Date ca. 1635 Medium Oil on canvas Terms oil 300015050 canvas 300014078 Dimensions 27 x 21 3/4 in. (68.6 x 55.2 cm) Collection Metropolitan Museum of Art, New York, NY 49.7.42 Getty ids beside the museum's words, by exact match, 2026-09-09
oil read as oil paint by Abe Garcia, 2026-09-07
Of These are claims by the holder and by Wikidata, read 2026-09-04, and join nothing until an editor confirms them.
Holder's headings Men , Portraits Wikidata depicts man , portrait Close Portrait of a Man, Possibly a Self-Portrait — Velázquez (Diego Rodríguez de Silva y Velázquez) ca. 1635
Also by Velázquez (Diego Rodríguez de Silva y Velázquez) 4 The Supper at Emmaus Velázquez (Diego Rodríguez de Silva y Velázquez)1622–23 Metropolitan Museum of Art, New York, NY Philip IV (1605–1665), King of Spain Velázquez (Diego Rodríguez de Silva y Velázquez)probably 1624 Metropolitan Museum of Art, New York, NY Juan de Pareja (ca. 1608–1670) Velázquez (Diego Rodríguez de Silva y Velázquez)1650 Metropolitan Museum of Art, New York, NY María Teresa (1638–1683), Infanta of Spain Velázquez (Diego Rodríguez de Silva y Velázquez)1651–54 Metropolitan Museum of Art, New York, NY
Within fifty years of ca. 1635 986 Seated Male Nude Michelangelo Buonarrotin.d. The Art Institute of Chicago Last Supper Raphaeln.d. The Art Institute of Chicago Cuirass and Pauldrons for a Papal Swiss Guard Italian, Brescia1590; decoration 1623/44 The Art Institute of Chicago Table clock Bartholomew Newsam1580–85 Metropolitan Museum of Art, New York, NY Escutcheon Federico Zuccaro, Italian, 1542 – 1609ca. 1580 Cooper Hewitt, Smithsonian Design Museum Ferdinandes Magalanes Lusitanus, plate 4 from "Americae Retectio" Jan van der Straet, called Stradanus, Flemish, 1523–16051580s Cooper Hewitt, Smithsonian Design Museum Mars Jan van der Straet, called Stradanus, Flemish, 1523–1605ca. 1580 – 1605 Cooper Hewitt, Smithsonian Design Museum CRADLE Unknownca. 1580 Cooper Hewitt, Smithsonian Design Museum
Also at Metropolitan Museum of Art, New York, NY 677 Marble female figure Bastis Master2600–2400 BCE Metropolitan Museum of Art, New York, NY Relief Fragment with a Ship Under Sail Unknownca. 2465–2458 BCE Metropolitan Museum of Art, New York, NY Tomb Chapel of Raemkai: South Wall Unknownca. 2446–2389 BCE Metropolitan Museum of Art, New York, NY West wall of the chapel of the mastaba Kaemsenu with niches for Iretnub, Kaemsenu and Werdjedptah Unknownca. 2420–2250 BCE Metropolitan Museum of Art, New York, NY Design amulet, Cow and Calf on the Back, Device showing Antithetical Falcons Flanking an Ankh Sign over a Crouching Lion Unknownca. 2150–2100 B.C. Metropolitan Museum of Art, New York, NY Design Amulet, Pyramidal Back with Horizontal Piercing, Device showing Two Falcons Flanking what is meant to be an Ankh Sign Unknownca. 2150–2010 B.C. Metropolitan Museum of Art, New York, NY Design Amulet, Cow Nursing Calf and also a Kneeling Suckling Man Visible on Opposite Side on the Back, Device showing Antithetical Falcons with an Ankh Sign over a Lion Unknownca. 2150–2100 B.C. Metropolitan Museum of Art, New York, NY Design Amulet, Back in the Form of a Woman Suckling a Child, Device showing Two Lizards Head-to-tail Unknownca. 2100–2080 B.C. Metropolitan Museum of Art, New York, NY Add a connection Propose a reading
Next Made in the seventeenth century, like Portrait of a Man, Possibly a Self-Portrait.
