Of
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- Holder's headings
- Women, Putti, Sky
- Wikidata depicts
- woman
The Apotheosis of the Spanish Monarchy — Giovanni Battista Tiepolo1760s Also by Giovanni Battista Tiepolo
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Youth, Sage, and Attendant with HorseGiovanni Battista TiepoloNational Gallery of Art
The Battle of VercellaeGiovanni Battista Tiepolo1725–29Metropolitan Museum of Art, New York, NY
The Triumph of MariusGiovanni Battista Tiepolo1729Metropolitan Museum of Art, New York, NY
Virgin and Child with Saints Dominic and HyacinthGiovanni Battista Tiepolo1730–35The Art Institute of Chicago
Adoration of the MagiGiovanni Battista Tiepoloc. 1740The Art Institute of Chicago
A Nymph with a Small Satyr and Two Goats, from CapricciGiovanni Battista Tiepolo1740/50, published 1785The Art Institute of Chicago
Death Giving Audience, from CapricciGiovanni Battista Tiepolo1740/50, published 1785The Art Institute of Chicago
Armida Encounters the Sleeping RinaldoGiovanni Battista Tiepoloc. 1742–45The Art Institute of ChicagoWithin fifty years of 1760s
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Bookcase (one of a pair)Niccolo Michettica. 1715Metropolitan Museum of Art, New York, NY
TextileUnknownca. 1710–20Cooper Hewitt, Smithsonian Design Museum
Ornemens de peinture et de sculpture, qui sont dans la Galerie d’Apollon, au Chasteau du Louvre, et dans le grand Appartement du Roy, au Palais des Tuilleries. Dessinez et gravez par les Srs. Berain, Chauveau, et le Moine.Jean Bérain the Younger, French, 1674 – 17261710Cooper Hewitt, Smithsonian Design Museum
Study for Staircase Decoration, Hanbury Hall, Worchestershire: Achilles Revealing his Identity in the Palace of LycomedesSir James Thornhill, English, 1675 - 1734ca. 1710Cooper Hewitt, Smithsonian Design Museum
The Head of an Old Bearded ManDonato Creti, Italian, 1671–1749ca. 1710Cooper Hewitt, Smithsonian Design Museum
Figural StudiesGaspar van Wittel, Flemish, 1652 - 17361710–1730Cooper Hewitt, Smithsonian Design Museum
Grand Trumeau de la Galerie d’Apollon.Jean Bérain the Younger, French, 1674 – 17261710Cooper Hewitt, Smithsonian Design Museum
SidewallUnknownca. 1710Cooper Hewitt, Smithsonian Design MuseumAlso at Metropolitan Museum of Art, New York, NY
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Marble female figureBastis Master2600–2400 BCEMetropolitan Museum of Art, New York, NY
Relief Fragment with a Ship Under SailUnknownca. 2465–2458 BCEMetropolitan Museum of Art, New York, NY
Tomb Chapel of Raemkai: South WallUnknownca. 2446–2389 BCEMetropolitan Museum of Art, New York, NY
West wall of the chapel of the mastaba Kaemsenu with niches for Iretnub, Kaemsenu and WerdjedptahUnknownca. 2420–2250 BCEMetropolitan Museum of Art, New York, NY
Design amulet, Cow and Calf on the Back, Device showing Antithetical Falcons Flanking an Ankh Sign over a Crouching LionUnknownca. 2150–2100 B.C.Metropolitan Museum of Art, New York, NY
Design Amulet, Pyramidal Back with Horizontal Piercing, Device showing Two Falcons Flanking what is meant to be an Ankh SignUnknownca. 2150–2010 B.C.Metropolitan Museum of Art, New York, NY
Design Amulet, Cow Nursing Calf and also a Kneeling Suckling Man Visible on Opposite Side on the Back, Device showing Antithetical Falcons with an Ankh Sign over a LionUnknownca. 2150–2100 B.C.Metropolitan Museum of Art, New York, NY
Design Amulet, Back in the Form of a Woman Suckling a Child, Device showing Two Lizards Head-to-tailUnknownca. 2100–2080 B.C.Metropolitan Museum of Art, New York, NY
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Giovanni Battista Tiepolo made The Apotheosis of the Spanish Monarchy, and made these too.
Made in the eighteenth century, like The Apotheosis of the Spanish Monarchy.
