Veduta del Tempio di Giove Tonante — Giovanni Battista Piranesi, 1740s–60s

Veduta del Tempio di Giove Tonante, Giovanni Battista Piranesi

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These are claims by the holder and by Wikidata, read 2026-09-04, and join nothing until an editor confirms them.

Holder's headings: Human Figures, Buildings, Temples

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Rights

Credit: Walker Evans Archive, 1994
Licence: CC0-1.0
Evidence: metmuseum.org collection api v1: isPublicDomain=true on object 284874 (read 2026-09-01)
Record: https://www.metmuseum.org/art/collection/search/284874

Also by Giovanni Battista Piranesi

12

The Round Tower, from "Carceri d'invenzione" (Imaginary Prisons), Giovanni Battista Piranesi — The Round Tower, from "Carceri d'invenzione" (Imaginary Prisons)Giovanni Battista Piranesica. 1749–50Metropolitan Museum of Art, New York, NY

The Pyramid of Gaius Cestius, from Views of Rome, Giovanni Battista Piranesi — The Pyramid of Gaius Cestius, from Views of RomeGiovanni Battista Piranesi1750/59, published 1800–07The Art Institute of Chicago

The Skeletons, Giovanni Battista Piranesi — The SkeletonsGiovanni Battista Piranesi1750The Art Institute of Chicago

View of the Mausoleum of the Emperor Hadrian (now called Castel S. Angelo) from the rear, from Vedute di Roma (Roman Views), Giovanni Battista Piranesi — View of the Mausoleum of the Emperor Hadrian (now called Castel S. Angelo) from the rear, from Vedute di Roma (Roman Views)Giovanni Battista Piranesica. 1756Metropolitan Museum of Art, New York, NY

The Giant Wheel, plate 9 from Imaginary Prisons, Giovanni Battista Piranesi — The Giant Wheel, plate 9 from Imaginary PrisonsGiovanni Battista Piranesi1761The Art Institute of Chicago

The Pier with a Lamp, plate 15 from Imaginary Prisons, Giovanni Battista Piranesi — The Pier with a Lamp, plate 15 from Imaginary PrisonsGiovanni Battista Piranesi1761The Art Institute of Chicago

The Lion Bas-Reliefs, plate 5 from Imaginary Prisons, Giovanni Battista Piranesi — The Lion Bas-Reliefs, plate 5 from Imaginary PrisonsGiovanni Battista Piranesi1761The Art Institute of Chicago

Prisoners on a Projecting Platform, plate 10 from Imaginary Prisons, Giovanni Battista Piranesi — Prisoners on a Projecting Platform, plate 10 from Imaginary PrisonsGiovanni Battista Piranesi1761The Art Institute of Chicago

Within fifty years of 1740s–60s

2366

Stage Design: Proscenium and Palace Staircase, Girolamo Fontana, Italian, 1668 - 1701 — Stage Design: Proscenium and Palace StaircaseGirolamo Fontana, Italian, 1668 - 17011690–1710Cooper Hewitt, Smithsonian Design Museum

Sidewall, Unknown — SidewallUnknown1690–1700Cooper Hewitt, Smithsonian Design Museum

Furniture Design: Elevation of a Pedestal or Case, Gilles-Marie Oppenord, French, 1672–1742 — Furniture Design: Elevation of a Pedestal or CaseGilles-Marie Oppenord, French, 1672–1742ca. 1690Cooper Hewitt, Smithsonian Design Museum

Side Chair, Unknown — Side ChairUnknownca. 1690Cooper Hewitt, Smithsonian Design Museum

Habit de Fontainier from "Habits de Métier et Professions", Nicolas Larmessin III, French, 1656–1725 — Habit de Fontainier from "Habits de Métier et Professions"Nicolas Larmessin III, French, 1656–1725ca. 1690Cooper Hewitt, Smithsonian Design Museum

The Angel appearing to the shepherds, the visitation, and the annunciation: a sheet of notes for a proposed decorative scheme with 3 sketches of paintings for overdoors, Sir James Thornhill — The Angel appearing to the shepherds, the visitation, and the annunciation: a sheet of notes for a proposed decorative scheme with 3 sketches of paintings for overdoorsSir James ThornhillundatedYale Center for British Art

Collectanea medico-physica, oder Holländisch Jahr-Register, sonderbarer Anmerckungen, die so wol in der Artzney-Kunst, als Wissenschaft der Natur in gantz Europa vorgefallen, auf das Jahr 1680 [- 1682] ..., Blankaart, Steven — Collectanea medico-physica, oder Holländisch Jahr-Register, sonderbarer Anmerckungen, die so wol in der Artzney-Kunst, als Wissenschaft der Natur in gantz Europa vorgefallen, auf das Jahr 1680 [- 1682] ...Blankaart, Steven1690Stiftung der Werke von C.G.Jung, Zürich

