The Adoration of the Magi Arthur Pond
Date 1735 Medium Etching and chiaroscuro woodcut on medium, slightly textured, cream laid paper Dimensions Sheet: 9 1/4 × 7 3/4 inches (23.5 × 19.7 cm) Collection Yale Center for British Art B2024.18.25 Of No subject recorded yet.
Rights Credit Yale Center for British Art, Gift of Louise Lippincott, Yale BA 1974 Licence PDM-1.0 Evidence manifests.collections.yale.edu: Copyright Statement=Public Domain on ycba object 4d767c36-2579-44b2-b054-6c3667668163 (https://manifests.collections.yale.edu/v2/ycba/obj/173673); Image Use Rights=No Copyright: You can copy, modify, distribute and perform the work, even for commercial purposes, all without asking permission. (CC0 1.0) (read 2026-09-16) Record https://collections.britishart.yale.edu/catalog/tms:173673 IIIF manifest Close The Adoration of the Magi — Arthur Pond 1735
Within fifty years of 1735 2315 Clock with pedestal André Charles Boulleca. 1690 Metropolitan Museum of Art, New York, NY Alexander Danilovich Menshikov (1673–1729) Unknownprobably shortly before 1704 Metropolitan Museum of Art, New York, NY Abraham Preparing to Sacrifice Isaac Giovanni Antonio Burrini1685 Department of Paintings of the Louvre Macchina delle 40 ore Andrea Pozzo, Italian, 1642–17091685–1700 Cooper Hewitt, Smithsonian Design Museum Figural Letter, Capital A Juan Dolívar, Spanish, active in France, 1641–16921685–1692 Cooper Hewitt, Smithsonian Design Museum LA COLONNADE DE VERSAILLES Adam Perelle, French, 1638 – 16951685–1703 Cooper Hewitt, Smithsonian Design Museum Livre Curieux et Utile pour Les Sçavans, et Artists. Composé de trois Alphabets de Chiffres, Simples, doubles et triples. Nicolas Verien, French, active 1685 – 17241685 Cooper Hewitt, Smithsonian Design Museum Livre Curieux et Utile pour Les Sçavans, et Artists. Composé de trois Alphabets de Chiffres, Simples, doubles et triples. Nicolas Verien, French, active 1685 – 17241685 Cooper Hewitt, Smithsonian Design Museum
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