Date 1758–59 Medium Oil on canvas Terms oil 300015050 canvas 300014078 Dimensions 32 x 17 5/8 in. (81.3 x 44.8 cm) Collection Metropolitan Museum of Art, New York, NY 37.165.2 Getty ids beside the museum's words, by exact match, 2026-09-09
oil read as oil paint by Abe Garcia, 2026-09-07
Close Saint Thecla Praying for the Plague-Stricken — Giovanni Battista Tiepolo 1758–59
Also by Giovanni Battista Tiepolo 22 Youth, Sage, and Attendant with Horse Giovanni Battista Tiepolo National Gallery of Art The Battle of Vercellae Giovanni Battista Tiepolo1725–29 Metropolitan Museum of Art, New York, NY The Triumph of Marius Giovanni Battista Tiepolo1729 Metropolitan Museum of Art, New York, NY Virgin and Child with Saints Dominic and Hyacinth Giovanni Battista Tiepolo1730–35 The Art Institute of Chicago Adoration of the Magi Giovanni Battista Tiepoloc. 1740 The Art Institute of Chicago A Nymph with a Small Satyr and Two Goats, from Capricci Giovanni Battista Tiepolo1740/50, published 1785 The Art Institute of Chicago Death Giving Audience, from Capricci Giovanni Battista Tiepolo1740/50, published 1785 The Art Institute of Chicago Armida Encounters the Sleeping Rinaldo Giovanni Battista Tiepoloc. 1742–45 The Art Institute of Chicago
Within fifty years of 1758–59 2731 Designs for Ornament Briceau, French, 16..–17..1709 Cooper Hewitt, Smithsonian Design Museum Designs for Ornament Briceau, French, 16..–17..1709 Cooper Hewitt, Smithsonian Design Museum Designs for Ornament Briceau, French, 16..–17..1709 Cooper Hewitt, Smithsonian Design Museum Designs for Ornament Briceau, French, 16..–17..1709 Cooper Hewitt, Smithsonian Design Museum Designs for Ornament Briceau, French, 16..–17..1709 Cooper Hewitt, Smithsonian Design Museum Designs for Ornament Briceau, French, 16..–17..1709 Cooper Hewitt, Smithsonian Design Museum Designs for Ornament Briceau, French, 16..–17..1709 Cooper Hewitt, Smithsonian Design Museum Bookcase (one of a pair) Niccolo Michettica. 1715 Metropolitan Museum of Art, New York, NY
Also at Metropolitan Museum of Art, New York, NY 639 Marble female figure Bastis Master2600–2400 BCE Metropolitan Museum of Art, New York, NY Relief Fragment with a Ship Under Sail Unknownca. 2465–2458 BCE Metropolitan Museum of Art, New York, NY Tomb Chapel of Raemkai: South Wall Unknownca. 2446–2389 BCE Metropolitan Museum of Art, New York, NY West wall of the chapel of the mastaba Kaemsenu with niches for Iretnub, Kaemsenu and Werdjedptah Unknownca. 2420–2250 BCE Metropolitan Museum of Art, New York, NY Design amulet, Cow and Calf on the Back, Device showing Antithetical Falcons Flanking an Ankh Sign over a Crouching Lion Unknownca. 2150–2100 B.C. Metropolitan Museum of Art, New York, NY Design Amulet, Pyramidal Back with Horizontal Piercing, Device showing Two Falcons Flanking what is meant to be an Ankh Sign Unknownca. 2150–2010 B.C. Metropolitan Museum of Art, New York, NY Design Amulet, Cow Nursing Calf and also a Kneeling Suckling Man Visible on Opposite Side on the Back, Device showing Antithetical Falcons with an Ankh Sign over a Lion Unknownca. 2150–2100 B.C. Metropolitan Museum of Art, New York, NY Design Amulet, Back in the Form of a Woman Suckling a Child, Device showing Two Lizards Head-to-tail Unknownca. 2100–2080 B.C. Metropolitan Museum of Art, New York, NY Add a connection Propose a reading
Next Giovanni Battista Tiepolo made Saint Thecla Praying for the Plague-Stricken, and made these too.
Made in the eighteenth century, like Saint Thecla Praying for the Plague-Stricken.
