The Adoration of the Magi — Arthur Pond, 1735

The Adoration of the Magi, Arthur Pond

Seen

Not described yet.

Of

No subject recorded yet.

Means

No reading yet.

Rights

Credit: Yale Center for British Art, Paul Mellon Collection
Licence: PDM-1.0
Evidence: manifests.collections.yale.edu: Copyright Statement=Public Domain on ycba object 88363501-d350-4175-ae27-60bc06bc1945 (https://manifests.collections.yale.edu/v2/ycba/obj/56884); Image Use Rights=No Copyright: You can copy, modify, distribute and perform the work, even for commercial purposes, all without asking permission. (CC0 1.0) (read 2026-09-16)
Record: https://collections.britishart.yale.edu/catalog/tms:56884
IIIF: manifest

Also by Arthur Pond

1

The Adoration of the Magi, Arthur Pond — The Adoration of the MagiArthur Pond1735Yale Center for British Art

Within fifty years of 1735

2315

Clock with pedestal, André Charles Boulle — Clock with pedestalAndré Charles Boulleca. 1690Metropolitan Museum of Art, New York, NY

Alexander Danilovich Menshikov (1673–1729), Unknown — Alexander Danilovich Menshikov (1673–1729)Unknownprobably shortly before 1704Metropolitan Museum of Art, New York, NY

Abraham Preparing to Sacrifice Isaac, Giovanni Antonio Burrini — Abraham Preparing to Sacrifice IsaacGiovanni Antonio Burrini1685Department of Paintings of the Louvre

Macchina delle 40 ore, Andrea Pozzo, Italian, 1642–1709 — Macchina delle 40 oreAndrea Pozzo, Italian, 1642–17091685–1700Cooper Hewitt, Smithsonian Design Museum

Figural Letter, Capital A, Juan Dolívar, Spanish, active in France, 1641–1692 — Figural Letter, Capital AJuan Dolívar, Spanish, active in France, 1641–16921685–1692Cooper Hewitt, Smithsonian Design Museum

LA COLONNADE DE VERSAILLES, Adam Perelle, French, 1638 – 1695 — LA COLONNADE DE VERSAILLESAdam Perelle, French, 1638 – 16951685–1703Cooper Hewitt, Smithsonian Design Museum

Livre Curieux et Utile pour Les Sçavans, et Artists. Composé de trois Alphabets de Chiffres, Simples, doubles et triples., Nicolas Verien, French, active 1685 – 1724 — Livre Curieux et Utile pour Les Sçavans, et Artists. Composé de trois Alphabets de Chiffres, Simples, doubles et triples.Nicolas Verien, French, active 1685 – 17241685Cooper Hewitt, Smithsonian Design Museum

Livre Curieux et Utile pour Les Sçavans, et Artists. Composé de trois Alphabets de Chiffres, Simples, doubles et triples., Nicolas Verien, French, active 1685 – 1724 — Livre Curieux et Utile pour Les Sçavans, et Artists. Composé de trois Alphabets de Chiffres, Simples, doubles et triples.Nicolas Verien, French, active 1685 – 17241685Cooper Hewitt, Smithsonian Design Museum

Also at Yale Center for British Art

21

'Behold him, when past by; what then is seen' (Page 25), William Blake — 'Behold him, when past by; what then is seen' (Page 25)William Blakeca. 1797Yale Center for British Art

The Annunciation, Francesco Bartolozzi — The AnnunciationFrancesco Bartolozzi1794Yale Center for British Art

'Behold him, when past by; what then is seen' (Page 25), William Blake — 'Behold him, when past by; what then is seen' (Page 25)William Blake1797Yale Center for British Art

'Behold him, when past by; what then is seen' (Page 25), William Blake — 'Behold him, when past by; what then is seen' (Page 25)William Blake1797Yale Center for British Art

Chateaux de St. Michael, Bonneville, Savoy, Joseph Mallord William Turner — Chateaux de St. Michael, Bonneville, SavoyJoseph Mallord William Turnerexhibited 1803Yale Center for British Art

"To the Christians..." (Plate 77), William Blake — "To the Christians..." (Plate 77)William Blake1804 to 1820Yale Center for British Art

"The Feminine separates from the Masculine..." (Plate 90), William Blake — "The Feminine separates from the Masculine..." (Plate 90)William Blake1804 to 1820Yale Center for British Art

"They saw their Wheels rising up poisonous..." (Plate 43), William Blake — "They saw their Wheels rising up poisonous..." (Plate 43)William Blake1804 to 1820Yale Center for British Art

Similar picturesFound by visual likeness

8 pictures

Other makers only

Visual resemblances suggested by the model. A match does not establish a shared subject or historical connection.

The Adoration of the Shepherds, Francesco Bartolozzi — The Adoration of the ShepherdsFrancesco Bartolozzi1765Yale Center for British Art

0.93

Adoration of the Shepherds, Polidoro da Caravaggio — Adoration of the ShepherdsPolidoro da Caravaggion.d.The Art Institute of Chicago

0.91

The Adoration of the Magi, Arthur Pond — The Adoration of the MagiArthur Pond1735Yale Center for British Art

0.91

Virgin and Child with the Infant Saint John, Cristofano Robetta (Italian, 1462–1534) — Virgin and Child with the Infant Saint JohnCristofano Robetta (Italian, 1462–1534)1500–1520Cleveland Museum of Art

0.89

Drawing, François Verdier, French, 1651 - 1730 — DrawingFrançois Verdier, French, 1651 - 1730ca. 1700Cooper Hewitt, Smithsonian Design Museum

0.88

The adoration of the Magi / AA [monogram of Andrea Andreani] MDCV., Vicentino, Giuseppe Niccolo, approximately 1510-, artist; Parmigianino, 1503-1540.; Andreani, Andrea, approximately 1560-1623. — The adoration of the Magi / AA [monogram of Andrea Andreani] MDCV.Vicentino, Giuseppe Niccolo, approximately 1510-, artist; Parmigianino, 1503-1540.; Andreani, Andrea, approximately 1560-1623.1605.Library of Congress

0.87

Samson Overpowered, George Romney — Samson OverpoweredGeorge Romney1760sYale Center for British Art

0.87

The Adoration of the Shepherds, Francesco Bartolozzi — The Adoration of the ShepherdsFrancesco Bartolozzi1765Yale Center for British Art

0.87

Next

Made in the eighteenth century, like The Adoration of the Magi.

0:00–0:00