Philip IV (1605–1665), King of Spain — Velázquez (Diego Rodríguez de Silva y Velázquez), probably 1624

Philip IV (1605–1665), King of Spain, Velázquez (Diego Rodríguez de Silva y Velázquez)

Seen

Not described yet.

Of

These are claims by the holder and by Wikidata, read 2026-09-04, and join nothing until an editor confirms them.

Holder's headings: Kings, Philip IV, Men, Portraits
Wikidata depicts: man, king, portrait, Philip IV of Spain

Means

No reading yet.

Rights

Credit: Bequest of Benjamin Altman, 1913
Licence: CC0-1.0
Evidence: metmuseum.org collection api v1: isPublicDomain=true on object 437873 (read 2026-09-01)
Record: https://www.metmuseum.org/art/collection/search/437873

Also by Velázquez (Diego Rodríguez de Silva y Velázquez)

4

The Supper at Emmaus, Velázquez (Diego Rodríguez de Silva y Velázquez) — The Supper at EmmausVelázquez (Diego Rodríguez de Silva y Velázquez)1622–23Metropolitan Museum of Art, New York, NY

Portrait of a Man, Possibly a Self-Portrait, Velázquez (Diego Rodríguez de Silva y Velázquez) — Portrait of a Man, Possibly a Self-PortraitVelázquez (Diego Rodríguez de Silva y Velázquez)ca. 1635Metropolitan Museum of Art, New York, NY

Juan de Pareja (ca. 1608–1670), Velázquez (Diego Rodríguez de Silva y Velázquez) — Juan de Pareja (ca. 1608–1670)Velázquez (Diego Rodríguez de Silva y Velázquez)1650Metropolitan Museum of Art, New York, NY

María Teresa (1638–1683), Infanta of Spain, Velázquez (Diego Rodríguez de Silva y Velázquez) — María Teresa (1638–1683), Infanta of SpainVelázquez (Diego Rodríguez de Silva y Velázquez)1651–54Metropolitan Museum of Art, New York, NY

Within fifty years of probably 1624

915

Mercurii Trismegisti Pimandras utraque lingua restitutus, Hermes — Mercurii Trismegisti Pimandras utraque lingua restitutusHermes1574Stiftung der Werke von C.G.Jung, Zürich

Quinta essentia, das ist, die höchste Subtilitet, Krafft und Wirckung beyder der fürtrefflichsten und menschlichem Geschlecht am nützlichsten Künsten der Medicin und Alchemy. Auch wie nahe diese beyde mit Sipschafft gefreund und verwandt sind ..., Thurneysser zum Thurn, Leonhardt — Quinta essentia, das ist, die höchste Subtilitet, Krafft und Wirckung beyder der fürtrefflichsten und menschlichem Geschlecht am nützlichsten Künsten der Medicin und Alchemy. Auch wie nahe diese beyde mit Sipschafft gefreund und verwandt sind ...Thurneysser zum Thurn, Leonhardt1574Stiftung der Werke von C.G.Jung, Zürich

Von der hermetischenn Philosophia das ist von dem gebenedeiten Stain der Weisen der hocherfahrnen und fürtrefflichen Philosophen Herren Bernhardi Graven von der Marck und Tervis ein Buch : item dicta Alani, darinn alles hell und klar an Tag geben wirdt ... ex libris doctoris Hernici Wolffii ..., Bernardus — Von der hermetischenn Philosophia das ist von dem gebenedeiten Stain der Weisen der hocherfahrnen und fürtrefflichen Philosophen Herren Bernhardi Graven von der Marck und Tervis ein Buch : item dicta Alani, darinn alles hell und klar an Tag geben wirdt ... ex libris doctoris Hernici Wolffii ...Bernardus1574Stiftung der Werke von C.G.Jung, Zürich

Door Boss: Bust of a Satyress, Northern Italian — Door Boss: Bust of a SatyressNorthern Italianc. 1580The Art Institute of Chicago

One of the Set of the Four Evangelists: Mark, Alessandro Vittoria — One of the Set of the Four Evangelists: MarkAlessandro VittoriaModeled c. 1580The Art Institute of Chicago

Sacrifice of Noah, Bernard Salomon — Sacrifice of NoahBernard Salomonca. 1580–1610Metropolitan Museum of Art, New York, NY

Collar (Made from Border), Italy — Collar (Made from Border)Italy1575/1625The Art Institute of Chicago

Fragment, Italy — FragmentItaly1575/1625The Art Institute of Chicago

Also at Metropolitan Museum of Art, New York, NY

674

Marble female figure, Bastis Master — Marble female figureBastis Master2600–2400 BCEMetropolitan Museum of Art, New York, NY

Relief Fragment with a Ship Under Sail, Unknown — Relief Fragment with a Ship Under SailUnknownca. 2465–2458 BCEMetropolitan Museum of Art, New York, NY

Tomb Chapel of Raemkai: South Wall, Unknown — Tomb Chapel of Raemkai: South WallUnknownca. 2446–2389 BCEMetropolitan Museum of Art, New York, NY

West wall of the chapel of the mastaba Kaemsenu with niches for Iretnub, Kaemsenu and Werdjedptah, Unknown — West wall of the chapel of the mastaba Kaemsenu with niches for Iretnub, Kaemsenu and WerdjedptahUnknownca. 2420–2250 BCEMetropolitan Museum of Art, New York, NY

Design amulet, Cow and Calf on the Back, Device showing Antithetical Falcons Flanking an Ankh Sign over a Crouching Lion, Unknown — Design amulet, Cow and Calf on the Back, Device showing Antithetical Falcons Flanking an Ankh Sign over a Crouching LionUnknownca. 2150–2100 B.C.Metropolitan Museum of Art, New York, NY

Design Amulet, Pyramidal Back with Horizontal Piercing, Device showing Two Falcons Flanking what is meant to be an Ankh Sign, Unknown — Design Amulet, Pyramidal Back with Horizontal Piercing, Device showing Two Falcons Flanking what is meant to be an Ankh SignUnknownca. 2150–2010 B.C.Metropolitan Museum of Art, New York, NY

Design Amulet, Cow Nursing Calf and also a Kneeling Suckling Man Visible on Opposite Side on the Back, Device showing Antithetical Falcons with an Ankh Sign over a Lion, Unknown — Design Amulet, Cow Nursing Calf and also a Kneeling Suckling Man Visible on Opposite Side on the Back, Device showing Antithetical Falcons with an Ankh Sign over a LionUnknownca. 2150–2100 B.C.Metropolitan Museum of Art, New York, NY

Design Amulet, Back in the Form of a Woman Suckling a Child, Device showing Two Lizards Head-to-tail, Unknown — Design Amulet, Back in the Form of a Woman Suckling a Child, Device showing Two Lizards Head-to-tailUnknownca. 2100–2080 B.C.Metropolitan Museum of Art, New York, NY

Similar picturesFound by visual likeness

2 pictures

Other makers only

Visual resemblances suggested by the model. A match does not establish a shared subject or historical connection.

Portrait of a Young Man, Bronzino (Agnolo di Cosimo di Mariano) — Portrait of a Young ManBronzino (Agnolo di Cosimo di Mariano)1530sMetropolitan Museum of Art, New York, NY

0.85

Portrait of Don Juan Antonio Cuervo, Francisco de Goya (Spanish, 1746–1828) — Portrait of Don Juan Antonio CuervoFrancisco de Goya (Spanish, 1746–1828)1819Cleveland Museum of Art

0.84

Next

Made in the seventeenth century, like Philip IV (1605–1665), King of Spain.

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