The Battle of Vercellae — Giovanni Battista Tiepolo, 1725–29

The Battle of Vercellae, Giovanni Battista Tiepolo

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These are claims by the holder and by Wikidata, read 2026-09-04, and join nothing until an editor confirms them.

Holder's headings: Battles, Soldiers, Horses, Death
Wikidata depicts: death, battle, equestrianism, soldier

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Rights

Credit: Rogers Fund, 1965
Licence: CC0-1.0
Evidence: metmuseum.org collection api v1: isPublicDomain=true on object 437794 (read 2026-09-01)
Record: https://www.metmuseum.org/art/collection/search/437794

Also by Giovanni Battista Tiepolo

22

Youth, Sage, and Attendant with Horse, Giovanni Battista Tiepolo — Youth, Sage, and Attendant with HorseGiovanni Battista TiepoloNational Gallery of Art

The Triumph of Marius, Giovanni Battista Tiepolo — The Triumph of MariusGiovanni Battista Tiepolo1729Metropolitan Museum of Art, New York, NY

Virgin and Child with Saints Dominic and Hyacinth, Giovanni Battista Tiepolo — Virgin and Child with Saints Dominic and HyacinthGiovanni Battista Tiepolo1730–35The Art Institute of Chicago

Adoration of the Magi, Giovanni Battista Tiepolo — Adoration of the MagiGiovanni Battista Tiepoloc. 1740The Art Institute of Chicago

A Nymph with a Small Satyr and Two Goats, from Capricci, Giovanni Battista Tiepolo — A Nymph with a Small Satyr and Two Goats, from CapricciGiovanni Battista Tiepolo1740/50, published 1785The Art Institute of Chicago

Death Giving Audience, from Capricci, Giovanni Battista Tiepolo — Death Giving Audience, from CapricciGiovanni Battista Tiepolo1740/50, published 1785The Art Institute of Chicago

Armida Encounters the Sleeping Rinaldo, Giovanni Battista Tiepolo — Armida Encounters the Sleeping RinaldoGiovanni Battista Tiepoloc. 1742–45The Art Institute of Chicago

Rinaldo and the Magus of Ascalon, Giovanni Battista Tiepolo — Rinaldo and the Magus of AscalonGiovanni Battista Tiepoloc. 1742–45The Art Institute of Chicago

Within fifty years of 1725–29

1990

Longcase clock with calendar, Joseph Knibb — Longcase clock with calendarJoseph Knibbca. 1680–85Metropolitan Museum of Art, New York, NY

LA BASSIN D’ENCELADE, Adam Perelle, French, 1638 – 1695 — LA BASSIN D’ENCELADEAdam Perelle, French, 1638 – 16951675–1703Cooper Hewitt, Smithsonian Design Museum

Drawing, Arnold Houbraken, Dutch, 1660 - 1719 — DrawingArnold Houbraken, Dutch, 1660 - 1719ca. 1675–1719Cooper Hewitt, Smithsonian Design Museum

One of a set of trophies of weapons of war as a decoration of a horizontal panel, Francesco Bedeschini, Italian — One of a set of trophies of weapons of war as a decoration of a horizontal panelFrancesco Bedeschini, Italian1675-1699Cooper Hewitt, Smithsonian Design Museum

One set of trophies of weapons of war as a decoration for horizontal panels. Intended to be engraved, Francesco Bedeschini, Italian — One set of trophies of weapons of war as a decoration for horizontal panels. Intended to be engravedFrancesco Bedeschini, Italian1675-1699Cooper Hewitt, Smithsonian Design Museum

One of a set of trophies of weapons of war as a decoration for a horizontal panel, Francesco Bedeschini, Italian — One of a set of trophies of weapons of war as a decoration for a horizontal panelFrancesco Bedeschini, Italian1675-1699Cooper Hewitt, Smithsonian Design Museum

One set of trophies of weapons of war as a decoration for horizontal panels. Intended to be engraved, Francesco Bedeschini, Italian — One set of trophies of weapons of war as a decoration for horizontal panels. Intended to be engravedFrancesco Bedeschini, Italian1675-1699Cooper Hewitt, Smithsonian Design Museum

One set of trophies of weapons of war as a decoration for horizontal panels, Francesco Bedeschini, Italian — One set of trophies of weapons of war as a decoration for horizontal panelsFrancesco Bedeschini, Italian1675-1699Cooper Hewitt, Smithsonian Design Museum

Also at Metropolitan Museum of Art, New York, NY

674

Marble female figure, Bastis Master — Marble female figureBastis Master2600–2400 BCEMetropolitan Museum of Art, New York, NY

Relief Fragment with a Ship Under Sail, Unknown — Relief Fragment with a Ship Under SailUnknownca. 2465–2458 BCEMetropolitan Museum of Art, New York, NY

Tomb Chapel of Raemkai: South Wall, Unknown — Tomb Chapel of Raemkai: South WallUnknownca. 2446–2389 BCEMetropolitan Museum of Art, New York, NY

West wall of the chapel of the mastaba Kaemsenu with niches for Iretnub, Kaemsenu and Werdjedptah, Unknown — West wall of the chapel of the mastaba Kaemsenu with niches for Iretnub, Kaemsenu and WerdjedptahUnknownca. 2420–2250 BCEMetropolitan Museum of Art, New York, NY

Design amulet, Cow and Calf on the Back, Device showing Antithetical Falcons Flanking an Ankh Sign over a Crouching Lion, Unknown — Design amulet, Cow and Calf on the Back, Device showing Antithetical Falcons Flanking an Ankh Sign over a Crouching LionUnknownca. 2150–2100 B.C.Metropolitan Museum of Art, New York, NY

Design Amulet, Pyramidal Back with Horizontal Piercing, Device showing Two Falcons Flanking what is meant to be an Ankh Sign, Unknown — Design Amulet, Pyramidal Back with Horizontal Piercing, Device showing Two Falcons Flanking what is meant to be an Ankh SignUnknownca. 2150–2010 B.C.Metropolitan Museum of Art, New York, NY

Design Amulet, Cow Nursing Calf and also a Kneeling Suckling Man Visible on Opposite Side on the Back, Device showing Antithetical Falcons with an Ankh Sign over a Lion, Unknown — Design Amulet, Cow Nursing Calf and also a Kneeling Suckling Man Visible on Opposite Side on the Back, Device showing Antithetical Falcons with an Ankh Sign over a LionUnknownca. 2150–2100 B.C.Metropolitan Museum of Art, New York, NY

Design Amulet, Back in the Form of a Woman Suckling a Child, Device showing Two Lizards Head-to-tail, Unknown — Design Amulet, Back in the Form of a Woman Suckling a Child, Device showing Two Lizards Head-to-tailUnknownca. 2100–2080 B.C.Metropolitan Museum of Art, New York, NY

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Giovanni Battista Tiepolo made The Battle of Vercellae, and made these too.

Made in the eighteenth century, like The Battle of Vercellae.

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