Allegory of the Planets and Continents — Giovanni Battista Tiepolo, 1752

Allegory of the Planets and Continents, Giovanni Battista Tiepolo

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These are claims by the holder and by Wikidata, read 2026-09-04, and join nothing until an editor confirms them.

Holder's headings: Men, Male Nudes, Women, Elephants, Horses
Wikidata depicts: woman, horse, elephant, man, nude

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Rights

Credit: Gift of Mr. and Mrs. Charles Wrightsman, 1977
Licence: CC0-1.0
Evidence: metmuseum.org collection api v1: isPublicDomain=true on object 437790 (read 2026-09-01)
Record: https://www.metmuseum.org/art/collection/search/437790

Also by Giovanni Battista Tiepolo

22

Youth, Sage, and Attendant with Horse, Giovanni Battista Tiepolo — Youth, Sage, and Attendant with HorseGiovanni Battista TiepoloNational Gallery of Art

The Battle of Vercellae, Giovanni Battista Tiepolo — The Battle of VercellaeGiovanni Battista Tiepolo1725–29Metropolitan Museum of Art, New York, NY

The Triumph of Marius, Giovanni Battista Tiepolo — The Triumph of MariusGiovanni Battista Tiepolo1729Metropolitan Museum of Art, New York, NY

Virgin and Child with Saints Dominic and Hyacinth, Giovanni Battista Tiepolo — Virgin and Child with Saints Dominic and HyacinthGiovanni Battista Tiepolo1730–35The Art Institute of Chicago

Adoration of the Magi, Giovanni Battista Tiepolo — Adoration of the MagiGiovanni Battista Tiepoloc. 1740The Art Institute of Chicago

A Nymph with a Small Satyr and Two Goats, from Capricci, Giovanni Battista Tiepolo — A Nymph with a Small Satyr and Two Goats, from CapricciGiovanni Battista Tiepolo1740/50, published 1785The Art Institute of Chicago

Death Giving Audience, from Capricci, Giovanni Battista Tiepolo — Death Giving Audience, from CapricciGiovanni Battista Tiepolo1740/50, published 1785The Art Institute of Chicago

Armida Encounters the Sleeping Rinaldo, Giovanni Battista Tiepolo — Armida Encounters the Sleeping RinaldoGiovanni Battista Tiepoloc. 1742–45The Art Institute of Chicago

Within fifty years of 1752

2675

Sampler, Unknown — SamplerUnknown1702Cooper Hewitt, Smithsonian Design Museum

Sampler, Unknown — SamplerUnknown1702Cooper Hewitt, Smithsonian Design Museum

Symbolographia sive de arte symbolica sermones septem : quibus accessit studio & opera eiusdem Sylloge celebriorum symbolorum in quatuor divisa classes sacrorum, heroicorum, ethicorum et satyricorum bis mille iconismis expressa ..., Bosch, Jacob — Symbolographia sive de arte symbolica sermones septem : quibus accessit studio & opera eiusdem Sylloge celebriorum symbolorum in quatuor divisa classes sacrorum, heroicorum, ethicorum et satyricorum bis mille iconismis expressa ...Bosch, Jacob1702Stiftung der Werke von C.G.Jung, Zürich, online

Jo. Jacobi Mangeti ... Bibliotheca chemica curiosa, seu rerum ad alchemiam pertinentium thesaurus instructissimus: quo non tantum artis auriferae ... verum etiam tractatus omnes virorum ... ad quorum omnium illustrationem additae sunt quamplurimae figurae aeneae. Tomus primus [-secundus] / Tomus primus., Unknown — Jo. Jacobi Mangeti ... Bibliotheca chemica curiosa, seu rerum ad alchemiam pertinentium thesaurus instructissimus: quo non tantum artis auriferae ... verum etiam tractatus omnes virorum ... ad quorum omnium illustrationem additae sunt quamplurimae figurae aeneae. Tomus primus [-secundus] / Tomus primus.Unknown1702Stiftung der Werke von C.G.Jung, Zürich

