Faust: Part 1. Last Scene — Dante Gabriel Rossetti, 1846–48

Faust: Part 1. Last Scene, Dante Gabriel Rossetti

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These are claims by the holder and by Wikidata, read 2026-09-04, and join nothing until an editor confirms them.

Holder's headings: Women, Angels, Devil

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Rights

Credit: Gift of Etheleen and Allen Staley, 2013
Licence: CC0-1.0
Evidence: metmuseum.org collection api v1: isPublicDomain=true on object 637750 (read 2026-09-01)
Record: https://www.metmuseum.org/art/collection/search/637750

Also by Dante Gabriel Rossetti

2

Mrs. William Morris Seated in Chair, Dante Gabriel Rossetti — Mrs. William Morris Seated in ChairDante Gabriel RossettiMay 1870The Art Institute of Chicago

Beata Beatrix, Dante Gabriel Rossetti — Beata BeatrixDante Gabriel Rossetti1871–72The Art Institute of Chicago

Within fifty years of 1846–48

4025

Young Woman (possibly a Sex Worker) with a Man (recto); Young Woman Wringing Her Hands over a Man's Naked Body (verso), Francisco de Goya (Spanish, 1746–1828) — Young Woman (possibly a Sex Worker) with a Man (recto); Young Woman Wringing Her Hands over a Man's Naked Body (verso)Francisco de Goya (Spanish, 1746–1828)1796–97Cleveland Museum of Art

Prostitute Soliciting a Fat, Ugly Man, Folio 49 (recto), Francisco de Goya (Spanish, 1746–1828) — Prostitute Soliciting a Fat, Ugly Man, Folio 49 (recto)Francisco de Goya (Spanish, 1746–1828)1796–97Cleveland Museum of Art

Young Woman Wringing Her Hands over a Man's Naked Body, Folio 50 (verso), Francisco de Goya (Spanish, 1746–1828) — Young Woman Wringing Her Hands over a Man's Naked Body, Folio 50 (verso)Francisco de Goya (Spanish, 1746–1828)1796–97Cleveland Museum of Art

Saint Ambrose, Francisco de Goya (Spanish, 1746–1828) — Saint AmbroseFrancisco de Goya (Spanish, 1746–1828)c. 1796–99Cleveland Museum of Art

Women Beside a Stream Chasing Fireflies, Chōbunsai Eishi (Japanese, 1756–1829) — Women Beside a Stream Chasing FirefliesChōbunsai Eishi (Japanese, 1756–1829)c. 1796–97Cleveland Museum of Art

Interior of Temple of Glory and Figured Details, Giuseppe Barberi, Italian, 1746–1809 — Interior of Temple of Glory and Figured DetailsGiuseppe Barberi, Italian, 1746–1809ca. 1796-1801Cooper Hewitt, Smithsonian Design Museum

Title page of a book, Giuseppe Barberi, Italian, 1746–1809 — Title page of a bookGiuseppe Barberi, Italian, 1746–1809October 1796Cooper Hewitt, Smithsonian Design Museum

Chandeliers ou Flambeaux et Couteaux de Table, Richard de Lalonde, French, active 1780–96 — Chandeliers ou Flambeaux et Couteaux de TableRichard de Lalonde, French, active 1780–961796Cooper Hewitt, Smithsonian Design Museum

Also at Metropolitan Museum of Art, New York, NY

478

Marble female figure, Bastis Master — Marble female figureBastis Master2600–2400 BCEMetropolitan Museum of Art, New York, NY

Relief Fragment with a Ship Under Sail, Unknown — Relief Fragment with a Ship Under SailUnknownca. 2465–2458 BCEMetropolitan Museum of Art, New York, NY

Tomb Chapel of Raemkai: South Wall, Unknown — Tomb Chapel of Raemkai: South WallUnknownca. 2446–2389 BCEMetropolitan Museum of Art, New York, NY

