Date ca. 1740 Medium Oil on canvas Terms oil 300015050 canvas 300014078 Dimensions 18 3/8 × 16 3/8 inches (46.7 × 41.6 cm) Collection Yale Center for British Art B2002.2.2 Getty ids beside the museum's words, by exact match, 2026-09-09
oil read as oil paint by Abe Garcia, 2026-09-07
Of No subject recorded yet.
Rights Credit Yale Center for British Art, Paul Mellon Fund Licence PDM-1.0 Evidence manifests.collections.yale.edu: Copyright Statement=Public Domain on ycba object 019aee1c-cf29-41aa-a533-0fe541e15c1a (https://manifests.collections.yale.edu/v2/ycba/obj/50869); Image Use Rights=No Copyright: You can copy, modify, distribute and perform the work, even for commercial purposes, all without asking permission. (CC0 1.0) (read 2026-09-01) Record https://collections.britishart.yale.edu/catalog/tms:50869 IIIF manifest Close Mary Hogarth — William Hogarth ca. 1740
Within fifty years of ca. 1740 2311 Clock with pedestal André Charles Boulleca. 1690 Metropolitan Museum of Art, New York, NY Alexander Danilovich Menshikov (1673–1729) Unknownprobably shortly before 1704 Metropolitan Museum of Art, New York, NY Abraham Preparing to Sacrifice Isaac Giovanni Antonio Burrini1685 Department of Paintings of the Louvre Macchina delle 40 ore Andrea Pozzo, Italian, 1642–17091685–1700 Cooper Hewitt, Smithsonian Design Museum Figural Letter, Capital A Juan Dolívar, Spanish, active in France, 1641–16921685–1692 Cooper Hewitt, Smithsonian Design Museum LA COLONNADE DE VERSAILLES Adam Perelle, French, 1638 – 16951685–1703 Cooper Hewitt, Smithsonian Design Museum Livre Curieux et Utile pour Les Sçavans, et Artists. Composé de trois Alphabets de Chiffres, Simples, doubles et triples. Nicolas Verien, French, active 1685 – 17241685 Cooper Hewitt, Smithsonian Design Museum Livre Curieux et Utile pour Les Sçavans, et Artists. Composé de trois Alphabets de Chiffres, Simples, doubles et triples. Nicolas Verien, French, active 1685 – 17241685 Cooper Hewitt, Smithsonian Design Museum
Also at Yale Center for British Art 21 Add a connection Propose a reading
Next Made in the eighteenth century, like Mary Hogarth.
