Date 1650 Medium Oil on canvas Terms oil 300015050 canvas 300014078 Dimensions 32 x 27 1/2 in. (81.3 x 69.9 cm) Collection Metropolitan Museum of Art, New York, NY 1971.86 Getty ids beside the museum's words, by exact match, 2026-09-09
oil read as oil paint by Abe Garcia, 2026-09-07
Of These are claims by the holder and by Wikidata, read 2026-09-04, and join nothing until an editor confirms them.
Holder's headings Men , Portraits Wikidata depicts man , portrait , Juan de Pareja Rights Credit Purchase, Fletcher and Rogers Funds, and Bequest of Miss Adelaide Milton de Groot (1876-1967), by exchange, supplemented by gifts from friends of the Museum, 1971 Licence CC0-1.0 Evidence metmuseum.org collection api v1: isPublicDomain=true on object 437869 (read 2026-09-01) Record https://www.metmuseum.org/art/collection/search/437869 Close Juan de Pareja (ca. 1608–1670) — Velázquez (Diego Rodríguez de Silva y Velázquez) 1650
Also by Velázquez (Diego Rodríguez de Silva y Velázquez) 4 The Supper at Emmaus Velázquez (Diego Rodríguez de Silva y Velázquez)1622–23 Metropolitan Museum of Art, New York, NY Philip IV (1605–1665), King of Spain Velázquez (Diego Rodríguez de Silva y Velázquez)probably 1624 Metropolitan Museum of Art, New York, NY Portrait of a Man, Possibly a Self-Portrait Velázquez (Diego Rodríguez de Silva y Velázquez)ca. 1635 Metropolitan Museum of Art, New York, NY María Teresa (1638–1683), Infanta of Spain Velázquez (Diego Rodríguez de Silva y Velázquez)1651–54 Metropolitan Museum of Art, New York, NY
Within fifty years of 1650 1192
Also at Metropolitan Museum of Art, New York, NY 671 Marble female figure Bastis Master2600–2400 BCE Metropolitan Museum of Art, New York, NY Relief Fragment with a Ship Under Sail Unknownca. 2465–2458 BCE Metropolitan Museum of Art, New York, NY Tomb Chapel of Raemkai: South Wall Unknownca. 2446–2389 BCE Metropolitan Museum of Art, New York, NY West wall of the chapel of the mastaba Kaemsenu with niches for Iretnub, Kaemsenu and Werdjedptah Unknownca. 2420–2250 BCE Metropolitan Museum of Art, New York, NY Design amulet, Cow and Calf on the Back, Device showing Antithetical Falcons Flanking an Ankh Sign over a Crouching Lion Unknownca. 2150–2100 B.C. Metropolitan Museum of Art, New York, NY Design Amulet, Pyramidal Back with Horizontal Piercing, Device showing Two Falcons Flanking what is meant to be an Ankh Sign Unknownca. 2150–2010 B.C. Metropolitan Museum of Art, New York, NY Design Amulet, Cow Nursing Calf and also a Kneeling Suckling Man Visible on Opposite Side on the Back, Device showing Antithetical Falcons with an Ankh Sign over a Lion Unknownca. 2150–2100 B.C. Metropolitan Museum of Art, New York, NY Design Amulet, Back in the Form of a Woman Suckling a Child, Device showing Two Lizards Head-to-tail Unknownca. 2100–2080 B.C. Metropolitan Museum of Art, New York, NY Add a connection Propose a reading
Next Made in the seventeenth century, like Juan de Pareja (ca. 1608–1670).