West wall of the chapel of the mastaba Kaemsenu with niches for Iretnub, Kaemsenu and Werdjedptah, Unknown — West wall of the chapel of the mastaba Kaemsenu with niches for Iretnub, Kaemsenu and WerdjedptahUnknownca. 2420–2250 BCEMetropolitan Museum of Art, New York, NY

Design amulet, Cow and Calf on the Back, Device showing Antithetical Falcons Flanking an Ankh Sign over a Crouching Lion, Unknown — Design amulet, Cow and Calf on the Back, Device showing Antithetical Falcons Flanking an Ankh Sign over a Crouching LionUnknownca. 2150–2100 B.C.Metropolitan Museum of Art, New York, NY

Design Amulet, Pyramidal Back with Horizontal Piercing, Device showing Two Falcons Flanking what is meant to be an Ankh Sign, Unknown — Design Amulet, Pyramidal Back with Horizontal Piercing, Device showing Two Falcons Flanking what is meant to be an Ankh SignUnknownca. 2150–2010 B.C.Metropolitan Museum of Art, New York, NY

Design Amulet, Cow Nursing Calf and also a Kneeling Suckling Man Visible on Opposite Side on the Back, Device showing Antithetical Falcons with an Ankh Sign over a Lion, Unknown — Design Amulet, Cow Nursing Calf and also a Kneeling Suckling Man Visible on Opposite Side on the Back, Device showing Antithetical Falcons with an Ankh Sign over a LionUnknownca. 2150–2100 B.C.Metropolitan Museum of Art, New York, NY

Design Amulet, Back in the Form of a Woman Suckling a Child, Device showing Two Lizards Head-to-tail, Unknown — Design Amulet, Back in the Form of a Woman Suckling a Child, Device showing Two Lizards Head-to-tailUnknownca. 2100–2080 B.C.Metropolitan Museum of Art, New York, NY

Similar picturesFound by visual likeness

8 pictures

Other makers only

Visual resemblances suggested by the model. A match does not establish a shared subject or historical connection.

Drawing, Felice Giani, Italian, 1758–1823 — DrawingFelice Giani, Italian, 1758–18231805Cooper Hewitt, Smithsonian Design Museum

0.90

Heavenly Ganymede, from Specimens of Polyautography, Henry Fuseli — Heavenly Ganymede, from Specimens of PolyautographyHenry Fuseli1804 (published 1806-07)The Art Institute of Chicago

0.89

The Virgin and Child with Worshippers in Classical Interior, Fortunato Duranti, Italian, 1787 - 1863 — The Virgin and Child with Worshippers in Classical InteriorFortunato Duranti, Italian, 1787 - 18631820–1850Cooper Hewitt, Smithsonian Design Museum

0.88

Puis l'ange prit l'encensoir (And the angel took the censer), Odilon Redon — Puis l'ange prit l'encensoir (And the angel took the censer)Odilon Redon1899National Gallery of Art

0.88

Design for Magazine Cover, Kenyon Cox, American, 1856–1919 — Design for Magazine CoverKenyon Cox, American, 1856–1919ca. 1900Cooper Hewitt, Smithsonian Design Museum

0.87

"The Blessing of Sleep," Study for a Poster for Paine's Celery Compound, Kenyon Cox, American, 1856–1919 — "The Blessing of Sleep," Study for a Poster for Paine's Celery CompoundKenyon Cox, American, 1856–19191899Cooper Hewitt, Smithsonian Design Museum

0.87

Madonna and Child, Unknown — Madonna and ChildUnknownpossibly 17th centuryCooper Hewitt, Smithsonian Design Museum

0.87

The Young Archer, a sculpture attributed to Michelangelo, Plate 13 from an album "Drawings after Sculpture", Jean-Robert Ango, French, active in Rome 1759 –1770, d. 1773 — The Young Archer, a sculpture attributed to Michelangelo, Plate 13 from an album "Drawings after Sculpture"Jean-Robert Ango, French, active in Rome 1759 –1770, d. 17731759–72Cooper Hewitt, Smithsonian Design Museum

0.87

Next

Made in the nineteenth century, like Faust: Part 1. Last Scene.

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