Jo. Jacobi Mangeti ... Bibliotheca chemica curiosa, seu rerum ad alchemiam pertinentium thesaurus instructissimus: quo non tantum artis auriferae ... verum etiam tractatus omnes virorum ... ad quorum omnium illustrationem additae sunt quamplurimae figurae aeneae. Tomus primus [-secundus] / Tomus secundus., Unknown — Jo. Jacobi Mangeti ... Bibliotheca chemica curiosa, seu rerum ad alchemiam pertinentium thesaurus instructissimus: quo non tantum artis auriferae ... verum etiam tractatus omnes virorum ... ad quorum omnium illustrationem additae sunt quamplurimae figurae aeneae. Tomus primus [-secundus] / Tomus secundus.Unknown1702Stiftung der Werke von C.G.Jung, Zürich

Print, Torii Kiyonobu I — PrintTorii Kiyonobu I1703Metropolitan Museum of Art, New York, NY

Title Page, Pierre Bourdon, French, ca. 1656 – 1708 after — Title PagePierre Bourdon, French, ca. 1656 – 1708 after1703Cooper Hewitt, Smithsonian Design Museum

Title Page, Pierre Bourdon, French, ca. 1656 – 1708 after — Title PagePierre Bourdon, French, ca. 1656 – 1708 afterca. 1703Cooper Hewitt, Smithsonian Design Museum

Also at Metropolitan Museum of Art, New York, NY

643

Marble female figure, Bastis Master — Marble female figureBastis Master2600–2400 BCEMetropolitan Museum of Art, New York, NY

Relief Fragment with a Ship Under Sail, Unknown — Relief Fragment with a Ship Under SailUnknownca. 2465–2458 BCEMetropolitan Museum of Art, New York, NY

Tomb Chapel of Raemkai: South Wall, Unknown — Tomb Chapel of Raemkai: South WallUnknownca. 2446–2389 BCEMetropolitan Museum of Art, New York, NY

West wall of the chapel of the mastaba Kaemsenu with niches for Iretnub, Kaemsenu and Werdjedptah, Unknown — West wall of the chapel of the mastaba Kaemsenu with niches for Iretnub, Kaemsenu and WerdjedptahUnknownca. 2420–2250 BCEMetropolitan Museum of Art, New York, NY

Design amulet, Cow and Calf on the Back, Device showing Antithetical Falcons Flanking an Ankh Sign over a Crouching Lion, Unknown — Design amulet, Cow and Calf on the Back, Device showing Antithetical Falcons Flanking an Ankh Sign over a Crouching LionUnknownca. 2150–2100 B.C.Metropolitan Museum of Art, New York, NY

Design Amulet, Pyramidal Back with Horizontal Piercing, Device showing Two Falcons Flanking what is meant to be an Ankh Sign, Unknown — Design Amulet, Pyramidal Back with Horizontal Piercing, Device showing Two Falcons Flanking what is meant to be an Ankh SignUnknownca. 2150–2010 B.C.Metropolitan Museum of Art, New York, NY

Design Amulet, Cow Nursing Calf and also a Kneeling Suckling Man Visible on Opposite Side on the Back, Device showing Antithetical Falcons with an Ankh Sign over a Lion, Unknown — Design Amulet, Cow Nursing Calf and also a Kneeling Suckling Man Visible on Opposite Side on the Back, Device showing Antithetical Falcons with an Ankh Sign over a LionUnknownca. 2150–2100 B.C.Metropolitan Museum of Art, New York, NY

Design Amulet, Back in the Form of a Woman Suckling a Child, Device showing Two Lizards Head-to-tail, Unknown — Design Amulet, Back in the Form of a Woman Suckling a Child, Device showing Two Lizards Head-to-tailUnknownca. 2100–2080 B.C.Metropolitan Museum of Art, New York, NY

Similar picturesFound by visual likeness

1 pictures

Other makers only

Visual resemblances suggested by the model. A match does not establish a shared subject or historical connection.

Sketch for a Ceiling Fresco, Giovanni Domenico Ferretti — Sketch for a Ceiling FrescoGiovanni Domenico Ferrettic. 1740The Art Institute of Chicago

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Giovanni Battista Tiepolo made Allegory of the Planets and Continents, and made these too.

Made in the eighteenth century, like Allegory of the Planets and Continents.

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