María Teresa (1638–1683), Infanta of Spain — Velázquez (Diego Rodríguez de Silva y Velázquez), 1651–54

María Teresa (1638–1683), Infanta of Spain, Velázquez (Diego Rodríguez de Silva y Velázquez)

Seen

Not described yet.

Of

These are claims by the holder and by Wikidata, read 2026-09-04, and join nothing until an editor confirms them.

Holder's headings: Girls, Portraits
Wikidata depicts: girl, portrait, Maria Theresa of Spain

Means

No reading yet.

Rights

Credit: The Jules Bache Collection, 1949
Licence: CC0-1.0
Evidence: metmuseum.org collection api v1: isPublicDomain=true on object 437870 (read 2026-09-01)
Record: https://www.metmuseum.org/art/collection/search/437870

Also by Velázquez (Diego Rodríguez de Silva y Velázquez)

4

The Supper at Emmaus, Velázquez (Diego Rodríguez de Silva y Velázquez) — The Supper at EmmausVelázquez (Diego Rodríguez de Silva y Velázquez)1622–23Metropolitan Museum of Art, New York, NY

Philip IV (1605–1665), King of Spain, Velázquez (Diego Rodríguez de Silva y Velázquez) — Philip IV (1605–1665), King of SpainVelázquez (Diego Rodríguez de Silva y Velázquez)probably 1624Metropolitan Museum of Art, New York, NY

Portrait of a Man, Possibly a Self-Portrait, Velázquez (Diego Rodríguez de Silva y Velázquez) — Portrait of a Man, Possibly a Self-PortraitVelázquez (Diego Rodríguez de Silva y Velázquez)ca. 1635Metropolitan Museum of Art, New York, NY

Juan de Pareja (ca. 1608–1670), Velázquez (Diego Rodríguez de Silva y Velázquez) — Juan de Pareja (ca. 1608–1670)Velázquez (Diego Rodríguez de Silva y Velázquez)1650Metropolitan Museum of Art, New York, NY

Within fifty years of 1651–54

1152

Tapper (Iroke Ifa), Yoruba — Tapper (Iroke Ifa)Yoruba17th or 18th centuryThe Art Institute of Chicago

Fragment, Italy — FragmentItaly17th centuryThe Art Institute of Chicago

Oribe-Type Ewer, Japan — Oribe-Type EwerJapanearly 17th centuryThe Art Institute of Chicago

Dagger (Katar) and Sheath, Unknown — Dagger (Katar) and SheathUnknown17th centuryMetropolitan Museum of Art, New York, NY

Portrait of a Beauty, Mughal — Portrait of a BeautyMughal17th centuryThe Art Institute of Chicago

Portrait of a Princess, Mughal — Portrait of a PrincessMughal17th/18th centuryThe Art Institute of Chicago

A Hunt in the Mountains of Heaven, Artist unknown [spurious signature of Zhao Mengfu (1254-1322), dated 1301]
Chinese — A Hunt in the Mountains of HeavenArtist unknown [spurious signature of Zhao Mengfu (1254-1322), dated 1301] ChineseLate Ming /early Qing dynasty, 17th centuryThe Art Institute of Chicago

Birth of Alexander, Nicolas Poussin — Birth of AlexanderNicolas Poussin1640sThe Art Institute of Chicago

Also at Metropolitan Museum of Art, New York, NY

678

Marble female figure, Bastis Master — Marble female figureBastis Master2600–2400 BCEMetropolitan Museum of Art, New York, NY

Relief Fragment with a Ship Under Sail, Unknown — Relief Fragment with a Ship Under SailUnknownca. 2465–2458 BCEMetropolitan Museum of Art, New York, NY

Tomb Chapel of Raemkai: South Wall, Unknown — Tomb Chapel of Raemkai: South WallUnknownca. 2446–2389 BCEMetropolitan Museum of Art, New York, NY

West wall of the chapel of the mastaba Kaemsenu with niches for Iretnub, Kaemsenu and Werdjedptah, Unknown — West wall of the chapel of the mastaba Kaemsenu with niches for Iretnub, Kaemsenu and WerdjedptahUnknownca. 2420–2250 BCEMetropolitan Museum of Art, New York, NY

Design amulet, Cow and Calf on the Back, Device showing Antithetical Falcons Flanking an Ankh Sign over a Crouching Lion, Unknown — Design amulet, Cow and Calf on the Back, Device showing Antithetical Falcons Flanking an Ankh Sign over a Crouching LionUnknownca. 2150–2100 B.C.Metropolitan Museum of Art, New York, NY

Design Amulet, Pyramidal Back with Horizontal Piercing, Device showing Two Falcons Flanking what is meant to be an Ankh Sign, Unknown — Design Amulet, Pyramidal Back with Horizontal Piercing, Device showing Two Falcons Flanking what is meant to be an Ankh SignUnknownca. 2150–2010 B.C.Metropolitan Museum of Art, New York, NY

Design Amulet, Cow Nursing Calf and also a Kneeling Suckling Man Visible on Opposite Side on the Back, Device showing Antithetical Falcons with an Ankh Sign over a Lion, Unknown — Design Amulet, Cow Nursing Calf and also a Kneeling Suckling Man Visible on Opposite Side on the Back, Device showing Antithetical Falcons with an Ankh Sign over a LionUnknownca. 2150–2100 B.C.Metropolitan Museum of Art, New York, NY

Design Amulet, Back in the Form of a Woman Suckling a Child, Device showing Two Lizards Head-to-tail, Unknown — Design Amulet, Back in the Form of a Woman Suckling a Child, Device showing Two Lizards Head-to-tailUnknownca. 2100–2080 B.C.Metropolitan Museum of Art, New York, NY

Next

Made in the seventeenth century, like María Teresa (1638–1683), Infanta of Spain.

0:00–0:00