Abraham and the Three Angels, Lucas van Leyden, Netherlandish, ca. 1494–1533

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Rights

Credit
Gift of Leo Wallerstein
Licence
CC0-1.0
Evidence
api.si.edu openaccess v1.0: content.descriptiveNonRepeating.metadata_usage.access=CC0 on record chndm_1950-131-121 (read 2026-09-01)
Record
https://collection.cooperhewitt.org/view/objects/asitem/id/102055
Abraham and the Three Angels, Lucas van Leyden, Netherlandish, ca. 1494–1533
Abraham and the Three Angels — Lucas van Leyden, Netherlandish, ca. 1494–15331513

Within fifty years of 1513

395
The Prophet Amos, Baccio Baldini
The Prophet AmosBaccio Baldinic. 1470The Art Institute of Chicago
Book of Hours (Use of Rouen), Master of the Geneva Latini (French, active Rouen, 1460–80)
Book of Hours (Use of Rouen)Master of the Geneva Latini (French, active Rouen, 1460–80)c. 1470Cleveland Museum of Art
Tommaso di Folco Portinari (1428–1501); Maria Portinari (Maria Maddalena Baroncelli, born 1456), Hans Memling
Tommaso di Folco Portinari (1428–1501); Maria Portinari (Maria Maddalena Baroncelli, born 1456)Hans Memlingca. 1470Metropolitan Museum of Art, New York, NY
A Bridal Couple, Unknown
A Bridal CoupleUnknownc. 1470Cleveland Museum of Art
The Flight into Egypt, Martin Schongauer (German, c. 1450–1491)
The Flight into EgyptMartin Schongauer (German, c. 1450–1491)1470–74Cleveland Museum of Art
The Birth of the Virgin, Fra Carnevale (Bartolomeo di Giovanni Corradini)
The Birth of the VirginFra Carnevale (Bartolomeo di Giovanni Corradini)1467Metropolitan Museum of Art, New York, NY
The Lamentation of Christ, Simon Marmion
The Lamentation of ChristSimon Marmionca. 1473Metropolitan Museum of Art, New York, NY
Altar Frontal with the Lamentation, Cosimo Tura (Italian, c. 1430–1495); Rubinetto de Francia (Italian, active 1457–1483)
Altar Frontal with the LamentationCosimo Tura (Italian, c. 1430–1495); Rubinetto de Francia (Italian, active 1457–1483)c. 1474Cleveland Museum of Art

Also at Cooper Hewitt, Smithsonian Design Museum

9924
Tiraz fragment, Unknown
Tiraz fragmentUnknownca. 1000Cooper Hewitt, Smithsonian Design Museum
Textile, Unknown
TextileUnknown700–1000Cooper Hewitt, Smithsonian Design Museum
Textile, Unknown
TextileUnknown500–1000Cooper Hewitt, Smithsonian Design Museum
Textile, Unknown
TextileUnknown1000–1450Cooper Hewitt, Smithsonian Design Museum
Vessel, Unknown
VesselUnknown500–1000Cooper Hewitt, Smithsonian Design Museum
Vessel, Unknown
VesselUnknown500–1000Cooper Hewitt, Smithsonian Design Museum
Textile, Unknown
TextileUnknown1100–1400Cooper Hewitt, Smithsonian Design Museum
Textile, Unknown
TextileUnknown1100–1500Cooper Hewitt, Smithsonian Design Museum

Similar picturesFound by visual likeness

8 pictures

Visual resemblances suggested by the model. A match does not establish a shared subject or historical connection.

The Passion: The Agony in the Garden, Martin Schongauer (German, c. 1450–1491)
The Passion: The Agony in the GardenMartin Schongauer (German, c. 1450–1491)c. 1480Cleveland Museum of Art
0.92
St John the Baptist in the Wilderness, Jan van der Straet, called Stradanus, Flemish, 1523–1605
St John the Baptist in the WildernessJan van der Straet, called Stradanus, Flemish, 1523–1605ca. 1588Cooper Hewitt, Smithsonian Design Museum
0.90
Samson and Delilah, Lucas van Leyden
Samson and DelilahLucas van Leydenca. 1514Metropolitan Museum of Art, New York, NY
0.89
The Power of Women: Samson and Delilah, Lucas van Leyden (Netherlandish, 1494–about 1533)
The Power of Women: Samson and DelilahLucas van Leyden (Netherlandish, 1494–about 1533)c. 1512Cleveland Museum of Art
0.89
Samson and Delilah, Hans Burgkmair (German, 1473–1531)
Samson and DelilahHans Burgkmair (German, 1473–1531)1519Cleveland Museum of Art
0.87
Madonna and Child Enthroned with Two Bishops with St. John, Felice Giani, Italian, 1758–1823
Madonna and Child Enthroned with Two Bishops with St. JohnFelice Giani, Italian, 1758–18231813–18Cooper Hewitt, Smithsonian Design Museum
0.87
The Nativity, Giorgio Ghisi (Italian, 1520–1582); Hieronymus Cock; Agnolo Bronzino (Italian, 1503–1572)
The NativityGiorgio Ghisi (Italian, 1520–1582); Hieronymus Cock; Agnolo Bronzino (Italian, 1503–1572)1553Cleveland Museum of Art
0.87
The Large Passion: The Crucifixion, Albrecht Dürer (German, 1471–1528)
The Large Passion: The CrucifixionAlbrecht Dürer (German, 1471–1528)c. 1497–1500Cleveland Museum of Art
0.87

In the stacks

Not yet checked1

Passages in the library’s own holdings that name this maker. The model ranked them; nobody has checked that the name means this person.

  1. principles of art history · heinrich wolfflin

    PAINTING 95 Rembrandt The great Ecce Homo (etching of 1650) is an analogous case. As is known, the schema of the composition dates back to a Cinquecentist, Lucas van Leyden. A house wall and a terrace before it, seen frontally; people who have taken up their stand side by side in rows on and in front of the terrace—how are we to get a baroque picture out of all that? We learn with Rembrandt that it is not the subject but the treatment which matters. While Lucas van Leyden exhausts
    0.71

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Made in the sixteenth century, like Abraham and the Three Angels.

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