'Behold him, when past by; what then is seen' (Page 25), William Blake

Seen

Not described yet.


Of

No subject recorded yet.


Means

No reading yet.


Rights

Credit
Yale Center for British Art, Paul Mellon Collection
Licence
PDM-1.0
Evidence
manifests.collections.yale.edu: Copyright Statement=Public Domain on ycba object 0b855579-2314-4d8c-a1f1-64873414cb98 (https://manifests.collections.yale.edu/v2/ycba/obj/7468); Image Use Rights=No Copyright: You can copy, modify, distribute and perform the work, even for commercial purposes, all without asking permission. (CC0 1.0) (read 2026-09-16)
Record
https://collections.britishart.yale.edu/catalog/tms:7468
IIIF
manifest
'Behold him, when past by; what then is seen' (Page 25), William Blake
'Behold him, when past by; what then is seen' (Page 25) — William Blakeca. 1797

Also by William Blake

17
Songs of Experience: The School Boy, William Blake
Songs of Experience: The School BoyWilliam Blake[1789] printed ca. 1825Metropolitan Museum of Art, New York, NY
Songs of Experience: The Little Girl Found (second plate), William Blake
Songs of Experience: The Little Girl Found (second plate)William Blake[1789] printed ca. 1825Metropolitan Museum of Art, New York, NY
Songs of Experience: The Little Girl Lost, William Blake
Songs of Experience: The Little Girl LostWilliam Blake[1789] printed ca. 1825Metropolitan Museum of Art, New York, NY
Songs of Experience: The Little Girl Lost (second plate); The Little Girl Found, William Blake
Songs of Experience: The Little Girl Lost (second plate); The Little Girl FoundWilliam Blake[1789] printed ca. 1825Metropolitan Museum of Art, New York, NY
God Judging Adam, William Blake
God Judging AdamWilliam Blakeca. 1795Metropolitan Museum of Art, New York, NY
Songs of Experience: A Little Girl Lost, William Blake
Songs of Experience: A Little Girl LostWilliam Blake[1794] printed ca. 1825Metropolitan Museum of Art, New York, NY
Songs of Experience: To Tirzah, William Blake
Songs of Experience: To TirzahWilliam Blake[1794] printed ca. 1825Metropolitan Museum of Art, New York, NY
Songs of Experience: My Pretty Rose Tree, Ah! Sun-Flower, The Lilly, William Blake
Songs of Experience: My Pretty Rose Tree, Ah! Sun-Flower, The LillyWilliam Blake[1794] printed ca. 1825Metropolitan Museum of Art, New York, NY

Within fifty years of ca. 1797

3311
Design for a Carved Mirror Frame, Gilles-Marie Oppenord, French, 1672–1742
Design for a Carved Mirror FrameGilles-Marie Oppenord, French, 1672–1742before 1742Cooper Hewitt, Smithsonian Design Museum
Architectural Fantasy: Palace Interior, Charles Michel-Ange Challe, French, 1718 – 1778
Architectural Fantasy: Palace InteriorCharles Michel-Ange Challe, French, 1718 – 17781742–46Cooper Hewitt, Smithsonian Design Museum
The Fear of Love, Jean-Louis Lemoyne
The Fear of LoveJean-Louis Lemoyne1742The Art Institute of Chicago
Armida Encounters the Sleeping Rinaldo, Giovanni Battista Tiepolo
Armida Encounters the Sleeping RinaldoGiovanni Battista Tiepoloc. 1742–45The Art Institute of Chicago
Rinaldo and the Magus of Ascalon, Giovanni Battista Tiepolo
Rinaldo and the Magus of AscalonGiovanni Battista Tiepoloc. 1742–45The Art Institute of Chicago
Armida Abandoned by Rinaldo, Giovanni Battista Tiepolo
Armida Abandoned by RinaldoGiovanni Battista Tiepoloc. 1742–45The Art Institute of Chicago
Rinaldo and Armida in Her Garden, Giovanni Battista Tiepolo
Rinaldo and Armida in Her GardenGiovanni Battista Tiepoloc. 1742–45The Art Institute of Chicago
Designs for Firearms Ornament, Gilles Demarteau, Flemish, 1722 – 1776
Designs for Firearms OrnamentGilles Demarteau, Flemish, 1722 – 1776ca. 1743Cooper Hewitt, Smithsonian Design Museum