Drawing for the Rear of the Third Carriage of the Prince of Liechtenstein, Antonio Creccolini, Italian, 1671 – ca. 1725 — Drawing for the Rear of the Third Carriage of the Prince of LiechtensteinAntonio Creccolini, Italian, 1671 – ca. 17251691–1694Cooper Hewitt, Smithsonian Design Museum

Also at Metropolitan Museum of Art, New York, NY

659

Marble female figure, Bastis Master — Marble female figureBastis Master2600–2400 BCEMetropolitan Museum of Art, New York, NY

Relief Fragment with a Ship Under Sail, Unknown — Relief Fragment with a Ship Under SailUnknownca. 2465–2458 BCEMetropolitan Museum of Art, New York, NY

Tomb Chapel of Raemkai: South Wall, Unknown — Tomb Chapel of Raemkai: South WallUnknownca. 2446–2389 BCEMetropolitan Museum of Art, New York, NY

West wall of the chapel of the mastaba Kaemsenu with niches for Iretnub, Kaemsenu and Werdjedptah, Unknown — West wall of the chapel of the mastaba Kaemsenu with niches for Iretnub, Kaemsenu and WerdjedptahUnknownca. 2420–2250 BCEMetropolitan Museum of Art, New York, NY

Design amulet, Cow and Calf on the Back, Device showing Antithetical Falcons Flanking an Ankh Sign over a Crouching Lion, Unknown — Design amulet, Cow and Calf on the Back, Device showing Antithetical Falcons Flanking an Ankh Sign over a Crouching LionUnknownca. 2150–2100 B.C.Metropolitan Museum of Art, New York, NY

Design Amulet, Pyramidal Back with Horizontal Piercing, Device showing Two Falcons Flanking what is meant to be an Ankh Sign, Unknown — Design Amulet, Pyramidal Back with Horizontal Piercing, Device showing Two Falcons Flanking what is meant to be an Ankh SignUnknownca. 2150–2010 B.C.Metropolitan Museum of Art, New York, NY

Design Amulet, Cow Nursing Calf and also a Kneeling Suckling Man Visible on Opposite Side on the Back, Device showing Antithetical Falcons with an Ankh Sign over a Lion, Unknown — Design Amulet, Cow Nursing Calf and also a Kneeling Suckling Man Visible on Opposite Side on the Back, Device showing Antithetical Falcons with an Ankh Sign over a LionUnknownca. 2150–2100 B.C.Metropolitan Museum of Art, New York, NY

Design Amulet, Back in the Form of a Woman Suckling a Child, Device showing Two Lizards Head-to-tail, Unknown — Design Amulet, Back in the Form of a Woman Suckling a Child, Device showing Two Lizards Head-to-tailUnknownca. 2100–2080 B.C.Metropolitan Museum of Art, New York, NY

Similar picturesFound by visual likeness

8 pictures

Other makers only

Visual resemblances suggested by the model. A match does not establish a shared subject or historical connection.

Stage Design, Bridge Crossing Water, Unknown — Stage Design, Bridge Crossing WaterUnknownearly 19th centuryCooper Hewitt, Smithsonian Design Museum

0.90

Print, Unknown — PrintUnknownCooper Hewitt, Smithsonian Design Museum

0.90

Stage Design, Antique Buildings, Romolo Achille Liverani, Italian, 1809 - 1872 — Stage Design, Antique BuildingsRomolo Achille Liverani, Italian, 1809 - 1872early 19th centuryCooper Hewitt, Smithsonian Design Museum

0.90

Stage Design: Palace Architecture, Unknown, Italian — Stage Design: Palace ArchitectureUnknown, Italian1750–99Cooper Hewitt, Smithsonian Design Museum

0.89

Stage Design: City Street with Palaces, Unknown — Stage Design: City Street with PalacesUnknownlate 18th centuryCooper Hewitt, Smithsonian Design Museum

0.88

Print, Unknown — PrintUnknownCooper Hewitt, Smithsonian Design Museum

0.88

Stage Design: Atrium of a Villa, Unknown — Stage Design: Atrium of a VillaUnknownlate 18th centuryCooper Hewitt, Smithsonian Design Museum

0.88

Stage Design, Exterior of Enormous Palace, Romolo Achille Liverani, Italian, 1809 - 1872 — Stage Design, Exterior of Enormous PalaceRomolo Achille Liverani, Italian, 1809 - 1872ca. 1830Cooper Hewitt, Smithsonian Design Museum

0.87

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Giovanni Battista Piranesi made Veduta del Tempio di Giove Tonante, and made these too.

Made in the eighteenth century, like Veduta del Tempio di Giove Tonante.

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