Midas Washing at the Source of the Pactolus, Nicolas Poussin

Seen

Not described yet.


Of

These are claims by the holder and by Wikidata, read 2026-09-04, and join nothing until an editor confirms them.

Holder's headings
Children, Men, Midas, Rivers
Wikidata depicts
river, child, man, Midas, Midas

Means

No reading yet.


Rights

Credit
Purchase, 1871
Licence
CC0-1.0
Evidence
metmuseum.org collection api v1: isPublicDomain=true on object 437328 (read 2026-09-01)
Record
https://www.metmuseum.org/art/collection/search/437328
Midas Washing at the Source of the Pactolus, Nicolas Poussin
Midas Washing at the Source of the Pactolus — Nicolas Poussinca. 1627

Also by Nicolas Poussin

16
Bacchanal, Nicolas Poussin
BacchanalNicolas Poussinca. 1635–36Metropolitan Museum of Art, New York, NY
Birth of Alexander, Nicolas Poussin
Birth of AlexanderNicolas Poussin1640sThe Art Institute of Chicago
Drunken Silenus Satyr and Nymphs, Nicolas Poussin
Drunken Silenus Satyr and NymphsNicolas Poussinn.d.The Art Institute of Chicago
Man Kneeling With Jug (recto); Standing Man (verso), Nicolas Poussin
Man Kneeling With Jug (recto); Standing Man (verso)Nicolas Poussinn.d.The Art Institute of Chicago
The Holy Family with Saint John the Baptist, Nicolas Poussin
The Holy Family with Saint John the BaptistNicolas Poussinca. 1627Metropolitan Museum of Art, New York, NY
The Agony in the Garden, Nicolas Poussin
The Agony in the GardenNicolas Poussin1626–27Metropolitan Museum of Art, New York, NY
The Companions of Rinaldo, Nicolas Poussin
The Companions of RinaldoNicolas Poussinca. 1633Metropolitan Museum of Art, New York, NY
The Assumption of the Virgin, Nicolas Poussin
The Assumption of the VirginNicolas Poussinc. 1630/1632National Gallery of Art

Within fifty years of ca. 1627

901

Also at Metropolitan Museum of Art, New York, NY

674
Marble female figure, Bastis Master
Marble female figureBastis Master2600–2400 BCEMetropolitan Museum of Art, New York, NY
Relief Fragment with a Ship Under Sail, Unknown
Relief Fragment with a Ship Under SailUnknownca. 2465–2458 BCEMetropolitan Museum of Art, New York, NY
Tomb Chapel of Raemkai: South Wall, Unknown
Tomb Chapel of Raemkai: South WallUnknownca. 2446–2389 BCEMetropolitan Museum of Art, New York, NY
West wall of the chapel of the mastaba Kaemsenu with niches for Iretnub, Kaemsenu and Werdjedptah, Unknown
West wall of the chapel of the mastaba Kaemsenu with niches for Iretnub, Kaemsenu and WerdjedptahUnknownca. 2420–2250 BCEMetropolitan Museum of Art, New York, NY
Design amulet, Cow and Calf on the Back, Device showing Antithetical Falcons Flanking an Ankh Sign over a Crouching Lion, Unknown
Design amulet, Cow and Calf on the Back, Device showing Antithetical Falcons Flanking an Ankh Sign over a Crouching LionUnknownca. 2150–2100 B.C.Metropolitan Museum of Art, New York, NY
Design Amulet, Pyramidal Back with Horizontal Piercing, Device showing Two Falcons Flanking what is meant to be an Ankh Sign, Unknown
Design Amulet, Pyramidal Back with Horizontal Piercing, Device showing Two Falcons Flanking what is meant to be an Ankh SignUnknownca. 2150–2010 B.C.Metropolitan Museum of Art, New York, NY
Design Amulet, Cow Nursing Calf and also a Kneeling Suckling Man Visible on Opposite Side on the Back, Device showing Antithetical Falcons with an Ankh Sign over a Lion, Unknown
Design Amulet, Cow Nursing Calf and also a Kneeling Suckling Man Visible on Opposite Side on the Back, Device showing Antithetical Falcons with an Ankh Sign over a LionUnknownca. 2150–2100 B.C.Metropolitan Museum of Art, New York, NY
Design Amulet, Back in the Form of a Woman Suckling a Child, Device showing Two Lizards Head-to-tail, Unknown
Design Amulet, Back in the Form of a Woman Suckling a Child, Device showing Two Lizards Head-to-tailUnknownca. 2100–2080 B.C.Metropolitan Museum of Art, New York, NY

Similar picturesFound by visual likeness

8 pictures

Visual resemblances suggested by the model. A match does not establish a shared subject or historical connection.

Nymphs and a Satyr (Amor Vincit Omnia), Nicolas Poussin (French, 1594–1665)
Nymphs and a Satyr (Amor Vincit Omnia)Nicolas Poussin (French, 1594–1665)c. 1625–27Cleveland Museum of Art
0.90
The Dream of Aeneas, Salvator Rosa
The Dream of AeneasSalvator Rosa1660–65Metropolitan Museum of Art, New York, NY
0.89
The Angel of the Lord Preventing Abraham from Sacrificing his Son Isaac, Pieter Lastman
The Angel of the Lord Preventing Abraham from Sacrificing his Son IsaacPieter Lastman1616Department of Paintings of the Louvre
0.87
The Holy Family with Saint John the Baptist, Nicolas Poussin
The Holy Family with Saint John the BaptistNicolas Poussinca. 1627Metropolitan Museum of Art, New York, NY
0.87
Alexander the Great Rescued from the River Cydnus, Pietro Testa
Alexander the Great Rescued from the River CydnusPietro Testaca. 1650Metropolitan Museum of Art, New York, NY
0.87
The Sacrifice of Isaac, Francesco Guardi
The Sacrifice of IsaacFrancesco Guardi1754Cleveland Museum of Art
0.87
The Sacrifice of Isaac, Pedro Orrente
The Sacrifice of IsaacPedro Orrente1616Bilbao Fine Arts Museum
0.87
Nymphs Feeding the Child Jupiter, Follower of Nicolas Poussin
Nymphs Feeding the Child JupiterFollower of Nicolas Poussinc. 1650National Gallery of Art
0.86

Next

Made in the seventeenth century, like Midas Washing at the Source of the Pactolus.

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