical connection.

Capital with the Presentation of Christ in the Temple (from Saint-Guilhem Cloister), Unknown — Capital with the Presentation of Christ in the Temple (from Saint-Guilhem Cloister)Unknownlate 12th–early 13th centuryMetropolitan Museum of Art, New York, NY

0.84

Papal escutcheon, Giuseppe Barberi, Italian, 1746–1809 — Papal escutcheonGiuseppe Barberi, Italian, 1746–18091780–1800Cooper Hewitt, Smithsonian Design Museum

0.83

Project for a sepulchral monument. With alternative suggestions., Unknown — Project for a sepulchral monument. With alternative suggestions.Unknown1830–50Cooper Hewitt, Smithsonian Design Museum

0.83

Next

Made in the fifteenth century, like Altarpiece with Christ, Saint John the Baptist, and Saint Margaret.

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