Avanco del Tempio della Concordia — Giovanni Battista Piranesi (Italian, 1720–1778), 1756

Avanco del Tempio della Concordia, Giovanni Battista Piranesi (Italian, 1720–1778)

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Rights

Credit: Gift of Willard M. Clapp
Licence: CC0-1.0
Evidence: openaccess-api.clevelandart.org: share_license_status=CC0 on artwork 102517 (read 2026-09-01)
Record: https://clevelandart.org/art/1921.1151

Also by Giovanni Battista Piranesi (Italian, 1720–1778)

6

The Prisons, Giovanni Battista Piranesi (Italian, 1720–1778) — The PrisonsGiovanni Battista Piranesi (Italian, 1720–1778)1745–1750Cleveland Museum of Art

Avanzo del Tempio di Minerva Medica, Giovanni Battista Piranesi (Italian, 1720–1778) — Avanzo del Tempio di Minerva MedicaGiovanni Battista Piranesi (Italian, 1720–1778)c. 1745–65Cleveland Museum of Art

Tempio di Diana, Giovanni Battista Piranesi (Italian, 1720–1778) — Tempio di DianaGiovanni Battista Piranesi (Italian, 1720–1778)1748Cleveland Museum of Art

Prisoners on a Projecting Platform, Plate 10, Giovanni Battista Piranesi (Italian, 1720–1778) — Prisoners on a Projecting Platform, Plate 10Giovanni Battista Piranesi (Italian, 1720–1778)1749–50Cleveland Museum of Art

Sacrificial Offering in a Temple, Giovanni Battista Piranesi (Italian, 1720–1778) — Sacrificial Offering in a TempleGiovanni Battista Piranesi (Italian, 1720–1778)after 1750Cleveland Museum of Art

Views of Rome: The The Isola Tiberina, Giovanni Battista Piranesi (Italian, 1720–1778) — Views of Rome: The The Isola TiberinaGiovanni Battista Piranesi (Italian, 1720–1778)1775Cleveland Museum of Art

Within fifty years of 1756

2749

Drey curieuse chymische Tractätlein. Das erste betitult güldene Rose ... Das ander Brunn der Weissheit ... Das dritte Blut der Natur, Unknown — Drey curieuse chymische Tractätlein. Das erste betitult güldene Rose ... Das ander Brunn der Weissheit ... Das dritte Blut der NaturUnknown1706Stiftung der Werke von C.G.Jung, Zürich

Aureum seculum patefactum oder die eröffnete güldene Zeit ..., Chrysander, Alitophilus — Aureum seculum patefactum oder die eröffnete güldene Zeit ...Chrysander, Alitophilus1706Stiftung der Werke von C.G.Jung, Zürich

Iacobi Gaffarelli curiositates inauditae, sive selectae observationes de variis superstitionibus ... de figuris talismanicis ..., Gaffarel, Jacques — Iacobi Gaffarelli curiositates inauditae, sive selectae observationes de variis superstitionibus ... de figuris talismanicis ...Gaffarel, Jacques1706Stiftung der Werke von C.G.Jung, Zürich

Letter F, for Baluze's "Histoire générale de la Maison d'Auvergne", Sebastien Leclerc, French, 1637–1714 — Letter F, for Baluze's "Histoire générale de la Maison d'Auvergne"Sebastien Leclerc, French, 1637–17141707–08Cooper Hewitt, Smithsonian Design Museum

Letter E, for Baluze's "Histoire générale de la Maison d'Auvergne", Sebastien Leclerc, French, 1637–1714 — Letter E, for Baluze's "Histoire générale de la Maison d'Auvergne"Sebastien Leclerc, French, 1637–17141707–08Cooper Hewitt, Smithsonian Design Museum

Letter H, from Baluze's "Histoire générale de la Maison d'Auvergne", Sebastien Leclerc, French, 1637–1714 — Letter H, from Baluze's "Histoire générale de la Maison d'Auvergne"Sebastien Leclerc, French, 1637–17141707–08Cooper Hewitt, Smithsonian Design Museum

Allegorical Scene with Aurora, Jacques Fouquet, French, active 1685 – 1704 — Allegorical Scene with AuroraJacques Fouquet, French, active 1685 – 17041707–44Cooper Hewitt, Smithsonian Design Museum

