Of
These are claims by the holder and by Wikidata, read 2026-09-04, and join nothing until an editor confirms them.
- Holder's headings
- Suffering, Children, Men, Women, Horses
- Wikidata depicts
- woman, horse, child, man, suffering
The Abduction of the Sabine Women — Nicolas Poussinprobably 1633–34 Also by Nicolas Poussin
16
BacchanalNicolas Poussinca. 1635–36Metropolitan Museum of Art, New York, NY
Birth of AlexanderNicolas Poussin1640sThe Art Institute of Chicago
Drunken Silenus Satyr and NymphsNicolas Poussinn.d.The Art Institute of Chicago
Man Kneeling With Jug (recto); Standing Man (verso)Nicolas Poussinn.d.The Art Institute of Chicago
Midas Washing at the Source of the PactolusNicolas Poussinca. 1627Metropolitan Museum of Art, New York, NY
The Holy Family with Saint John the BaptistNicolas Poussinca. 1627Metropolitan Museum of Art, New York, NY
The Agony in the GardenNicolas Poussin1626–27Metropolitan Museum of Art, New York, NY
The Companions of RinaldoNicolas Poussinca. 1633Metropolitan Museum of Art, New York, NYWithin fifty years of probably 1633–34
975
Dead Blue RollerHans Hoffmann (German, 1545/50–1591/92); Albrecht Dürer (German, 1471–1528)1583Cleveland Museum of Art
Henrici Cornelii Agrippae ab Nettesheym De incertitudine et vanitate scientiarum declamatio invectiva, ex postrema authoris recognitioneAgrippa von Nettesheim, Heinrich Cornelius1584Stiftung der Werke von C.G.Jung, Zürich
The Sacrifice of IsaacPaolo Veronese1585Museo del Prado
Kichik Beg Wounded during Babur's Attack on Qalat, from a copy of the Baburnama (Book of Babur)Mughalc. 1590The Art Institute of Chicago
Lovers parting, page from a book of fablesUnknownc. 1590–95Cleveland Museum of Art
Calligraphy: Preface to the Anvar-i SuhailiUnknownc. 1590Cleveland Museum of Art
Adoration of the MagiMaarten de Vos (Flemish, 1532–1603)c. 1590Cleveland Museum of Art
Somniorum synesiorum omnis generis insomnia explicantes, libri IIII : quibus accedunt, eiusdem haec etiam De libris propriis ... ; De curationibus et praedictionibus admirandis ; Neronis encomium ; Geometriae encomiumCardano, Girolamo1585Stiftung der Werke von C.G.Jung, ZürichAlso at Metropolitan Museum of Art, New York, NY
677
Marble female figureBastis Master2600–2400 BCEMetropolitan Museum of Art, New York, NY
Relief Fragment with a Ship Under SailUnknownca. 2465–2458 BCEMetropolitan Museum of Art, New York, NY
Tomb Chapel of Raemkai: South WallUnknownca. 2446–2389 BCEMetropolitan Museum of Art, New York, NY
West wall of the chapel of the mastaba Kaemsenu with niches for Iretnub, Kaemsenu and WerdjedptahUnknownca. 2420–2250 BCEMetropolitan Museum of Art, New York, NY
Design amulet, Cow and Calf on the Back, Device showing Antithetical Falcons Flanking an Ankh Sign over a Crouching LionUnknownca. 2150–2100 B.C.Metropolitan Museum of Art, New York, NY
Design Amulet, Pyramidal Back with Horizontal Piercing, Device showing Two Falcons Flanking what is meant to be an Ankh SignUnknownca. 2150–2010 B.C.Metropolitan Museum of Art, New York, NY
Design Amulet, Cow Nursing Calf and also a Kneeling Suckling Man Visible on Opposite Side on the Back, Device showing Antithetical Falcons with an Ankh Sign over a LionUnknownca. 2150–2100 B.C.Metropolitan Museum of Art, New York, NY
Design Amulet, Back in the Form of a Woman Suckling a Child, Device showing Two Lizards Head-to-tailUnknownca. 2100–2080 B.C.Metropolitan Museum of Art, New York, NY
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Nicolas Poussin made The Abduction of the Sabine Women, and made these too.
Made in the seventeenth century, like The Abduction of the Sabine Women.
