Beer Street — William Hogarth, 1751

Beer Street, William Hogarth

Seen

Not described yet.

Of

These are claims by the holder and by Wikidata, read 2026-09-04, and join nothing until an editor confirms them.

Holder's headings: Satire, Men, Women, Fish, Drinking
Wikidata depicts: fish, woman, man, satire, drinking

Means

No reading yet.

Rights

Credit: Rogers Fund, 1921
Licence: CC0-1.0
Evidence: metmuseum.org collection api v1: isPublicDomain=true on object 385565 (read 2026-08-27)
Record: https://www.metmuseum.org/art/collection/search/385565

Also by William Hogarth

5

The Wedding of Stephen Beckingham and Mary Cox, William Hogarth — The Wedding of Stephen Beckingham and Mary CoxWilliam Hogarth1729Metropolitan Museum of Art, New York, NY

The Beggar's Opera, William Hogarth — The Beggar's OperaWilliam Hogarth1729Yale Center for British Art

Self-Portrait, William Hogarth — Self-PortraitWilliam Hogarthca. 1735Yale Center for British Art

Mary Hogarth, William Hogarth — Mary HogarthWilliam Hogarthca. 1740Yale Center for British Art

Gin Lane, William Hogarth — Gin LaneWilliam Hogarth1751Metropolitan Museum of Art, New York, NY

Within fifty years of 1751

2688

Illuminated Initial "N" with Acanthus Leaves from a Choirbook, European (possibly France) — Illuminated Initial "N" with Acanthus Leaves from a ChoirbookEuropean (possibly France)18th or 19th centuryThe Art Institute of Chicago

Panel, France or England — PanelFrance or EnglandEarly 18th centuryThe Art Institute of Chicago

Bell-Shaped Huqqa Base with Floral Design, India
Deccan — Bell-Shaped Huqqa Base with Floral DesignIndia Deccan18th/19th centuryThe Art Institute of Chicago

Project of a twisted column, Unknown — Project of a twisted columnUnknown1701–50Cooper Hewitt, Smithsonian Design Museum

Book Binding, Islamic — Book BindingIslamicQajar dynasty (1796–1925), 1822, 18th/19th centuryThe Art Institute of Chicago

Manuscript Cover from the Glorification of the Great Goddess (Devimahatmya), Nepal — Manuscript Cover from the Glorification of the Great Goddess (Devimahatmya)Nepal18th centuryThe Art Institute of Chicago

Manuscript Cover from the Glorification of the Great Goddess (Devimahatmya), Nepal — Manuscript Cover from the Glorification of the Great Goddess (Devimahatmya)Nepal18th centuryThe Art Institute of Chicago

One of a Pair of Magical Charms (Dharani) Manuscript Covers, Nepal — One of a Pair of Magical Charms (Dharani) Manuscript CoversNepal18th centuryThe Art Institute of Chicago

Also at Metropolitan Museum of Art, New York, NY

644

Marble female figure, Bastis Master — Marble female figureBastis Master2600–2400 BCEMetropolitan Museum of Art, New York, NY

Relief Fragment with a Ship Under Sail, Unknown — Relief Fragment with a Ship Under SailUnknownca. 2465–2458 BCEMetropolitan Museum of Art, New York, NY

Tomb Chapel of Raemkai: South Wall, Unknown — Tomb Chapel of Raemkai: South WallUnknownca. 2446–2389 BCEMetropolitan Museum of Art, New York, NY

West wall of the chapel of the mastaba Kaemsenu with niches for Iretnub, Kaemsenu and Werdjedptah, Unknown — West wall of the chapel of the mastaba Kaemsenu with niches for Iretnub, Kaemsenu and WerdjedptahUnknownca. 2420–2250 BCEMetropolitan Museum of Art, New York, NY

Design amulet, Cow and Calf on the Back, Device showing Antithetical Falcons Flanking an Ankh Sign over a Crouching Lion, Unknown — Design amulet, Cow and Calf on the Back, Device showing Antithetical Falcons Flanking an Ankh Sign over a Crouching LionUnknownca. 2150–2100 B.C.Metropolitan Museum of Art, New York, NY

Design Amulet, Pyramidal Back with Horizontal Piercing, Device showing Two Falcons Flanking what is meant to be an Ankh Sign, Unknown — Design Amulet, Pyramidal Back with Horizontal Piercing, Device showing Two Falcons Flanking what is meant to be an Ankh SignUnknownca. 2150–2010 B.C.Metropolitan Museum of Art, New York, NY

Design Amulet, Cow Nursing Calf and also a Kneeling Suckling Man Visible on Opposite Side on the Back, Device showing Antithetical Falcons with an Ankh Sign over a Lion, Unknown — Design Amulet, Cow Nursing Calf and also a Kneeling Suckling Man Visible on Opposite Side on the Back, Device showing Antithetical Falcons with an Ankh Sign over a LionUnknownca. 2150–2100 B.C.Metropolitan Museum of Art, New York, NY

Design Amulet, Back in the Form of a Woman Suckling a Child, Device showing Two Lizards Head-to-tail, Unknown — Design Amulet, Back in the Form of a Woman Suckling a Child, Device showing Two Lizards Head-to-tailUnknownca. 2100–2080 B.C.Metropolitan Museum of Art, New York, NY

Similar picturesFound by visual likeness

8 pictures

Other makers only

Visual resemblances suggested by the model. A match does not establish a shared subject or historical connection.

Gin Lane, William Hogarth — Gin LaneWilliam Hogarth1751Metropolitan Museum of Art, New York, NY

0.87

Thanksgiving Day, 1860 - The Two Great Classes of Society, from Harper's Weekly, IV, December 1, 1860, pp. 760-761., Winslow Homer, American, 1836–1910 — Thanksgiving Day, 1860 - The Two Great Classes of Society, from Harper's Weekly, IV, December 1, 1860, pp. 760-761.Winslow Homer, American, 1836–1910December 1, 1860Cooper Hewitt, Smithsonian Design Museum

0.87

Fantastic Garden, Carlo Antonio Buffagnotti, Italian, ca. 1660–after 1715 — Fantastic GardenCarlo Antonio Buffagnotti, Italian, ca. 1660–after 1715ca. 1700Cooper Hewitt, Smithsonian Design Museum

0.85

Sketch, Urban Exterior with Classical Architecture and Draped Figures, Fortunato Duranti, Italian, 1787 - 1863 — Sketch, Urban Exterior with Classical Architecture and Draped FiguresFortunato Duranti, Italian, 1787 - 18631820–1850Cooper Hewitt, Smithsonian Design Museum

0.84

Drawing, Felice Giani, Italian, 1758–1823 — DrawingFelice Giani, Italian, 1758–18231790-1800Cooper Hewitt, Smithsonian Design Museum

0.84

Decorations by Lebrun and Mignard at the Palace of Versailles, Unknown — Decorations by Lebrun and Mignard at the Palace of VersaillesUnknownbefore 1901Cooper Hewitt, Smithsonian Design Museum

0.83

Print, Unknown — PrintUnknownCooper Hewitt, Smithsonian Design Museum

0.83

Title Page, Jean Le Pautre, French, 1618–1682 — Title PageJean Le Pautre, French, 1618–16821654Cooper Hewitt, Smithsonian Design Museum

0.83

Next

Made in the eighteenth century, like Beer Street.

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