Letter D, for Baluze's "Histoire générale de la Maison d'Auvergne", Sebastien Leclerc, French, 1637–1714 — Letter D, for Baluze's "Histoire générale de la Maison d'Auvergne"Sebastien Leclerc, French, 1637–17141707–08Cooper Hewitt, Smithsonian Design Museum

Also at Cleveland Museum of Art

585

Relief of Nyankhnesut Seated, Unknown — Relief of Nyankhnesut SeatedUnknownc. 2311–2281 BCECleveland Museum of Art

Stele of Shemai, Unknown — Stele of ShemaiUnknownc. 1960–1916 BCECleveland Museum of Art

Relief of Hatshepsut or Tuthmosis III, Unknown — Relief of Hatshepsut or Tuthmosis IIIUnknown1479–1425 BCECleveland Museum of Art

Talatat: Portrait of Nefertiti, Unknown — Talatat: Portrait of NefertitiUnknownc. 1353–1347 BCECleveland Museum of Art

Talatat: Portrait of Nefertiti, Unknown — Talatat: Portrait of NefertitiUnknownc. 1353–1347 BCECleveland Museum of Art

Talatat: Nefertiti Offers to the Aten, Unknown — Talatat: Nefertiti Offers to the AtenUnknown1353–1347 BCECleveland Museum of Art

Tomb Relief of the Chief Physician Amenhotep and Family, Unknown — Tomb Relief of the Chief Physician Amenhotep and FamilyUnknownc. 1279–1257 BCECleveland Museum of Art

Stele of the High Priest of Ptah, Shedsunefertem, Unknown — Stele of the High Priest of Ptah, ShedsunefertemUnknown945–924 BCECleveland Museum of Art

Similar picturesFound by visual likeness

8 pictures

Other makers only

Visual resemblances suggested by the model. A match does not establish a shared subject or historical connection.

Avanzo del Tempio di Minerva Medica, Giovanni Battista Piranesi (Italian, 1720–1778) — Avanzo del Tempio di Minerva MedicaGiovanni Battista Piranesi (Italian, 1720–1778)c. 1745–65Cleveland Museum of Art

0.87

Arco di Settimio Severo / Piranesi architetto fec., Piranesi, Giovanni Battista, 1720-1778, engraver — Arco di Settimio Severo / Piranesi architetto fec.Piranesi, Giovanni Battista, 1720-1778, engraver[between 1740 and 1778]Library of Congress

0.87

Views of Rome: The The Isola Tiberina, Giovanni Battista Piranesi (Italian, 1720–1778) — Views of Rome: The The Isola TiberinaGiovanni Battista Piranesi (Italian, 1720–1778)1775Cleveland Museum of Art

0.87

Tempio di Diana, Giovanni Battista Piranesi (Italian, 1720–1778) — Tempio di DianaGiovanni Battista Piranesi (Italian, 1720–1778)1748Cleveland Museum of Art

0.87

Sketchbook Page, Folio 57: Study after Piazza Emmanuelle in Bologna; Verso, Architectural Detail, Felice Giani, Italian, 1758–1823 — Sketchbook Page, Folio 57: Study after Piazza Emmanuelle in Bologna; Verso, Architectural DetailFelice Giani, Italian, 1758–18231811–14Cooper Hewitt, Smithsonian Design Museum

0.86

View of the Mausoleum of the Emperor Hadrian (now called Castel S. Angelo) from the rear, from Vedute di Roma (Roman Views), Giovanni Battista Piranesi — View of the Mausoleum of the Emperor Hadrian (now called Castel S. Angelo) from the rear, from Vedute di Roma (Roman Views)Giovanni Battista Piranesica. 1756Metropolitan Museum of Art, New York, NY

0.86

[Remains of a Roman sepulchre], Piranesi, Giovanni Battista, 1720-1778. — [Remains of a Roman sepulchre]Piranesi, Giovanni Battista, 1720-1778.[1756]Library of Congress

0.86

Stage Design, Palace Interior, Angelo Toselli, ca. 1765? – 1826 — Stage Design, Palace InteriorAngelo Toselli, ca. 1765? – 1826early 19th centuryCooper Hewitt, Smithsonian Design Museum

0.85

Next

Made in the eighteenth century, like Avanco del Tempio della Concordia.

The Sacrifice of Isaac1754
Sacrifice of Isaac1750
The Sacrifice of Isaac1750
Study of the Lamentation on the Dead Christ1780

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