The Triumph of Marius — Giovanni Battista Tiepolo, 1729

The Triumph of Marius, Giovanni Battista Tiepolo

Seen

Not described yet.

Of

These are claims by the holder and by Wikidata, read 2026-09-04, and join nothing until an editor confirms them.

Holder's headings: Men, Women, Horses, Chariots
Wikidata depicts: woman, horse, man, Jugurtha, Gaius Marius, chariot

Means

No reading yet.

Rights

Credit: Rogers Fund, 1965
Licence: CC0-1.0
Evidence: metmuseum.org collection api v1: isPublicDomain=true on object 437788 (read 2026-09-01)
Record: https://www.metmuseum.org/art/collection/search/437788

Also by Giovanni Battista Tiepolo

22

Youth, Sage, and Attendant with Horse, Giovanni Battista Tiepolo — Youth, Sage, and Attendant with HorseGiovanni Battista TiepoloNational Gallery of Art

The Battle of Vercellae, Giovanni Battista Tiepolo — The Battle of VercellaeGiovanni Battista Tiepolo1725–29Metropolitan Museum of Art, New York, NY

Virgin and Child with Saints Dominic and Hyacinth, Giovanni Battista Tiepolo — Virgin and Child with Saints Dominic and HyacinthGiovanni Battista Tiepolo1730–35The Art Institute of Chicago

Adoration of the Magi, Giovanni Battista Tiepolo — Adoration of the MagiGiovanni Battista Tiepoloc. 1740The Art Institute of Chicago

A Nymph with a Small Satyr and Two Goats, from Capricci, Giovanni Battista Tiepolo — A Nymph with a Small Satyr and Two Goats, from CapricciGiovanni Battista Tiepolo1740/50, published 1785The Art Institute of Chicago

Death Giving Audience, from Capricci, Giovanni Battista Tiepolo — Death Giving Audience, from CapricciGiovanni Battista Tiepolo1740/50, published 1785The Art Institute of Chicago

Armida Encounters the Sleeping Rinaldo, Giovanni Battista Tiepolo — Armida Encounters the Sleeping RinaldoGiovanni Battista Tiepoloc. 1742–45The Art Institute of Chicago

Rinaldo and the Magus of Ascalon, Giovanni Battista Tiepolo — Rinaldo and the Magus of AscalonGiovanni Battista Tiepoloc. 1742–45The Art Institute of Chicago

Within fifty years of 1729

1999

LE CHASTEAU DE MEUDON, Adam Perelle, French, 1638 – 1695 — LE CHASTEAU DE MEUDONAdam Perelle, French, 1638 – 16951679–1691Cooper Hewitt, Smithsonian Design Museum

MEUDON du côté du Jardin, Adam Perelle, French, 1638 – 1695 — MEUDON du côté du JardinAdam Perelle, French, 1638 – 16951679–1703Cooper Hewitt, Smithsonian Design Museum

Small desk with folding top (bureau brisé), Alexandre-Jean Oppenordt — Small desk with folding top (bureau brisé)Alexandre-Jean Oppenordtca. 1685Metropolitan Museum of Art, New York, NY

Trade card of Louis Roupert, master goldsmith of Metz, Louis Cossin, French, 1627 - 1704 — Trade card of Louis Roupert, master goldsmith of MetzLouis Cossin, French, 1627 - 17041680Cooper Hewitt, Smithsonian Design Museum

Petit Impiger Ortus, Abraham Genoels, Flemish, 1640 - 1723 — Petit Impiger OrtusAbraham Genoels, Flemish, 1640 - 1723ca. 1680Cooper Hewitt, Smithsonian Design Museum

Design for a Frame, Unknown — Design for a FrameUnknown1680–1720Cooper Hewitt, Smithsonian Design Museum

Design for Grotesque Ornament, Jean Berain, the elder, French, 1640-1711 — Design for Grotesque OrnamentJean Berain, the elder, French, 1640-1711ca. 1680Cooper Hewitt, Smithsonian Design Museum

Sidewall, Unknown — SidewallUnknownca. 1680Cooper Hewitt, Smithsonian Design Museum

Also at Metropolitan Museum of Art, New York, NY

670

Marble female figure, Bastis Master — Marble female figureBastis Master2600–2400 BCEMetropolitan Museum of Art, New York, NY

Relief Fragment with a Ship Under Sail, Unknown — Relief Fragment with a Ship Under SailUnknownca. 2465–2458 BCEMetropolitan Museum of Art, New York, NY

Tomb Chapel of Raemkai: South Wall, Unknown — Tomb Chapel of Raemkai: South WallUnknownca. 2446–2389 BCEMetropolitan Museum of Art, New York, NY

West wall of the chapel of the mastaba Kaemsenu with niches for Iretnub, Kaemsenu and Werdjedptah, Unknown — West wall of the chapel of the mastaba Kaemsenu with niches for Iretnub, Kaemsenu and WerdjedptahUnknownca. 2420–2250 BCEMetropolitan Museum of Art, New York, NY

Design amulet, Cow and Calf on the Back, Device showing Antithetical Falcons Flanking an Ankh Sign over a Crouching Lion, Unknown — Design amulet, Cow and Calf on the Back, Device showing Antithetical Falcons Flanking an Ankh Sign over a Crouching LionUnknownca. 2150–2100 B.C.Metropolitan Museum of Art, New York, NY

Design Amulet, Pyramidal Back with Horizontal Piercing, Device showing Two Falcons Flanking what is meant to be an Ankh Sign, Unknown — Design Amulet, Pyramidal Back with Horizontal Piercing, Device showing Two Falcons Flanking what is meant to be an Ankh SignUnknownca. 2150–2010 B.C.Metropolitan Museum of Art, New York, NY

Design Amulet, Cow Nursing Calf and also a Kneeling Suckling Man Visible on Opposite Side on the Back, Device showing Antithetical Falcons with an Ankh Sign over a Lion, Unknown — Design Amulet, Cow Nursing Calf and also a Kneeling Suckling Man Visible on Opposite Side on the Back, Device showing Antithetical Falcons with an Ankh Sign over a LionUnknownca. 2150–2100 B.C.Metropolitan Museum of Art, New York, NY

Design Amulet, Back in the Form of a Woman Suckling a Child, Device showing Two Lizards Head-to-tail, Unknown — Design Amulet, Back in the Form of a Woman Suckling a Child, Device showing Two Lizards Head-to-tailUnknownca. 2100–2080 B.C.Metropolitan Museum of Art, New York, NY

Similar picturesFound by visual likeness

1 pictures

Other makers only

Visual resemblances suggested by the model. A match does not establish a shared subject or historical connection.

The Investiture of Bishop Harold as Duke of Franconia, Giovanni Battista Tiepolo — The Investiture of Bishop Harold as Duke of FranconiaGiovanni Battista Tiepoloca. 1751–52Metropolitan Museum of Art, New York, NY

0.83

Next

Giovanni Battista Tiepolo made The Triumph of Marius, and made these too.

Made in the eighteenth century, like The Triumph of Marius.

0:00–0:00