Also at Yale Center for British Art

12
The Angel appearing to the shepherds, the visitation, and the annunciation: a sheet of notes for a proposed decorative scheme with 3 sketches of paintings for overdoors, Sir James Thornhill
The Angel appearing to the shepherds, the visitation, and the annunciation: a sheet of notes for a proposed decorative scheme with 3 sketches of paintings for overdoorsSir James ThornhillundatedYale Center for British Art
Sketch for 'The Last Supper,' St. Mary's, Weymouth, Sir James Thornhill
Sketch for 'The Last Supper,' St. Mary's, WeymouthSir James Thornhillbetween 1719 and 1720Yale Center for British Art
The Beggar's Opera, William Hogarth
The Beggar's OperaWilliam Hogarth1729Yale Center for British Art
Self-Portrait, William Hogarth
Self-PortraitWilliam Hogarthca. 1735Yale Center for British Art
Mary Hogarth, William Hogarth
Mary HogarthWilliam Hogarthca. 1740Yale Center for British Art
The Adoration of the Magi, Arthur Pond
The Adoration of the MagiArthur Pond1735Yale Center for British Art
The Adoration of the Magi, Arthur Pond
The Adoration of the MagiArthur Pond1735Yale Center for British Art
The Last Supper, Bradshaw & Blacklock
The Last SupperBradshaw & Blacklockca. 1854Yale Center for British Art

Similar picturesFound by visual likeness

8 pictures

Visual resemblances suggested by the model. A match does not establish a shared subject or historical connection.

'Behold him, when past by; what then is seen' (Page 25), William Blake
'Behold him, when past by; what then is seen' (Page 25)William Blake1797Yale Center for British Art
0.92
'Behold him, when past by; what then is seen' (Page 25), William Blake
'Behold him, when past by; what then is seen' (Page 25)William Blake1797Yale Center for British Art
0.90
Songs of Experience: Earth's Answer, William Blake
Songs of Experience: Earth's AnswerWilliam Blake[1794] printed ca. 1825Metropolitan Museum of Art, New York, NY
0.84
Songs of Experience: The School Boy, William Blake
Songs of Experience: The School BoyWilliam Blake[1789] printed ca. 1825Metropolitan Museum of Art, New York, NY
0.84
Theatrum chemicum Britannicum, page 379, Ashmole, Elias
Theatrum chemicum Britannicum, page 379Ashmole, Elias1652Stiftung der Werke von C.G.Jung, Zürich
0.84
Theatrum chemicum Britannicum, page 120, Ashmole, Elias
Theatrum chemicum Britannicum, page 120Ashmole, Elias1652Stiftung der Werke von C.G.Jung, Zürich
0.84
Theatrum chemicum Britannicum, page 28, Ashmole, Elias
Theatrum chemicum Britannicum, page 28Ashmole, Elias1652Stiftung der Werke von C.G.Jung, Zürich
0.84

In the stacks

Not yet checked
2

Passages in the library’s own holdings that name this maker. The model ranked them; nobody has checked that the name means this person.

  1. The Bases of Design · Walter Crane

    At the end of last century a sort of revival took place under Thomas Bewick and his school, which led, not to a revival of the firm and open linear drawing of the designers of the early printers, but rather to a search after extra fineness and qualities of tone and colour, hitherto associated with steel or copper-plate. This tendency or aim of the engravers, however, only served to put the woodcut out of relation with the type, and the type itself grew uglier, and was hardly considered as part
    0.70
  2. Of the Decorative Illustration of Books Old and New · Walter Crane

    When he came to embody his own thoughts and dreams, he recurred quite spontaneously to the methods of the maker of the MS. books. He became his own calligrapher, illuminator and miniaturist, while availing himself of the copper-plate (which he turned into a surface printing block) and the printing press for the reproduction of his designs, and in some cases for producing them in tints. His hand-coloured drawings, the borderings and devices to his own poems, will always be things by themselves. His treatment of the resources of black and
    0.68

Next

Made in the eighteenth century, like 'Behold him, when past by; what then is seen' (Page 25).

0:00–0:00